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guitar_1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. #Music #Guitar #Portugal #GeorgianEra

Suzi Love Posted on September 12, 2024 by Suzi LoveAugust 28, 2024

1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.  History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \

1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
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1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
1780 ca. English Guitar, Lisbon, Portugal. Made by Jaco Vieira da Silva Pine back, sides and soundboards, with pine and wood purfling (bordering); brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K.
HN_6_D2D_Music General_ books2read.com/suziloveMusicGeneral

Posted in 1700s, Decorative Item, Europe, Georgian Era, History, Music, Pastimes, Suzi Love Images | Tagged 1700s Or Georgian Era, europe, Georgian era, guitar, music, Victoria and Albert Museum | Leave a reply

1800s Silver and Carved Mother-of-Pearl Writing and Desk Set, French. #Regency #JaneAusten #Writing

Suzi Love Posted on September 10, 2024 by Suzi LoveAugust 28, 2024

1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener in the style that Jane Austen would have used to write her novels and her letters. via Ruby Lane Antiques. rubylane.com. books2read.com/SuziLoveWritingTools

1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener. via suzilove.com and Ruby Lane Antiques. rubylane.com

HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1700s, 1800s, 1900s, Australia, Box Or Container, Canada, Decorative Item, Edwardian Era, England, Europe, Georgian Era, History, Jane Austen, Regency Era, Romantic Era, Suzi Love Images, U.S.A, Victorian Era, Writing Tools | Tagged France, Jane Austen, Regency Era, Ruby Lane Antiques, Writing, Writing Tools | Leave a reply

1820-1850 ca. Cotton and Beadwork Reticule Or Bag, With Couple on Shore, Dutch. #holland #sewing #Reticule #RegencyEra #RomanticEra #HistoricalFashion #Antiques

Suzi Love Posted on September 8, 2024 by Suzi LoveSeptember 2, 2024

1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. Beadwork on cotton foundation. Polychrome design: couple on shore, man in boat, house and windmill behind (obv.); musicians, dancers, onlookers (rev.); acanthus motif at base. Yellow metallic frame with dotted design, stud closure, green braided silk cord. Ecru silk lining. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

http://books2read.com/suziloveReticules

1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. Beadwork on cotton foundation. Polychrome design: couple on shore, man in boat, house and windmill behind (obv.); musicians, dancers, onlookers (rev.); acanthus motif at base. Yellow metallic frame with dotted design, stud closure, green braided silk cord. Ecru silk lining. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1820-1850 ca. Cotton and Beadwork Reticule Or Bag, Dutch. Couple on shore, man in boat, house and windmill behind, musicians, dancers, onlookers. Yellow metallic frame and green braided silk cord. via Museum of Fine Arts, Boston, U.S.A. mfa.org
HN_3_D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
Posted in 1800s, 1800s women's fashion, Decorative Item, Europe, fashion accessories, Regency Era, Regency Fashion, Reticule or Bag, sewing, Suzi Love Images | Tagged 1800s women's fashion, antiques, decorative, europe, fashion accessories, Holland, Museum Of Fine Arts, Regency Fashion, reticule or bag, sewing, Suzi Love Images | Leave a reply

19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir As Collected in Jane Austen and Bridgerton Times. #Bridgerton #Writing #RegencyEra #JaneAusten

Suzi Love Posted on September 6, 2024 by Suzi LoveAugust 31, 2024

19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. The type of Grand Tour souvenir collected by travelers in Jane Austen and Bridgerton Times.

