1802 Two Bodices, French. Two bonnets, one with a veil. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. https://books2read.com/SuziLoveFashionWomen1801-1804
“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote https://books2read.com/SuziLoveFashion1810-1814
1780-1820 ca. Brown Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810 Gentleman’s Relaxed Daily Outfit. Green tailcoat, double-breasted white waistcoat, knotted white cravat, striped Nankin trousers with straps under the foot and red fob at the waist, holding a top hat and a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
18th Century Late – 19th Century Early Bodice and Corset Ensemble, European. Cranberry silk faille with polychrome floral brocade, the square-neck bodice having folded front collar, narrow double breast and short sleeve with pleated and pointed cuff, peplum back. Corset front pieced with cranberry brocade and a tan dotted sawtooth stripe, the back in a similar dotted stripe. Both pieces trimmed in aqua ribbon and lined in linen. via Whitaker Auctions. whitakerauction.smugmug.com
1813 April Carriage Dress, English. Green coat over white Empire style dress of jaconet or cambric muslin, plaited bodice, long sleeve, deep frill, with a vandyke of needle-work. Russian mantle is made of Pomona or spring green sasnet, lined with white satin, trimmed with a rich frog fringe and closed with a cord or tassel. Close-fitting cottage slouch bonnet of the same material and edged with scalloped lace, tied on the left under the chin with ribbon, and decorated with a small cluster of spring flowers. Reticule, or bag, of the sam fabric, slippers of green kid, and gloves of primrose kid. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1810 ca. Full Dress Jacket, Lothian Yeomanry Cavalry, Britain. The East Lothian Yeomanry Cavalry was raised as a one troop formation at Haddington in May 1797. Five years later a second troop was raised and in 1803 a third and fourth troop. The regiment was reduced to one troop in 1823 and disbanded 15 years later. National Army Museum, London, UK. https://books2read.com/SuziLoveFashionMen1800-1819 In Jane Austen’s time, or the early 1800s, gentlemen were seen in military coats like this often because many Englishmen were involved in the long lasting wars against Napoleon. .
1810 Cotton Waistcoat. Blue black and white woven plaid, narrow double breast with self buttons, buttons create optional lapels, stand collar, hemline pockets, white cotton back with ties and cotton lining. via Whitaker Auction whitakerauction.smugmug.com
Typical of a gentleman’s waistcoat, or vest, worn during the early 1800s, or Regency Era, or Jane Austen’s times with a fancy collar, straight cut, and straight buttoned front.
