1814 April Morning Dress and Lace Cap. ‘”A petticoat and bodice of fine jaconet muslin, finished round the bottom in vandykes and small buttons. The Rochelle spencer composed of the same material, appliqued with footing lace down the sleeve, and trimmed at each edge with a narrow but full border of muslin. Double fan frill of muslin round the neck, very full, continuing round the bottom of the waist, where it is gathered on a beading of needle-work. Bourdeaux mob cap, composed of lace, with treble full borders, narrowed under the chin. A small flower placed backward, on the left side. Hair much divided in front, and in full waved curls on each side. Necklace of twisted gold and pearl, with pendant cross in the center. Spring Green kid slippers and gloves of the same.” “This dress is from Mrs. Gill, of Cork-street, to whose taste and invention this work as well as the world of fashion, are under continued obligations.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
Definition Jaconet: Cotton fabric of medium thickness made in England, lighter than shirting and heavier than mull.
Definition Muslin: Thin fabric said to take its name from Mosul or Moosul, a large town in Turkish Asia where it was first made.
1812 August. Ball Dress, English. Dress with lower waistline than normal in the Empire period, pink laced bodice, with decorative sleeves, skirt with pink hem decoration, pink hat with pretty plume, and yellow gloves. Fashion Plate via John Belle’s ‘La Belle Assemblee’, London. https://books2read.com/SuziLoveFashion1810-1814
1807 Gentleman’s Half Dress, French. Green cutaway tailcoat, white vest, white frilled shirt with very high white cravat, white breeches with red fob at waist, white stockings, black shoes, black top hat and carrying a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819
The Majestic Silent Theatre in Pomona, Sunshine Coast, Queensland, Australia was far from silent when movie goers were treated to two short movies, One Week and Haunted House, by the hilarious Buster Keaton who was famous for doing all his own stunts. The Theatre was originally built as a social hall with attached shops in 1921 and is the oldest authentic silent movie theatre in the world and the longest continuously operating movie theatre in Australia.
The hall was designed to serve several functions: to show silent movies, for vaudeville productions, and to act as a social centre for the town. Over time it served as a venue for dances, balls, concerts, and wedding functions, roller skating, boxing, and church services. Constructed of unseasoned milled hardwood, the hall was about 12 metres wide by 18 metres long, with seating for 198 people and included a sprung dance floor of ¾ inch crow’s ash timber and was raised on stumps to avoid flooding. On the left hand side was the Majestic Café, which also served as general store and the right hand side’s shop accommodated at various times a dentist, radio shop, and a mechanic. https://www.themajestictheatre.com.au
The theatre’s busiest period was during World War II, when a Tank Attack (anti-tank gun) Regiment was stationed near Pomona. The troops had priority for seats and local civilians were irate when they could not get in. Often people would watch from outside, standing in the middle of the road, which was the State’s main north to south highway. The theatre remained popular after the war, and throughout the 1940s to the 1960s films were shown on Wednesday and Friday evenings and Saturday afternoon, with a cartoon and two movies for four shillings and sixpence.
The electrical 1937 Compton organ is the only one in a Queensland theatre and comes from the Regal Cinema in South Shields, Chester England. The pipe chamber contains 1930s electrical organ switches from the Theatre Royal in Halifax. Three ranks of Christie pipes in the chamber were originally from a theatre in Dunedin, New Zealand, and were owned by a church in Sydney before they were acquired by West in 1985. Other ranks of pipes have been obtained, with the hope of eventually having 12 ranks. West did not just collect pipe organ parts – the timber organ grill that separates the organ room from the auditorium is made of Oregon pine, and comes from the Roxy Theatre in Parramatta. It took six and a half years to restore the organ and was launched on 6th July 2019. Stage drapes, furnishings and equipment were salvaged from the Regent, Wintergarden, Her Majesty’s theatres in Brisbane, and the Wintergarden in Ipswich.
Joseph Frank “Buster” Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and director best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname “The Great Stone Face”.Critic Roger Ebert wrote of Keaton’s “extraordinary period from 1920 to 1929” when he “worked without interruption” as having made him “the greatest actor-director in the history of the movies”. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that “More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur.” In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
‘One Week’ is the story of a newly-wed couple given a kit house as a wedding present and Buster Keaton and his long-suffering wife try to erect the house by following numbers on the boxes, except that a rejected suitor tries to foil their attempts. ‘Haunted House’ has Keaton as a bank teller whose manager and his gang are trying to pull off a bank heist and hide in an old house that has been booby-trapped to make it appear haunted. Both these short and silent features have the audience laughing uproariously. The movies may be silent but the audience isn’t.
