Category Archives: 1700s

1789-1790 Man’s Red Wool Riding Coat, England or France. #GeorgianFashion #RidingFashion #HistoricalFashion

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1789-1790 ca. Man’s Red Riding Coat, England or France. Wool plain weave, full finish, with metallic-thread embroidery, tan breeches, black riding boots and crop. Credit: (M.2007.211.46) via Los Angeles County Museum of Art, California, USA. collections.lacma.org

1789-1790 Man's Red Riding Coat, England or France. Wool plain weave, full finish, with metallic-thread embroidery. collections.lacma.org books2read.com/suziloveFashMen1700
1789-1790 Man’s Red Riding Coat, England or France. Wool plain weave, full finish, with metallic-thread embroidery Credit: (M.2007.211.46) via Los Angeles County Museum of Art, California, USA. collections.lacma.org suzilove.com
1789-1790 Man's Red Wool Riding Coat, England or France. #GeorgianFashion #RidingFashion #HistoricalFashion books2read.com/suziloveFashMen1700 Share on X
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Fashion Must Haves In Bridgerton and Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Regency #JaneAusten #Georgian #Victorian

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HN_3-4-5_Fashion Accessories- Reticules, Spencers, Redingotes. #Regency #Fashion #History books2read.com:suziloveReticules books2read.com:suziloveSpencers books2read.com:suzilovePelisse
HN_3-4-5_Fashion Accessories- Reticules, Spencers, Redingotes. #Regency #Fashion #History books2read.com:suziloveReticules books2read.com:suziloveSpencers books2read.com:suzilovePelisse
  • Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
  • Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
  • Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
Fashion Must Haves In Bridgerton and Jane Austen's times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Regencyera #JaneAusten #Bridgerton books2read.com/suziloveReticules Share on X
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Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #RegencyEra #books #History #Pinterest #SuziLove

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Pinterest Boards By Suzi Love.

I love Pinterest for keeping thousands of historical images in some sort of order. And I love using Pinterest Boards as inspiration for my romance books. What about you? Do you use Pinterest for planning something, or just for fun? Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards

Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #Regency #books #Historyhttp://www.pinterest.com/suziloveoz/
Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #RegencyEra #books #History #Pinterest #SuziLove http://www.pinterest.com/suziloveoz Share on X
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1700s Late Gorgeous Gentlemen’s Coats As Worn by Jane Austen’s male family and friends. #JaneAusten #GeorgianFashion #HistoricalFashion #Coat

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1700s Late Gentlemen’s Coats.
A fitted coat was an essential part of a gentleman’s wardrobe in the late 1800s and were generally tailored and cut to fit tightly. Therefore, gentlemen needed a valet, or some other helper, to extricate himself and his shoulders from his glove-like coat. Breeches and a waistcoat in the same fabric usually completed the 18th century’s gentleman ensemble. Coats were generally worn long at the back and had elaborate decoration down the front openings, collars, and sleeve cuffs.

1700s Late Gentlemen's Coats. #Georgian #Fashion
1700s Late Gorgeous Gentlemen's Coats As Worn by Jane Austen's male family and friends. #JaneAusten #GeorgianFashion #HistoricalFashion #Coat www.books2read.com/suziloveFashMen1700 Share on X
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1799-1805 ca. Gold Dress With Small Bodice and Train In Jane Austen style. #JaneAusten #RegencyFashion #Europe #HistoricalFashion

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1799-1805 ca. Gold dress with small train and very small bodice.. via musee des tissus et des arts decoratifs de lyon. https://books2read.com/SuziLoveFashionWomen1801-1804

1799-1805 ca. Gold dress with small train and very small bodice.. via musee des tissus et des arts decoratifs de lyon. https://books2read.com/SuziLoveFashionWomen1801-1804
1799-1805 ca. Gold Dress With Small Bodice and Train In Jane Austen style. #JaneAusten #RegencyFashion #Europe #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
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1780 Linen Stays and Panier, or Hoop Petticoat, England. #corset #Georgian #Fashion #underclothing

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1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. Stays: Brown linen twill and baleen. Panier: Woman’s hoop petticoat, or pannier, of linen plain weave and cane 1750-1780. via Los Angeles County Museum of Art, California, USA. collections.lacma.org

1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Stays and Panier, or Hoop Petticoat, England. via suzilove.com and Los Angeles County Museum of Art, California, USA. collections.lacma.org
1780 Linen Stays and Panier, or Hoop Petticoat, England. #corset #GeorgianEra #HistoricalFashion #underclothing. https://books2read.com/SuziLoveCorsetBook15  Share on X
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Fashion Must Haves In Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Regency #JaneAusten #Georgian #Victorian

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Fashion Accessories: Reticules, Spencers, Redingotes. History Notes Books 3, 4, and 5 By Suzi Love. #Regency #Fashion #History books2read.com/suziloveReticules books2read.com/suziloveSpencers books2read.com/suzilovePelisse
Fashion Must Haves In Jane Austen’s Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5.
  • Reticule Or Bag: Purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. Carried by a woman during the Regency period to carry all their daily necessities. in the place of pockets.
  • Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
  • Pelisse Or redingote Or Walking Dress: Coat worn over clothing of both sexes for warmth and protection from the elements.
Fashion Must Haves In Bridgerton and Jane Austen Times: Reticules, Spencers, Redingotes. History Notes Series Books 3, 4, and 5. #Bridgerton #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/suzilovePelisse #VictorianFashion Share on X
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1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra

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1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.  History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \

1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
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1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra. https://www.books2read.com/suziloveMusicGeneral Share on X
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1800s Silver and Carved Mother-of-Pearl Writing and Desk Set, French. #Regency #JaneAusten #Writing

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1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener in the style that Jane Austen would have used to write her novels and her letters. via Ruby Lane Antiques. rubylane.com. books2read.com/SuziLoveWritingTools

1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener. via suzilove.com and Ruby Lane Antiques. rubylane.com
1800s Silver and Carved Mother-of-Pearl Writing and Desk Set, French. #Bridgerton #RegencyEra #JaneAusten #Writing books2read.com/SuziLoveWritingTools Share on X

HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools

What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting

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What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s

What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s
What was fashionable for women in late 1700s? Extravagant colors, outrageous styles and flamboyant fashions. #GeorgianEra #Fashion #nonfiction #amwriting books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s