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Home » 1700s » Page 5 << 1 2 3 4 5

Tag Archives: 1700s Or Georgian Era

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1775-1777 ca. Gold, Silver and Cut Diamonds Snuffbox With Medallion, Russian. #Georgian #Antiques #Russia

Suzi Love Posted on January 24, 2024 by Suzi LoveDecember 29, 2023

1775-1777 ca. Snuffbox With Medallion, Russian. Made by Johann Baltasar Gass St Petersburg, Russia. Gold, silver, cut diamonds; chased, engraved and pounced. via liveinternet.ru

1775-1777 ca. Snuffbox With Medallion, Russian. Made by Johann Baltasar Gass St Petersburg, Russia. Gold, silver, cut diamonds; chased, engraved and pounced. via liveinternet.ru
1775-1777 ca. Snuffbox With Medallion, Russian. Made by Johann Baltasar Gass St Petersburg, Russia. Gold, silver, cut diamonds; chased, engraved and pounced. via liveinternet.ru

18th Century Snuff Boxes. Not only were boxes made to serve a purpose, but decorative boxes of all types were prized, especially in the 18th Century when everything decorative and extravagant was in vogue and taking a pinch of snuff was fashionable. Snuff is made from ground or pulverized tobacco leaves and is sniffed from a pinch of snuff placed on the back of the hand. Flavorings were added to the tobacco to give a fast hit of nicotine and a lasting scent. Snuff began in the Americas and was used in Europe by the 17th Century.

Snuff became popular from the mid 1600s to the mid 1800s and was more popular than smoking. Inhaling snuff, or snuffing, was first seen by a European missionary in 1493 in Christopher Columbus’s new world within Haiti’s indigenous Taino. Until then, tobacco had been unknown to Europeans, but its use spread quickly throughout Europe during the 1500s.  By the second half of the 17th century, ornate boxes started being produced to keep the precious powder dry and an entire industry making accessories blossomed around the fashion of taking snuff.  Noblemen, and some women, carried extravagantly decorated snuff boxes with them at all times and would offer a pinch of their own particular blend to friends and family. Therefore, these boxes were always on display and so it became a competition to see who could have the most bejeweled or expensive box possible.

1775-1777 ca. Gold, Silver and Cut Diamonds Snuffbox With Medallion, Russian. #Georgian #Antiques #Russia https://www.books2read.com/suziloveBoxesCases Share on X
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Posted in 1700s, Box Or Container, Decorative Item, Europe, History, Suzi Love Images | Tagged 1700s Or Georgian Era, Book 11, Box Or Container, decorative, Georgian era, History Notes, Russia, snuffbox

1790-1810 ca. Slip on Red Moroccan Leather Shoes, English. #GeorgianEra #JaneAusten #RegencyEra

Suzi Love avatarPosted on January 7, 2024 by Suzi LoveDecember 30, 2023

1790-1810 ca. Slip on Red Moroccan Leather Shoes, English. #GeorgianEra #JaneAusten #RegencyEra https://books2read.com/SuziLoveFashionWomen1801-1804

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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, England, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, shoes, Suzi Love | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, 1800s men fashion, 1800s women's fashion, Georgian Fashion, Jane Austen, Powerhouse Museum Australia, Regency Fashion, Shoes | Leave a reply

1802 Pale Mahogany Pianoforte Made By John Broadwood, London. #Regency #music #JaneAusten #piano

Suzi Love Posted on September 14, 2023 by Suzi LoveAugust 8, 2023

1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebony wood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses,  Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions.  ~  sothebys.com

Definition Piano- Forte: Well-known stringed and keyed instrument of German origin, so called from its equal command both of softness and strength. Its principal advantage over the   harpsichord is its capacity of obeying the touch so the performer can vary the expressions and strike lights and shades. Jane Austen and her contemporaries played the pianoforte to entertain family and guests.