Siena marble with ink wells and pen holder. Lid removes to reveal pair of ink wells and pen holder. Scipios were a family of Roman war heroes and generals. Tomb of Scipios erected around 150 B.C.E and copied many times. 18th-19th Centuries, tomb models were favorites of Grand Tour souvenir hunters. The sort of exotic item a gentleman in Jane Austen’s times might send back to England during his Grand Tour of Europe and Asia. via 1st Dibs Auctions 1stdibs.com

19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Inkwell View. Lid removes to reveal pair of ink wells and pen holder. 18th-19th Centuries Tomb models were favorites of Grand Tour travelers. via suzilove.com and 1st Dibs Auctions 1stdibs.com
19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Inkwell View. Lid removes to reveal pair of ink wells and pen holder. 18th-19th Centuries Tomb models were favorites of Grand Tour travelers. via suzilove.com and 1st Dibs Auctions 1stdibs.com
19th Century Inkwell and Tomb of the Scipios Grand Tour Souvenir, Italian. Siena marble, inside ink wells and pen holder. Scipios were a family of Roman war heroes and generals. Tomb of Scipios erected around 150 B.C.E and copied many times. 18th-19th Centuries, tomb models were favorites of Grand Tour souvenir hunters. via suzilove.com and 1st Dibs Auctions 1stdibs.com
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools

Posted in 1800s, Box Or Container, Decorative Item, England, Europe, History, household, Regency Era, Suzi Love Images, Writing Tools | Tagged 1800s Or 19th Century, 1st Dibs Auctions, antiques, Bridgerton, decorative, household, Jane Austen, Regency Era, Writing Tools | Leave a reply

18th Century Mid. Gentleman’s Toiletry Nécessaire Of Shagreen and Tortoiseshell, England. #GeorgianEra #Travel #Antiques

Suzi Love Posted on September 6, 2024 by Suzi LoveSeptember 2, 2024

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org

Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.

18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via suzilove.com and Metropolitan Museum New York City, U.S.A. metmuseum.org

 

HN_10_D2D_RetailerBuyLink_HN_10.books2read.com/SuziLoveTravel
D2D_RetailerBuyLink_HN_10. books2read.com/SuziLoveTravel
Posted in 1700s Mens fashion, Box Or Container, Decorative Item, England, fashion accessories, Grand Tour, History, Regency Era, Suzi Love Images, travel, Writing Tools | Tagged 1700s Mens Fashion, 1700s Or Georgian Era, antiques, Box Or Container, Georgian era, Grand Tour, Metropolitan Museum NYC, Necessaire or Etui, Suzi Love Images, travel, Writing Tools | Leave a reply

1800 ca. Ormolu Ink Stand With Lid. Type of decorative desk tools used in Jane Austen’s times. #JaneAusten #RegencyEra #France #Antique

Suzi Love Posted on September 5, 2024 by Suzi LoveSeptember 2, 2024

1800 ca. Ormolu Ink Stand with Lid, French. Ormolu ink stand in the shape of a globe surrounded by three rams head pen supports with animal legs and hoofs on a tripartite base. The top is removable revealing a silvered compartment with containers for sand and ink. via 1st Dibs Auctions 1stdibs.com

Definition Ormolu: Gold colored alloy of copper, zinc, and tin used in decoration and for making ornaments. Ormolu is used in mounts i.e ornaments on borders, edges, and as angle guards) for furniture, especially 18th-century furniture, and for other decorative purposes. Its gold colour may be heightened by immersion in dilute sulfuric acid or by burnishing.

1800 ca. Ormolu Ink  Stand with Lid, French.  Ormolu ink stand in the shape of a globe surrounded by three rams head pen supports with animal legs and hoofs on a tripartite base. The top is removable revealing a silvered compartment with containers for sand and ink. via  1st Dibs Auctions 1stdibs.com
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1800s, Decorative Item, France, household, Regency Era, Suzi Love Images, Writing Tools | Tagged 1st Dibs Auctions, antiques, decorative, France, household, Regency Era, Suzi Love Images, Writing Tools | Leave a reply

1830 ca. Rosewood and Inlaid Brass Inkstand With Cut Glass Inkwells. #Antiques #RomanticEra #writing

Suzi Love Posted on September 2, 2024 by Suzi LoveSeptember 2, 2024

1830 ca. Rosewood and Inlaid Brass Inkstand, England. Each side has cut-glass inkwells with brass inlaid tops and pen trays, so ideal for a partners desk. via 1st Dibs Auctions 1stdibs.com

