I'm an Australian author of contemporary and historical romances, plus history non-fiction.
My books range from sexy to erotic, late 1700s to the mid 1800s, and with a dash of Australia thrown into the mix. My heroes and heroines challenge tradition and my stories often expose the seamier levels of life.
I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback.
I hope my books bring history alive and you have fun adventuring with my roguish heroes and feisty heroines.
1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. via The Museum of Fine Arts, Boston.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
Kelly’s Justice. I lived in Vanuatu, South Pacific, for 9 years and loved setting my book there.
Blurb: Kelly normally needs no help solving international security problems, but when someone from her past damages her reputation and threatens her life, she needs assistance. Joining forces with her old friend from the Australian army, now an expert on South Pacific politics, they destroy an island drug cartel and rescue kidnapped teenagers. https://books2read.com/SuziLoveKellysJustice
Excerpt
“Why didn’t you leave the army, but stay around?” Grant asked Kelly. “Australia or Vanuatu. Always plenty of private security jobs up for grabs.”
“No, I couldn’t. The brass made it clear I needed to resign, or I would be legally charged. And if I lost my case, I might be jailed as well as dishonorably discharged.” She huffed. “So I was forced out of the career I loved on an unproven drug charge while Ronnie invented the cheating story to make himself look like the injured party. He wanted me out of the army and away from my friends, yet he insisted I stay around. Take a desk job with a friend of his, a business partner, so he could keep doing whatever he wanted while I was kept close and still under his control.”
“So, you ran away?” His face screwed up with pain “I’m sorry. I should have tried harder to help you sort out that mess. Done more to keep you in Australia. You could have taken a private security job. Kept fighting crime.”
That made her laugh. Between their army friends, there was a long standing joke about Kelly’s drive to fight crime and get justice for victims. They frequently teased her about being the female Aussie version of Superman. Fighting for justice on all fronts.
She shook her head. “No. Staying around was too dangerous because Ronnie discovered that I’d been digging through his paperwork to find something incriminating on he and his business mate. Whatever I uncovered would always make me a threat to Ronnie and anyone working with him. My only option was to get out of the country before his associates became aware that I had uncovered some of their secrets. I didn’t have enough evidence to expose them at that time, though Ronnie sensed I was about to go public with what I knew. I needed to leave Vanuatu quickly before things went from bad to worse. I didn’t know how far Ronnie would go to ensure my silence.”
“Briefing in five in the common room,” Jacky called to her.
Kelly was grateful that her partner had subtly nudged the other two men towards the building and allowed she and Grant a few minutes privacy. She acknowledged her friend with a nod. “Be right there.”
She turned to Grant. “Water under the bridge now. I always knew Ronnie could track me down, same as you could have found me with a bit of sleuthing. Hiding from anyone ex-military isn’t foolproof so I covered my tracks enough that old friends or distant family members couldn’t trace me, although I knew that one day my past would reappear.” She waved a hand towards Jacky. “But I’m living in a safer place now and working with people who’d protect me with their dying breath.”
1802 Blue Riding Habit, French. Lady in a riding costume with a black fitted hat and a whip. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Typical of the riding costumes worn by Jane Austen’s female contemporaries. The style is still in the Empire fashion of a high-waist with the skirt falling from just under the bust and worn under a matching short jacket or Spencer.
1811 April Waking Dress, English. Round dress of white cambric muslin with a ruff collar, trimmed round the bottom with narrow purple ribbon, cashmere crimson mantle confined close to the back and lined with purple silk, embroidered round the neck, cape, and sides with purple fancy border, deep cape falling from the shoulders, sloping to a narrow point, with tassels. Crimson velvet bonnet, turban front, and trimmed with purple to correspond. York tan gloves. Yellow kid boots. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
1808 January 1st Drawing from Life at the Royal Academy, Somerset House, London, U.K. The Royal Academy would have held art classes like this in London during Jane Austen’s time. Designed and etched by Thomas Rowlandson. Via Wikimedia Commons. commons.wikimedia.org
1802 Pianoforte By John Broadwood. Square form, pale mahogany case with ebony wood stringing throughout. Inscribed ‘1802 John Broadwood and Sons, Makers to his Majesty and the Princesses, Great Pulteney Street, Golden Square, London.’ via Sotheby’s Auctions. ~ sothebys.com
Definition Piano- Forte: Well-known stringed and keyed instrument of German origin, so called from its equal command both of softness and strength. Its principal advantage over the harpsichord is its capacity of obeying the touch so the performer can vary the expressions and strike lights and shades. Jane Austen and her contemporaries played the pianoforte to entertain family and guests.
1811 Typical Regency Era Man’s Overcoat or Driving Coat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Overcoats were called many names: Greatcoat, Carrick or Garrick Coat, Coachman’s or Driving Or Box Coat. With many shoulder capes, or pelerines, to keep rain and snow off the body.
1830s Man’s Double-Breasted Frock Coat, English. Double-breasted frock coat with a nipped-in waist. The broad lapels are faced with silk velvet. This gentleman’s frock coat has a crescent-shaped breast pocket and two larger curved pockets on the front of the skirts. Woolen beaver cloth trimmed with silken velvet.
The waisted frock coat came into fashion in about 1816 and became an enduring style. Typically it had a narrow waist and full skirts hanging vertically in front. The frock coat was worn for everyday purposes such as morning dress, usually with a top hat, cane and trousers. By 1830 frock coats were made in a variety of designs according to taste, fashion or type of activity. This example has an out-breast pocket, a feature which appeared on coats during the 1830s. This coat was given by Messrs Harrods Ltd. Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)
How did Jane Austen and her family? Did they go by stagecoach? The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure. Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon. books2read.com/SuziLoveTravel
Description of Stage Coach Travel in England. via 1815 Journal Tour of Great Britain. “The gentlemen coachmen, with half-a dozen great coats about them, immense capes, a large nosegay at the button-hole, high mounted on an elevated seat, with squared elbows, a prodigious whip, beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.”