1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebonywood stringing throughout. Inscribed '1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.' via Sotheby's Auctions. ~ sothebys.com
1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebonywood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions. ~ sothebys.com
1802 Pale Mahogany Pianoforte Made By John Broadwood, London. #RegencyEra #music #JaneAusten #piano books2read.com/suziloveMusicPiano Share on X
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Posted in England, History, Music, Suzi Love Images | Tagged 1700s Or Georgian Era, Book 7, Georgian era, History Notes, London, music, piano, Sothebys Auctions
1780 ca. Collage View Gentlemen's Banyans, Or Dressing Gowns. Including Gold Silk Banyan, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. Collage View. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1780 ca. Gentleman’s Gold Silk Banyan, Or Dressing Gown,British. #GeorgianEra #Fashion #Banyan

Suzi Love Posted on September 7, 2023 by Suzi LoveSeptember 7, 2023

1780 ca. Gold Silk Banyan, British.  For at-home wear, a gentleman had a dressing gown, often with a matching waistcoat, and an undress cap or turban. “This yellow damask banyan with its bold Chinese Chippendale – inspired pattern would have been an imposing sight on the streets or in the drawing rooms of London.” via Metropolitan Museum New York City, U.S.A. metmuseum.org Credit: Catharine Breyer Van Bomel Foundation Fund, 1978 Accession Number:1978.135.1

From the Curator: ‘For at-home wear, a gentleman had a dressing gown, often with a matching waistcoat, and an undress cap or turban.As for breeches, they were not designed especially for this casual ensemble, but rather borrowed from other suits.The dressing gown was cut like a man’s loose coat and usually hung to the floor, though there were also versions that stopped below the knees. Since there were no fastenings, the wearer overlapped the dressing gown in front when he walked so that the sides did not billow out behind him.The sleeves were originally rolled back to form cuffs, but later dressing gowns display the fashionable cuff of their period.In England these dressing gowns were called “banyans” or “Indian nightgowns” because of their kimono-like form and Eastern origin. Banyans were made in a variety of fabrics, including silk brocades, damasks, and printed cottons. By the 1780s, gentlemen ventured out of doors in this comfortable and stylish costume. According to Town and Country Magazine in 1785: “Banyans are worn in every part of the town from Wapping to Westminster, and if a sword is occasionally put on it sticks out of the middle of the slit behind. This however is the fashion, the ton, and what can a man do? He must wear a banyan.”This yellow damask banyan with its bold Chinese Chippendale – inspired pattern would have been an imposing sight on the streets or in the drawing rooms of London.’ via Metropolitan Museum New York City, U.S.A. metmuseum.org

1780 ca. Front View. Gold Silk Banyan, Or Dressing Gown, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Front View.
1780 ca. Back View. Gold Silk Banyan, Or Dressing Gown, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Back View.
1780 ca. Back View. Gold Silk Banyan, Or Dressing Gown, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Back View.
1780 ca. Fabric View. Gold Silk Banyan, Or Dressing Gown, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Fabric View.
1780 ca. Collage View. Gold Silk Banyan, Or Dressing Gown, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Collage View Gentlemen's Banyans, Or Dressing Gowns. Including Gold Silk Banyan, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. Collage View. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Collage View Gentlemen's Banyans, Or Dressing Gowns. Including Gold Silk Banyan, British. Usually worn at home over pants and possibly with a matching vest and nightcap. Worn when relaxing with family or close friends. Collage View. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1780 ca. Gentleman's Gold Silk Banyan, Or Dressing Gown,British. #GeorgianEra #Fashion #Banyan books2read.com/suziloveFashMen1700 Share on X
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Posted in 1700s, 1700s Mens fashion, bedroom fashion, England, Georgian Era, Georgian Fashion, London | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, banyan, bedroom fashion, Metropolitan Museum NYC, Suzi Love Images