1830 ca. Rosewood and Inlaid Brass Inkstand, England. Each side has cut-glass inkwells with brass inlaid tops and pen trays, so ideal for a partners desk. via 1st Dibs Auctions 1stdibs.com
1830 ca. Rosewood and Inlaid Brass Inkstand, England. Each side has cut-glass inkwells with brass inlaid tops and pen trays, so ideal for a partners desk. via 1st Dibs Auctions 1stdibs.com
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1800s, Box Or Container, Decorative Item, England, household, London, Romantic Era, Suzi Love Images, Writing Tools | Tagged 1st Dibs Auctions, antiques, Box Or Container, household, Romantic Era, Suzi Love Images, Writing Tools | Leave a reply

1800-1810 ca. Knitted Pineapple Reticule, or Bag. Style of handbag made by women known to Jane Austen and Bridgertons #JaneAusten #Reticule #France

Suzi Love Posted on September 1, 2024 by Suzi LoveSeptember 1, 2024

1800-1810 ca. Pineapple Reticule, or Bag. A knitted pineapple with long strings. In Jane Austen’s times, pineapples were a luxury imported item that most people in Great Britain had never seen, let alone tasted. When more pineapples were imported from hotter countries, or English gardeners started to grow some, pineapples became a much desired novelty and an exotic experience. Pineapple motifs appeared on dresses, furniture, household goods etc. Knitting pineapple reticules was part of this obsession with pineapples. via Kyoto Museum, Japan.

Definition Ridicule, Reticule, Indispensable, or Handbag: From the late 1700s, pockets could no longer be sewn into gowns, as skirts fell from just under the bust and were full and flowing. Instead, women began carrying small bags, known at first as ridicules and later as reticules, to keep necessary items on their person e.g. handkerchiefs, coins, vinaigrettes, calling cards, glasses etc. http://books2read.com/suziloveReticules

1800-1810 ca. Reticule, or Bag. A knitted pineapple with long strings. via Kyoto Museum, Japan.
books2read.com/suziloveReticules
1800-1810 ca. Reticule, or Bag. A knitted pineapple with long strings. via Kyoto Museum, Japan.

In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.

1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.

HN _3_D2D_RetailerBuyLink
http://books2read.com/suziloveReticules
HN _3_D2D_RetailerBuyLink_HN_3

Posted in 1800s, 1800s women's fashion, Bridgerton, Decorative Item, Europe, fashion accessories, History, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, fashion accessories, Jane Austen, Kyoto Institute Japan, Regency Fashion, reticule or bag, sewing | Leave a reply

1809-1829 Magazine for the Bridgertons and Jane Austen: Rudolph Ackermann and ‘The Repository of Arts’, The Strand, London. #JaneAusten #Bridgerton #RegencyEra #London #History

Suzi Love Posted on August 28, 2024 by Suzi LoveAugust 24, 2024

A portrait from 1810-1814 of Rudolph Ackermann, shop owner and founder of ‘The Repository Of Arts’ magazine, The Strand, London. via National Portrait Gallery, London. Plus, an image of Ackermann’s premises in 1809. His ‘Repository of Arts, Literature, Fashion, Manufactures, etc.’ was published from 1809 to 1829 with images of Regency London, Regency furnishings and grand homes as well as beautiful fashion prints and descriptions every month. Ackermann originally supplied artists, amateur and professional, with supplies for watercolor painting. In 1799, he began manufacturing and selling his own watercolor paint blocks which were supplied by other colourmen, although at least three colors were his own mixture – Ackermann’s Green, White and Yellow. From 1817, his eldest son Rudolph Ackermann junior was responsible for the watercolor manufacturing. Ackermann also trained as a carriage designer. He began publishing prints and colour-plate books like ‘The Microcosm of London’ and ‘Doctor Syntax’ in the early 1800s.

