1805 Red Velvet Redingote, French. Shoulder cape with satin piping on the coat, white dress underneath, black hat with flowers to trim and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
This is the type of outdoor walking dress, or pelisse, worn by Jane Austen and contemporaries in England as French fashion plates were obsessively copied despite the two countries being at war for many years. English fashion magazines frequently published plates copied from French fashion magazines.
Definition Redingote, Pelisse, Walking Dress: The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England. While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse.
Fashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
1700s Late Pair of Pattens, English. Iron supports underneath leather and wood. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Definition Pattens: Under shoes that strapped onto shoes and worn outdoors and to lift shoes and dresses out the mud. People in Jane Austen’s lifetime would have used these to protect the hems of dresses and legs of men’s pants, plus protect delicate shoes.
Fashion Women Late 1700s History Notes Book 1. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. Take a look at their dresses, suits, hats, shoes and bedroom fashions. books2read.com/suziloveFashWomen1700s
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
books2read.com/suziloveFashWomen1700s
1809 March. White walking dress as Jane Austen. would have worn in England. Pale blue tunic worn over a white dress and with an unusual blue hat trimmed in yellow to match the tunic. Carrying a matching blue reticule and wearing blue slippers and yellow gloves. Description on Fashion Plate, “A Polish cap, and pelisse of silver grey cloth, trimmed with gold or silver, buttoned down the front with small round buttons, a high collar, with a lace ruff ; boots of same colour as the pelisse, and both embroidered with gold or silver. York tan gloves. This dress was transmitted to a lady of high rank from Warsaw, and would alone evince the taste and elegance of the ladies of that country, were they not already sufficiently known. Engraved Plate via Rudolph Ackermann’s ‘The Repository’ of Arts.
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
1817 November Evening Mourning Dress, English. Black short length dress, layers of feathers on the skirt, long lace headdress falling from an upswept hairstyle and black shoes. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Mourning – Full Or Deep Mourning: Entire ensemble and accessories must be black. Shiny fabrics were not allowed so bombazine became the fabric of choice for many. Hats had veils added and jet was the preferred jewelry.
Mourning – Half or Slight Mourning: allowed touches of grey and white to be added to full, or deep, mourning ensembles. Some lustre, or shine, was allowed in fabrics and accessories. After a time, mauve or deep purple could also be worn.
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
1800s Early Amputation Instruments used by Alexander Jack in Jane Austen’s times. Jack was a ship’s surgeon aboard H.M.S. Shannon and used by him in the battle between the Shannon & the American frigate the USS Chesapeake on June 1st, 1813, during the War of 1812. via Old Operating Theatre, London.
Jane Austen’s brother, Francis William Austen, was appointed Admiral of the Fleet in the British Royal Navy on 27 April, 1863. He had been a Royal Navy Captain from 1799 to 1830, age 25 to 56, Rear Admiral in 1838, age 64, Full Admiral in 1848, age 74. This is the type of medical instruments found on all of his ships.
In Jane Austen’s time, amputations were carried out frequently to prevent infections that could kill.
1817 November Cambric Muslin Walking Dress, English. As would have been worn by Jane Austen and her female contemporaries when out walking. Row of pointed work forms a narrow pelerine, high on the bosom, and ends in a point in front. The skirt has a deep muslin flounce beneath a row of soft muslin bouffone. Brown Spencer of gros de Naples has figured buttons which are intermixed with an elegant trimming. Sleeves ends are like the hem with a double row of buttons and trimming. The newly fashionable epaulette is edged and finished with buttons on the shoulder. Autumnal bonnet has a large front, low crown, and ties under the chin with a large bow. Swansdown muff, lilac sandals and pale lemon kid gloves finish the ensemble. ‘We have been favored this month with both our dresses by a lady, one of our subscribers, who purchased them, we understand, at Mrs. Bell’s in St. James’s Street.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white satin Pelisse, or Walking Or Carriage dress in the relaxed Empire style as would have been worn at home in the early 1800s, or during Jane Austen’s time. Richly ornamented with clusters of leaves made in white twilled sarsnet, headed with tull. Open fronts, trimmed to the bottom of the waist with a superb shell trimming of white satin ribbon and tull, loose sleeves trimmed at the wrists. High hat of white satin and tull with a plume of feathers of the pomona green. Half-boots of similar color. Gloves en suite and a necklace. Lady is viewing paintings and the program in her hand says ‘British Institution’. In this issue of The Repository there is an article called ‘Exhibition of Paintings by the Flemish and Dutch Masters at the British Institution, Pall Mall.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
The Quadrant, London, UK. From 1825 Views Of London.
1825 The Quadrant From Views of London via Google Books.
The Quadrant unites that part of Regent Street, terminated a short distance from Piccadilly, by the County Fire-Office, with the continuation of the same street, at Vigo Lane, on it route to the Regent’s Park. As the name imports, it forms the fourth part of an immense circle, and consists of two magnificent colonnades upholding spacious porticos, and attached to two curvilinear ranges of buildings.
The pillars composing the colonnades are of the Ionic order, fluted, and are made of cast-iron. They are supported on pedestals of Portland stone, and surmounted by an appropriate entablature, balustrade, &c. of the same. For elegance of design, and grandeur of effect, the Quadrant may vie with the most celebrated erections of a similar description which have done honour to any period or country. It is well calculated to raise the pride of Englishmen, and excite the admiration of strangers; nor are there many objects in London capable of conveying a higher or juster idea of the architectural taste of the present.
Description The Quadrant: One of the most impressive features of the ‘Royal Mile’ to link Carlton House with Regent’s Park. With the famous curved buildings in Regent Street in central London, it was designed by architect John Nash between 1818 and 1820 to connect lower Regent Street toward Piccadilly Circus. Quadrant Arcade is Regent Street’s only shopping arcade, plus a pedestrian retail passage connecting Regent Street to Glasshouse Street near Piccadilly Circus.
