What was fashionable outdoor wear for Jane Austen and contemporaries? Reticules, Spencers, and Pelisses, or Walking Dresses, Or Redingotes. History Notes Books 3, 4, and 5 By Suzi Love.
What sort of coats did women wear during the Regency years? them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse
HN_5_What was fashionable for outer wear in past centuries? Different names in different countries- Pelisse, Redingote, Or Walking Dress. #Regency #Fashion #History books2read.com:suzilovePelisse
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. This is the style of sewing box Jane Austen and her family would have used in the early 1800s, or Regency years. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
Definition: Palais Royal: Name of an area around the Royal Palace in Paris, France, that specialized in making small and exquisite works of art during the 18th and 19th centuries. Palais Royal sewing tools were elaborate and usually feature mother-of-pearl, often intricately carved or engraved. During the 19th century, workboxes were often works of art with engravings, carvings, mother-of-pearl, and elaborate gilt metal mounts. Most popular were scissors with steel blades and gilt mounts, thimbles and needle cases which were often shaped like animals or other natural forms. Workmanship was exceptional and the tools almost too fragile to use.
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. via via suzilove.com and 1st Dibs Auctions 1stdibs.comHN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Early 1800s Typical Regency Couple in a Curricle. The sort of vehicle Jane Austen and her contemporaries would have driven in. Young men loved them and occasionally women drove them.
1816 Block Printed Quilt Panel made to celebrate the Marriage of Princess Charlotte to Prince Leopold of Saxe-Coburg.
Textile of block-printed white cotton in madder colours with pencilled blue. The cotton is printed with 9.5 octagonal panels intended to be cut out and applied to patchwork quilts. Each panels contains a bunch of flowers. Around the inner border is an inscription of Princess Charlotte of Wales married to Leopold Prince of Saxe-Coburg May 2, 1816. In the borders are three Prince of Wales feathers, the Royal Arms, and a crown on each side. At the end of the textile is printed a rectangular panel containing the manufacturers name and in a corner is the name ‘G. Swindels’.
This quilt has an excise stamp for 1816 and is inscribed ‘John Lowe and Co. Furniture Printers, Shepley Hall’, providing the name of the only identifiable manufacturer of these panels, although there are likely to have been others. John Lowe was a well-known firm of calico printers with large cotton factories and extensive bleaching grounds close to the River Tame near Ashton-under-Lyne in Lancashire.
Hand-quilting is done on a frame using needles called ‘betweens’. The stitches are executed with one hand; the other hand is kept underneath the quilt to feel for the needle. Small, uniform stitches (usually a ‘running stitch’) are taken through the three layers to form a decorative design. In ‘piecing’ or ‘patchwork’, small pieces of fabric are sewn together to produce a decorative design. The most enduring method in Britain is done by hand, and is known as ‘piecing over paper’. The pattern is first drawn onto paper and then accurately cut. Small pieces of fabric are tacked round each of the shapes, and then joined together from the back using overstitch. Most of the quilt top visible here has been pieced over paper, but in some areas the fabrics have been applied directly on to the earlier quilt that forms the wadding.
1807 Gentleman’s Half Dress, French. Green cutaway tailcoat, white vest, white frilled shirt with very high white cravat, white breeches with red fob at waist, white stockings, black shoes, black top hat and carrying a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life. https://books2read.com/SuziLoveFashionMen1800-1819
1807 Gentleman’s Half Dress, French. Green cutaway tailcoat, white vest, white frilled shirt with very high white cravat, white breeches with red fob at waist, white stockings, black shoes, black top hat and carrying a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
The Majestic Silent Theatre in Pomona, Sunshine Coast, Queensland, Australia was far from silent when movie goers were treated to two short movies, One Week and Haunted House, by the hilarious Buster Keaton who was famous for doing all his own stunts. The Theatre was originally built as a social hall with attached shops in 1921 and is the oldest authentic silent movie theatre in the world and the longest continuously operating movie theatre in Australia.
The hall was designed to serve several functions: to show silent movies, for vaudeville productions, and to act as a social centre for the town. Over time it served as a venue for dances, balls, concerts, and wedding functions, roller skating, boxing, and church services. Constructed of unseasoned milled hardwood, the hall was about 12 metres wide by 18 metres long, with seating for 198 people and included a sprung dance floor of ¾ inch crow’s ash timber and was raised on stumps to avoid flooding. On the left hand side was the Majestic Café, which also served as general store and the right hand side’s shop accommodated at various times a dentist, radio shop, and a mechanic. https://www.themajestictheatre.com.au
The theatre’s busiest period was during World War II, when a Tank Attack (anti-tank gun) Regiment was stationed near Pomona. The troops had priority for seats and local civilians were irate when they could not get in. Often people would watch from outside, standing in the middle of the road, which was the State’s main north to south highway. The theatre remained popular after the war, and throughout the 1940s to the 1960s films were shown on Wednesday and Friday evenings and Saturday afternoon, with a cartoon and two movies for four shillings and sixpence.