The Repository of Arts was one the most popular magazines in Jane Austen’s time as it displayed everything ladies wanted to learn e.g. history, important country seats and houses in England, music, current events such as theatre plays, plus fashion plates and embroidery patterns. Ackermann’s shop in The Strand, London, was one of the fashionable places to shop during the Regency Era. The Repository also included poetry, travel reports, society reports and upcoming lectures. It also included serious subjects e.g. politics, legal matters, medicine and agriculture, a meteorological journal and details of the London markets. In 1817, the price of the magazine was 4 Shillings, so quite expensive for the time.

 In the first issue, published for January 1809, Ackermann included an ‘introduction to the history of the useful and polite arts’ which said: “It is universally admitted, that to cultivate a taste for the arts, and an acquaintance with the sciences, is a pleasure of the most refined nature; but to do this without regard to its influence upon the passions and affections, is to ‘tear a tree for its blossoms, which is capable of yielding the richest and most valuable fruit.’ The cultivation of this taste may and ought to be subservient to higher and more important purposes: it should dignify and exalt our affections, and elevate them to the admiration and love of that Being who is the author of every thing that is fair, sublime, and good in nature.”

1810-1814 Portrait of Rudolph Ackermann, shop owner and founder of The Repository Of Arts magazine. via National Portrait Gallery, London.
1810-1814 Portrait of Rudolph Ackermann, shop owner and founder of The Repository Of Arts magazine. via National Portrait Gallery, London.
1809 January Ackermann's Repository of Arts, 101 Strand, London, U.K. Drawn by Augustus Pugin and Thomas Rowlandson. Published By Rudolph Ackermann. Etching and aquatint with hand coloring.
1809 January Ackermann’s Repository of Arts, 101 Strand, London, U.K. Drawn by Augustus Pugin and Thomas Rowlandson. Published By Rudolph Ackermann. Etching and aquatint with hand coloring.
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, art, Bridgerton, Coat or Pelisse Or Redingote, Decorative Item, Dress Or Robe, England, fashion accessories, furniture, Google Books, hats, History, household, Jane Austen, London, mourning, Music, Pastimes, Regency Era, Regency Fashion, Reticule or Bag, sewing, shoes, Spencer, Suzi Love Images, travel, weddings | Tagged 1800s women's fashion, art, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, Jane Austen, London, magazines, music, pastimes, Regency Fashion, Regency Life, Regency London, Regency Women, Rudolph Ackermann, Shoes, shopping, The Repository Of Arts

1800-1830 ca. Bridgerton and Jane Austen Times Reticule, or Bag, Shaped Like A Basket, American. #Bridgerton #JaneAusten #RegencyFashion #America #reticule

Suzi Love Posted on August 28, 2024 by Suzi LoveAugust 28, 2024

1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
HN_3_D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
Posted in 1800s, 1800s women's fashion, Bridgerton, Decorative Item, fashion accessories, Jane Austen, Regency Era, Regency Fashion, Reticule or Bag, Romantic Era, sewing, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Bridgerton, fashion accessories, Jane Austen, Museum Of Fine Arts, Regency Fashion, reticule or bag, sewing, Suzi Love Images, USA | Leave a reply

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  2. Jana Richards on Book Hooks: Brent looked at Lillian. ‘Is she correct? You’ve been lonely.’#RegencyRomance #HistRom #ReadARegency #EroticRomance
  3. Lisabet Sarai on Book Hooks: Brent looked at Lillian. ‘Is she correct? You’ve been lonely.’#RegencyRomance #HistRom #ReadARegency #EroticRomance
  4. James DiBenedetto on Book Hooks: Brent looked at Lillian. ‘Is she correct? You’ve been lonely.’#RegencyRomance #HistRom #ReadARegency #EroticRomance
  5. Suzi Love on Book Hooks: ‘Why are you eager for me to risk a repeat of my miserable marriage?’ Lady Lillian asked. #RegencyRomance #HistRom #ReadARegency #EroticRomance

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