1770-1790 ca. Stays, or Corset, English. Pink silk damask, lined with linen, reinforced with whalebone, fingers spread over hips. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk. https://books2read.com/SuziLoveCorsetBook15
1770-1790 ca. Front View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Side View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Back View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Open View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Side and Back Views. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 ca. Collage View. Pink Silk Damask Stays, Or Corset, English. via Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.1770-1790 Pink Silk Damask Stays, Or Corset, English. #Georgian #Corset #BritishHistory1770-1790 Pink Silk Damask Stays, Or Corset, English. #Georgian #Corset #BritishHistory https://books2read.com/SuziLoveCorsetBook15 Share on XHN_15_D2D_Corsets 1700-1790
https://books2read.com/SuziLoveCorsetBook15
1750-1760 ca. Brown Silk Brocade Stays With Both Front and Back Lacings.
These silk stays have a small repeat floral brocade in rose, white, and green. There are cream, leather-backed waist tabs, stitched eyelets, and pink and tan linings. These stays, or corset, are unusual because they have both front and back lacings. This means that a lady could step in and out of her stays and then tighten the front lacing herself, thereby eliminating the need for assistance from a maid or dresser.
Women of the middle and lower classes needed to be able to dress themselves as they have no one to assist in tightening their lacings when they dressed. Most upper class ladies would be able to call upon a maid to help and would therefore generally use back lacing stays.
1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Front Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Brocade Stays With Front and Back Lacings. Back Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Side View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Eyelet View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Fabric View. via Augusta Auctions. augusta-auction.com Corsets 1700-1790 History Notes Book 15 By Suzi Love ~ Award Winning Writer and Researcher. https://books2read.com/SuziLoveCorsetBook15
1820 ca. Writing Box, English. Rosewood and brass inlaid writing box by William Dobson, The Strand, London. Makers label, gilded candle holders, ink wells. via antiques-atlas.com. Portable boxes for writing materials existed for many centuries but in the last decades of the 18th century socio-economic circumstances in England necessitated the wide use of a portable desk in the form of a box which could be used on a table or on one’s lap. Hence “Lap Desk”.
1790-1810 ca. Linen and Metal Corset, American Or European. Front Lacing. #Corset #RegencyEra #GeorgianEra #JaneAusten. https://books2read.com/SuziLoveCorsetBook16
Michael Brandon travels to introduce the woman he loves to family but is shocked when his missing brother, presumed dead for years, arrives at the country estate of the Duke Of Sherwyn where several people are stranded due to a severe snow storm. https://books2read.com/suziloveDS December Scandal, Book 3, Scandalous Siblings.
1780 ca. Gold Silk Banyan, British. For at-home wear, a gentleman had a dressing gown, often with a matching waistcoat, and an undress cap or turban. “This yellow damask banyan with its bold Chinese Chippendale – inspired pattern would have been an imposing sight on the streets or in the drawing rooms of London.” via Metropolitan Museum New York City, U.S.A. metmuseum.org Credit: Catharine Breyer Van Bomel Foundation Fund, 1978 Accession Number:1978.135.1
From the Curator: ‘For at-home wear, a gentleman had a dressing gown, often with a matching waistcoat, and an undress cap or turban.As for breeches, they were not designed especially for this casual ensemble, but rather borrowed from other suits.The dressing gown was cut like a man’s loose coat and usually hung to the floor, though there were also versions that stopped below the knees. Since there were no fastenings, the wearer overlapped the dressing gown in front when he walked so that the sides did not billow out behind him.The sleeves were originally rolled back to form cuffs, but later dressing gowns display the fashionable cuff of their period.In England these dressing gowns were called “banyans” or “Indian nightgowns” because of their kimono-like form and Eastern origin. Banyans were made in a variety of fabrics, including silk brocades, damasks, and printed cottons. By the 1780s, gentlemen ventured out of doors in this comfortable and stylish costume. According to Town and Country Magazine in 1785: “Banyans are worn in every part of the town from Wapping to Westminster, and if a sword is occasionally put on it sticks out of the middle of the slit behind. This however is the fashion, the ton, and what can a man do? He must wear a banyan.”This yellow damask banyan with its bold Chinese Chippendale – inspired pattern would have been an imposing sight on the streets or in the drawing rooms of London.’ via Metropolitan Museum New York City, U.S.A. metmuseum.org
1780 ca. Front View. 1780 ca. Back View.1780 ca. Back View. 1780 ca. Fabric View.