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1813 Yellow Hooded Redingote, Or Coat and Yellow Boots, French. #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on June 24, 2025 by Suzi LoveJune 18, 2025

1813 Yellow Redingote Or Coat, French. Hooded coat with gorgeous white trim, yellow boots, yellow velvet bonnet with a white plume. Jane Austen and her female family and friends wore fashions like these. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Redingote, or Pelisse, or Walking Dress, or Promenade Dress: Going by many names, this is a coat copied from men’s overcoats but worn by both men and women. Generally, opens down the front, worn for warmth over a dress or coat and breeches, and has a military look with front vertical buttoning or decoration. Called a Redingote in French periodicals but English magazines called them by many other names: pelisse, carriage dress, walking dress, promenade costume.
 

1813 Yellow Redingote Or Coat, French. Hooded coat with gorgeous white trim, yellow boots, yellow velvet bonnet with a white plume. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1813 Yellow Hooded Redingote, Or Coat and Yellow Boots, French. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashion1810-1814 Share on X
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Posted in 1800s, 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, fashion accessories, hats, Jane Austen, Regency Era, Regency Fashion, sewing, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, France, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Redingote Or Pelisse Or Coat, Regency Fashion, sewing, Shoes

How did people travel in Bridgerton’s and Jane Austen’s Years? What did they take to make themselves comfortable? #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #VictorianEra

Suzi Love Posted on June 17, 2025 by Suzi LoveJune 14, 2025
HN_10_Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Jane Austen's times. In past centuries? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel

How did people travel in Bridgerton's and Jane Austen's Years? What did they take to make themselves comfortable? #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #VictorianEra https://www.books2read.com/SuziLoveTravel Share on X
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Posted in 1700s, 1800s, Australia, Box Or Container, Carriage, cartoon, Decorative Item, Edwardian Era, England, Europe, Food and Drink, Georgian Era, Grand Tour, History, History Notes, Jane Austen, medical, Regency Era, Romantic Era, sewing, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era, Writing Tools | Tagged Book 10, Box Or Container, carriages, drinks, fashion accessories, Food, Georgian era, History Notes, Jane Austen, medical, Regency Era, sewing, Suzi Love Books, travel, Victorian Era, Writing Tools

1750-1770 Ca. Back Lacing Linen Corset, European. #GeorgianEra #Corset #HistoricalFashion

Suzi Love Posted on June 16, 2025 by Suzi LoveJune 14, 2025

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone. Corset: deep point, hip flaps, lacing at the back, Netherlands.

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone.
https://books2read.com/SuziLoveCorsetBook15

Description: Quilted linen corset with vertical tunnels and with ribs. Whalebone stiffening, point on front, hip flaps, front shoulder straps of fabric plus long narrow linen strips to tie. Lined and has chamois leather at armpits, front point and waist. Linen corset with a deep thickened point at the front, hip flaps, and lacing at the back. Fully quilted with vertical tunnels, with ribs. Thickened tip at the front is slightly triangular. Above for round shape due to wide horizontal rib. Flares from the waist into hip phlangers, or fingers.  Lacing eyelets and criss-crossed lacing at the back.
Front shoulder straps are of the fabric with very long linen straps with narrower linen strap, total 110 cm, and two horizontal linen loops on top of the backs. There is a narrow linen strip on all seams and along all edges. Armpits and the front point are reinforced with chamois leather and chamois leather is at the waist with straps attached. Via  Mode Museum Province of Antwerp

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone.

Corsets 1700-1790 History Notes Book 15 This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display. 

1750-1770 Ca. Back Lacing Linen Corset, European. #GeorgianEra #Corset #HistoricFashion https://books2read.com/SuziLoveCorsetBook15 Share on X
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Posted in 1700s, 1700s Womens Fashion, Corset, Europe, Georgian Era, Georgian Fashion, Suzi Love Images, underclothing | Tagged 1700s Women's Fashion, Corset, europe, Georgian Fashion, sewing, underclothing
1810 ca. Collage View. Gown With Train. Cotton, empire-waisted dress with train and flower embroidery. Gemeentemuseum Den Haag

1810 Fawn Cotton Gown With Train Decorated With Embroidered Flowers. Type of Dress Worn By Jane Austen and Contemporaries. #RegencyFashion #JaneAusten #Holland #Europe

Suzi Love Posted on June 10, 2025 by Suzi LoveJune 8, 2025

1810 Fawn Cotton Gown, with a train decorated with embroidered flowers. Regency fashion at its prettiest. The style of Empire style, or high-waisted, dress worn by Jane Austen and her contemporaries. via Gemeenteneun Museum Den Haag. Dutch Museum, the Netherlands.  http://www.gemeentemuseum.nl