1792 Mahogany Grand Piano Made By John Broadwood, London. #Georgian #music #piano

Suzi Love Posted on August 24, 2023 by Suzi LoveAugust 19, 2023

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org books2read.com/suziloveMusicPiano

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Mahogany Grand Piano Made By John Broadwood, London. #Georgian #music #piano books2read.com/suziloveMusicPiano Share on X
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Posted in 1700s, furniture, Georgian Era, History, household, London, Music, Suzi Love Images | Tagged 1700s Or Georgian Era, Book 7, Georgian era, History Notes, London, Metropolitan Museum NYC, music, piano, Suzi Love Images
1795-1810 ca. Gown, English, 1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk

1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. 

Suzi Love Posted on July 31, 2023 by Suzi LoveJuly 30, 2023

1795-1810 ca. Roller Printed Dress, English. Empire style, high-waisted, roller printed dress with skirt gathered at the back to create a full skirt and with simple V-necked bodice and long sleeves.  Sleeves are closed with a narrow band of fabric which fastens with a hook and eye. via Victoria and Albert Museum, London, UK.  1810 ca. Sewing of Gown. 1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century.

The pattern of floral trails seen on the printed fabric of this gown exhibits a blend of influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of the 18th century. The sleeves of this gown are closed with a narrow band of fabric, which fastens with a hook and eye.

The dress is styled with a high-waisted , fitted bodice, which fastens centrally. The neck, which is trimmed with a 1″ frill of matching material, is rounded a the back and V-shaped at the front. The bodice is lined with white cotton which extends 1/3 of the way down the full length tapered sleeves. A trimming decorations is attached to the wrist of the right sleeve (made from the same material and lined with white cotton), which fastens with a metal hook and eye at the hip. The skirt has an ‘apron’ style front with fastening tapes attached to either side, in addition to this there are vertical pocket slits situated at either side of the skirt measuring 11″. The front and rear sides of the skirt are constructed from one width of fabric – 39.5″ wide. The waistline at the back of the skirt is gathered a the centre and is constructed from two pieces of material measuring 46″ wide.

The cotton has blue threads in the selvedges denoting English origin, and is block printed in a polychrome palette with pencilled blue on a white ground. The design consists of an all-over pattern of delicate floral trails of carnations, pinks an other stylised flowers interspersed by vertical arborescent meanders bearing exotic fruits and stylised flowers. The pattern repeat measures 10.5″ by 10″.

1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca.  Gown, English, 1810 ca.  Sewing of Gown.  1795-1799 ca. Fabric Block Printing. Pattern of floral trails blends influences from Indian-painted and printed textiles, and woven silks, a style which remained popular until the end of18th century. Sleeves closed with narrow band of fabric, which fastens with hook and eye. collections.vam.ac.uk
1795-1810 ca. Roller Printed Dress. Jane Austen style Regency Fashion. #RegencyFashion #georgianfashion #janeausten https://books2read.com/SuziLoveFashionWomen1800 Share on X
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, England, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, Victoria and Albert Museum

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe

Suzi Love Posted on July 29, 2023 by Suzi LoveJuly 29, 2023

18th  Century  Early.  Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via  Metropolitan Museum, NYC, U.S.A.

shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.
shoes_18th Century Early. Silk, Leather, and Linen Mules, European. Embroidered in the Florentine Style, a type of flame stitch canvas work with varied stitch lengths often in subdued tones. via Metropolitan Museum, NYC, U.S.A.

18th Century Early.  Silk, Leather, and Linen Mules (shoes), European, and embroidered in Florentine Style. #shoes #georgianfashion #europe https://books2read.com/suziloveFashWomen1700s Share on X
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HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s
Posted in 1700s, 1700s Womens Fashion, Europe, Georgian Era, Georgian Fashion, shoes, Suzi Love Images | Tagged 1700s Or Georgian Era, 1700s Women's Fashion, Georgian era, Georgian Fashion, Metropolitan Museum NYC, sewing, Shoes

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