1806 Jane Austen Style Short Sleeved White Muslin Dress With Train, French. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Jewelry – Parure: Matched set of jewelry, including a necklace, bracelet, earrings, pin etc. Half Parure had no headpiece.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
1806 Two Ladies In Empire style White Dresses, French. Costumes Anglais et Française, or English and French Costumes. Both with brown gloves and straw hats, one with blue shawl and other with blue Spencer and interesting blue trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
1806 Two Ladies In White Dresses, French. Costumes Anglais et Francaise, or English and French Costumes. Both with brown gloves and straw hats, one with blue shawl and other with blue Spencer and interesting blue trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
HN_26_D2D_FsshionWomen1805-1809
1805 White Fur Coat, or Redingote, French. Black fur and lavender lattice to decorate, white shawl with paisley patterned ends, lavender hat to match and long white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have wore long coats like this one to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters so coats of some sort were added, plus colorful accessories like this shawl and the hat to add color and another layer of warmth.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
18th Century Late Women’s Fashions. A conical body shape was still fashionable while the shape of the skirts changed. The wide panniers which held the skirts out at the sides mostly disappeared by 1780 for all but the most formal court functions and false rumps, or bum-pads or hip-pads were worn for a time. A low-necked gown, usually called in French a robe, was worn over a petticoat and most gowns had skirts that opened in front to show the petticoat worn beneath. As part of the general simplification of dress, the open bodice with a separate stomacher was replaced by a bodice with edges that met center front. Strapless stays which still were cut high at the armpit, to encourage a woman to stand with her shoulders slightly back, a fashionable posture. The fashionable shape was a rather conical torso, with large hips. The waist was not particularly small. Stays were usually laced snugly, but comfortably. Shoes had high, curved heels (the origin of modern “louis heels”) and were made of fabric or leather. Shoe buckles remained fashionable until they were abandoned along with high-heeled footwear and other aristocratic fashions in the years after the French Revolution,
18th Century Late Men’s Fashions. A man’s outfit consisted of a knee-length coat, knee breeches, a vest or long waistcoat, a linen shirt with frills and linen under drawers. Lower legs showed and were an important part of life. Men wore stockings and leather shoes with stacked heels of low or medium height. The whole ensemble would have been topped by a shoulder-length wig and a tricorne, or three-cornered, hat an upturned brim. By end of the 18th century, wigs were out of fashion except for the most formal occasions. Undergarments and knee breeches did not change very much. Coats gradually became less full and die front was cut in a curve towards the back. Waistcoats became shorter. The upper leg began to show more and more and by the end of the century breeches fitted better because they were often made of knitted silk. Shoes became low-heeled with pointed toes and were fastened with a detachable strap or ribbon on the front.
During the Victorian Era, the tight lacing of corsets became known for damaging women’s bodies. However, the whalebone used to stiffen corsets was also a protector of the chest and rib area.
1833 Morning Post: HATTON-GARDEN. ATTEMPTED MURDER. George Bailey, a youth about seventeen, was charged with having attempted to murder Mary Prendergast, a young woman, by stabbing her with a large knife. It appeared in evidence that on Thursday morning, last, about five o’clock, the Prisoner, who sells fish in a basket near Portpool-lane, Leather-lane, Holborn, was standing before his basket when the Prosecutrix asked him the price of his fish. He told her, and she refused to purchase, but laughed at him and jeered him.. . . . In the course of the evening the Prosecutrix was passing by, when the Prisoner rushed upon her with a knife which he uses to cut up the fish and, while in a great passion, he pluinged the knife several times at her heart, and the last thrust the point of the knife dug into her clothes, and would have entered her body had it not been that the bone of her stays prevented it …
1837 The Standard: MARLBOROUGH-STREET. – AN UNNATURAL SON – Alfred Grant, a lad about nineteen years of age, of sullen aspect, was brought before Mr. Dyer, charged with having attempted to stab his own mother . . . James Grant, the brother of the prisoner, about sixteen years of age, said the prisoner came home to Grafton-street, Soho, on Monday afternoon, and some words having ensued between him and his mother, he seized a knife and made a stab at her. Fortunately the bone of his mother’s stays turned the point of the knife …
1841 The Morning Post: Catherine Connor, the person alluded to by the last witness, and who is in a state of pregnancy, deposed that she kept a fruit stall opposite to the Phoenix public-house and that on seeing the young man so savagely treated, she made use of the expersions just named, when Hill called her a ——–, and kicked at her violently. Fortunately for her, she received two of the worse kicks aimed at her on the bone of her stays, otherwise they would, she had no doubt, have proved most serious to her from the situation she was then in.
Box Set combining Corset books 14-21 to give a complete picture of the progression of corset styles from 1700 through to the 1900s, including Jane Austen’s lifetime.
https://books2read.com/SuziLoveCorsetBook22
1818 Redingote Or Overcoat French. Blue tailcoat, red waistcoat, straight blue trousers, black boots, knotted kerchief and black top hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 Redingote Or Overcoat French. Blue tailcoat, red waistcoat, straight blue trousers, black boots, knotted kerchief and black top hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.HN_23_D2D_Fashion Men 1800-1819
Here is an example of when English magazines copied French fashion plates. 1815 December Left: French fashion plate Ensembles French and English via Journal des Dames et des Modes. White short length ball dress with tiny bodice. Right: English fashion plate by Rudolph Ackermann in the Repository Of arts. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet.
Typical of the outfits worn by Jane Austen and her contemporaries for daytime and evening activities. An Empire style, or high-waisted white dress with jewelry for evening and for daytime a Pelisses or Walking Dress or Redingote or coat for warmth and with pretty hats, shawls and shoes.
Here is an example of when English magazines copied French fashion plates.
1815 December Left: French fashion plate Ensembles French and English via Journal des Dames et des Modes. White short length ball dress with tiny bodice.
Right: English fashion plate by Rudolph Ackermann in the Repository Of arts. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet.1815 December Ensembles French and English. White short length ball dress with tiny bodice. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet. via Journal des Dames et des Modes. 1815 December Blue Walking Dress, English. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1814 Gentleman’s Morning Outfit, French. Green double-breasted cutaway tailcoat, cream trousers, high collared shirt, unusual black cravat, heeled black boots with small spurs, fob at his waist, black top hat with decoration. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1814 Gentleman’s Morning Outfit, French. Green double-breasted cutaway tailcoat, cream trousers, high collared shirt, unusual black cravat, heeled black boots, fob at his waist, black top hat with decoration. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. History Notes Book 26 Fashion Women 1805-1809. https://books2read.com/SuziLoveFashionWomen1805-1809
What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