1810 ca. Front View. Gown With Train. Cotton, empire-waisted dress with train and flower embroidery. Gemeentemuseum Den Haag
1810 ca. Front View. Gown With Train. Cotton, empire-waisted dress with train and flower embroidery. Gemeentemuseum Den Haag
1810 ca. Back View. Gown With Train. Cotton, empire-waisted dress with train and flower embroidery. Gemeentemuseum Den Haag
1810 ca. Back View. Gown With Train. Cotton, empire-waisted dress with train and flower embroidery. Gemeentemuseum Den Haag
1810 Fawn Cotton Gown With Train Decorated With Embroidered Flowers. Type of Dress Worn By Jane Austen and Contemporaries. #RegencyEra #JaneAusten #Holland #Europe https://books2read.com/SuziLoveFashion1810-1814 Share on X
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HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814

Posted in 1800s, 1800s women's fashion, Dress Or Robe, Europe, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, Gemeentemuseum Holland, Jane Austen, Regency Fashion, sewing

1817 Bridgerton and Jane Austen Style White Percale Dress Under Black Velvet Spencer. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion

Suzi Love Posted on May 10, 2025 by Suzi LoveMay 9, 2025

1817 White Percale Dress, French. Dress has layers of decoration above hem, black velvet Spencer, or jacket, wide brimmed straw hat trimmed in blue, neck scarf and walking shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Definition Spencers: Short jackets worn for warmth over the high-waisted Empire style gowns said to have originated when Earl Spencer tore the tails off his coat in a hunting accident. In support of military men fighting wars everywhere, fashions for Spencers leaned towards military style embellishments, such as loops, buttons, and braids. Puffed sleeves over long straight sleeves were also very popular. Jane Austen and her friends and family wore Spencers over their high-waisted dresses.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1817 White Percale Dress, French. Dress has layers of decoration above hem, black velvet Spencer, or jacket, wide brimmed straw hat trimmed in blue, neck scarf and walking shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1817 Bridgerton and Jane Austen Style White Percale Dress Under Black Velvet Spencer. #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X

HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, sewing, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, sewing, Shoes, Spencer

1817 September Glengary Riding Habit As Worn In Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion

Suzi Love Posted on January 29, 2025 by Suzi LoveJanuary 19, 2025

1817 September Glengary Riding Habit, English, as would have been worn during Bridgerton and Jane Austen’s times. Pale blue cloth, richly ornamented with frogs and braiding, front braided on each side and fastens under the body of the habit, which slopes down on each side to define the figure. Epaulettes and jacket are braided to correspond with the front as is the bottom of the sleeve which is braided nearly half-way up the arm. Habit shirt is of cambric with a high standing collar and trimmed with lace. Cravat of soft muslin is richly worked at ends, tied in a bow, narrow lace ruffles at the wrists. Headdress is a Glengary cap of blue satin, trimmed with plaited ribbon of various shades of blue and a plume of feathers. Blue kid gloves are worn and half-boots. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.

Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.

1817 September Glengary Riding Habit, English. Pale blue cloth, richly ornamented with frogs and braiding, front braided on each side and fastens under the body of the habit, which slopes down on each side to define the figure. Headdress is a Glengary cap of blue satin, trimmed with plaited ribbon of various shades of blue and a plume of feathers. Blue kid gloves are worn and half-boots. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1817 September Glengary Riding Habit As Worn In Bridgerton and Jane Austen times. #Bridgerton #JaneAusten #RegencyFashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, Jane Austen, London, Regency Era, Regency Fashion, riding, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, cravat, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Regency Fashion, riding, sewing, Shoes, The Repository Of Arts

1817 June Bridgerton and Jane Austen Style Riding Habit and Plumed Hat, English. #Bridgerton #RegencyFashion #JaneAusten #Fashion

Suzi Love Posted on January 24, 2025 by Suzi LoveJanuary 23, 2025

1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.

Male tailors made most women’s riding habits during the Regency years and they were constructed similarly to men’s riding outfits. Generally in two pieces, a jacket and a skirt, and with a shirt with a frilled collar or front opening underneath. The trains of a habit could be caught up for walking, usually with a button and loop, and unhooked and let down so that the skirt flowed over the woman’s legs when she rode side saddle. Due to the numerous wars during the early 1800s, it was seen as patriotic for women to add military style touches to outfits in support of military men. The shoulder and cuff trims resemble the epaulettes and coat trims of a military uniform.