The electrical 1937 Compton organ is the only one in a Queensland theatre and comes from the Regal Cinema in South Shields, Chester England. The pipe chamber contains 1930s electrical organ switches from the Theatre Royal in Halifax. Three ranks of Christie pipes in the chamber were originally from a theatre in Dunedin, New Zealand, and were owned by a church in Sydney before they were acquired by West in 1985. Other ranks of pipes have been obtained, with the hope of eventually having 12 ranks. West did not just collect pipe organ parts – the timber organ grill that separates the organ room from the auditorium is made of Oregon pine, and comes from the Roxy Theatre in Parramatta. It took six and a half years to restore the organ and was launched on 6th July 2019. Stage drapes, furnishings and equipment were salvaged from the Regent, Wintergarden, Her Majesty’s theatres in Brisbane, and the Wintergarden in Ipswich.
Joseph Frank “Buster” Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and director best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname “The Great Stone Face”.Critic Roger Ebert wrote of Keaton’s “extraordinary period from 1920 to 1929” when he “worked without interruption” as having made him “the greatest actor-director in the history of the movies”. In 1996, Entertainment Weekly recognized Keaton as the seventh-greatest film director, writing that “More than Chaplin, Keaton understood movies: He knew they consisted of a four-sided frame in which resided a malleable reality off which his persona could bounce. A vaudeville child star, Keaton grew up to be a tinkerer, an athlete, a visual mathematician; his films offer belly laughs of mind-boggling physical invention and a spacey determination that nears philosophical grandeur.” In 1999, the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema.
‘One Week’ is the story of a newly-wed couple given a kit house as a wedding present and Buster Keaton and his long-suffering wife try to erect the house by following numbers on the boxes, except that a rejected suitor tries to foil their attempts. ‘Haunted House’ has Keaton as a bank teller whose manager and his gang are trying to pull off a bank heist and hide in an old house that has been booby-trapped to make it appear haunted. Both these short and silent features have the audience laughing uproariously. The movies may be silent but the audience isn’t.
1750-1760 ca. Brown Silk Brocade Stays With Both Front and Back Lacings.
These silk stays have a small repeat floral brocade in rose, white, and green. There are cream, leather-backed waist tabs, stitched eyelets, and pink and tan linings. These stays, or corset, are unusual because they have both front and back lacings. This means that a lady could step in and out of her stays and then tighten the front lacing herself, thereby eliminating the need for assistance from a maid or dresser.
Women of the middle and lower classes needed to be able to dress themselves as they have no one to assist in tightening their lacings when they dressed. Most upper class ladies would be able to call upon a maid to help and would therefore generally use back lacing stays.
1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Front Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Brocade Stays With Front and Back Lacings. Back Lacing View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Side View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Eyelet View. via Augusta Auctions. augusta-auction.com1750-1760 ca. Brown Silk Brocade Stays With Front and Back Lacings. Fabric View. via Augusta Auctions. augusta-auction.com Corsets 1700-1790 History Notes Book 15 By Suzi Love ~ Award Winning Writer and Researcher. https://books2read.com/SuziLoveCorsetBook15
1805 November Three English Ladies In Full Dress. White walking dress with high neck under a purple tunic and masculine style straw hat. Two in evening dresses, one white and one pink, fur stoles and plumed, or feathered, hats. via Vernon and Hood Poultry at The Lady’s Monthly Museum, London, U.K. These gorgeous dresses show the transition from the round dresses of the late 1700s to the Empire style dresses with the waistline high under the bust. Small trains were still worn in the early 1800s, but much more manageable than the larger and more elaborate trains of the late 1700s. Jane Austen and her friends would have worn dresses like this to their assemblies and evening events.
Definition Accessory: An accessory completes and complements an outfit. Two groups – 1. Those worn e.g. bonnets, caps and hats, boots and shoes, cravats and ties, gloves, mittens and muffs, jewelry, scarves and shawls, socks and stockings. 2. Those carried e.g. bags, fans, and parasols.
Definition Full Dress: The most formal and complete ensemble, worn for day or night events, and includes the fullest range of accessories that could be added to the outfit to make the most impressive display.
1805 November Three English Ladies In Full Dress. White walking dress with high neck under a purple tunic and masculine style straw hat. Two in evening dresses, one white and one pink, fur stoles and plumed, or feathered, hats. via Vernon and Hood Poultry at The Lady’s Monthly Museum, London, U.K.Fashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809