1817 June Blue Riding Costume, English. Loose riding habit with a train on the skirt, high white neck frill on the shirt underneath, and rows of decoration on the shoulders and cuffs of the habit jacket, an extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady's Magazine Or Entertaining Companion for the Fair Sex.
https://books2read.com/SuziLoveFashionWomen1815-1819
1817 June Blue Riding Costume, English. Loose dress with a train, high white neck frill, extra high hat with multiple plumes, or, feathers and gloves. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.

1817 June Bridgerton and Jane Austen Style Riding Habit and Plumed Hat, English. #Bridgerton #RegencyFashion #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, England, fashion accessories, hats, Jane Austen, London, Regency Era, Regency Fashion, riding, sewing, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Regency Fashion, riding, sewing, Shoes, The Lady's Magazine

1815 White Dress, Pink Reticule and Green Bonnet In Jane Austen and Bridgerton Style. #Bridgerton #RegencyFashion #JaneAusten

Suzi Love Posted on January 23, 2025 by Suzi LoveJanuary 23, 2025

1815 White Dress and Reticule, French. White dress, green bonnet with pink trim to match the adorable pink reticule and green gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have worn this style of outdoor walking outfit and flowered hat.

Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1815 White Dress and Reticule, French. White dress, green bonnet with pink trim to match the adorable pink reticule and green gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1815 White Dress, Pink Reticule and Green Bonnet In Jane Austen and Bridgerton Style. #Bridgerton #RegencyFashion #JaneAusten https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_Fashion Women 1815-1819
https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Dress Or Robe, Europe, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, Spencer, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, reticule or bag, sewing, Shoes
1820-1840 ca. 7. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.

1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. #Regency #Corset #RomanticEra

Suzi Love Posted on January 20, 2025 by Suzi LoveJanuary 19, 2025

1820-1840 ca.  Hand-Embroidered Wedding Corset,   Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset.  The back closure has ivory eyelets for the lacing.  The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textiles

1820-1840 ca. 1 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 2. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 3 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 4. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 5. Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. 6 Hand-Embroidered Wedding Corset, Connecticut, USA. Ivory cotton covered with hand embroidery, including love birds on hearts, front pocket for busk, eyelets for back lacing. Trapunto (to embroider) cording decorates and shapes corset. The back closure has ivory eyelets for the lacing. The center-front has a pocket panel for inserting a busk. Trapunto (to embroider) shapes the corset by outlining the design with two or more rows of running stitches and then padding from the underside which gives a raised effect.The technique was always considered very elegant. Trapunto first appeared in 14th century Sicily and was widely adopted for clothing in Tudor England, and then brought to America by the new settlers. In addition to the cording, the corset is totally covered with hand-embroidered flowers and there are two embroidered love birds on hearts at the center-front. Above the birds is a section of trapunto work. via Vintage Textile.
1820-1840 ca. Hand-Embroidered Wedding Corset, Connecticut, USA. #RegencyEra #Corset #RomanticEra https://books2read.com/SuziLoveCorsetBook17 Share on X
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Posted in 1800s, 1800s women's fashion, Corset, Regency Era, Romantic Era, Suzi Love Images, U.S.A, underclothing, weddings | Tagged 1800s women's fashion, Corset, Regency Fashion, Romantic Era Fashion, sewing, underclothing, USA, Vintage Textile, weddings

1818 Bridgerton Style Blue Levantine Redingote, Or Coat, With Bonnet of Blue Gros de Naples, French. #Bridgerton #RegencyFashion #FashionPlate #France

Suzi Love Posted on January 14, 2025 by Suzi LoveJanuary 14, 2025

1818 Blue Levantine Redingote, French. High-waisted walking coat, high white neck frill, bonnet of blue Gros de Naples with pink flowers, short puffed sleeves over long straight sleeves, white gloves and blue shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park.

Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.

1818 Blue Levantine Redingote, French. High-waisted walking coat, high white neck frill, bonnet of blue Gros de Naples with pink flowers, short puffed sleeves over long straight sleeves, white gloves and blue shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 Blue Levantine Redingote, French. High-waisted walking coat, high white neck frill, bonnet of blue Gros de Naples with pink flowers, short puffed sleeves over long straight sleeves, white gloves and blue shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 Bridgerton Style Blue Levantine Redingote, Or Coat, With Bonnet of Blue Gros de Naples, French. #Bridgerton #RegencyFashion #FashionPlate #France https://books2read.com/SuziLoveFashionWomen1815-1819 Share on X
HN_28_D2D_FashionWomen 1815-1819 books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, fashion accessories, France, hats, Regency Era, Regency Fashion, sewing, shoes, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Fashion Plate, France, gloves, Hats And Hair, Journal des Dames et des Modes, magazines, Redingote Or Pelisse Or Coat, Regency Fashion, sewing, Shoes

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