1756-1762 ca. Gold and Enamel Étui, French. Probably by Jean Ducrollay, 1756-62, Paris. via Metropolitan Museum New York City, U.S.A. metmuseum.org
books2read.com/SuziLoveWritingTools
1880 ca. Travelling Inkwell, English. Red Leather and Heart Shaped. via Ruby Lane Antiques. rubylane.com
1774-1775 ca. Gold Etui For Sealing Wax French #Georgian #History #Antiques
Continue reading →1860 ca. Gilt Chatelaine With Etui. Hanging chatelaine with seven carbochons, gilt tools inside etui, or small container, of scissors, bodkin, knife, stiletto, pencil case, combination tweezers and ear spoon and ivory aid memoire, or notepad. via Needle’s Work Antiques. needleworkantiques.com
Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines
The first wedding rings can be traced back to the Ancient Egyptians when they exchanged rings made from braided reeds and hemp. The tradition of exchanging rings dates back 3,000 years. The first diamond wedding ring was recorded in the will of a widow who died in 1417. The ancient Egyptians believed in the vena amoris, literally the “vein of love” that runs directly from the heart to the fourth finger on the left hand. For the Ancient Greeks, the engagement ring was symbolized with a plain gold band worn on the left hand and at the marriage the same band was shifted to the right hand.
An engagement ring is given at a proposal or when a couple decides to get married whereas a wedding ring is exchanged at the wedding ceremony and represents the official bond of marriage and the binding pledge between spouses. Wedding rings symbolise eternal love and commitment within a relationship and are worn to show the world they are married. During the wedding service, the couple will say their vows to each other while exchanging rings.
Is a wedding ring biblical? : The use of wedding ring is not commanded in the Bible, and there is no indication that it was ever practised in the New Testament. The use of finger ring in the Bible was as a symbol of authority.
Betrothal ring: An old Roman custom confirming that the marriage contract would be carried out. It was the first part of a dowry given, and meant the woman was no longer for sale as the first part of the monetary settlement had been paid. The first betrothal, or engagement, rings were given because there was often a long time between betrothals and weddings. These were usually simple bands of gold, silver, or iron as on royalty or very wealthy people could afford gemstones and diamonds. In 1477, Archduke Maximillian of Austria commissioned the very first diamond engagement ring for his betrothed, Mary of Burgundy, and many of the European aristocracy and nobility followed his lead.
Wedding ring: Many primitive peoples who believed in magic used a rope around the waist or the hand and feet, and later a ring, to symbolise that the bride was captured and spoken for, and also to ward off any evil spirits hovering around the bride and ensure marital bliss.
The ring hand: A symbol of the humiliating tradition of the man as the master – the right hand of the family – and the woman being the slave . The right hand stood for power and authority while the left hand expressed submission and serfdom.
The ring finger : Ancient Greek and Roman anatomists believed a vein, the vena amoris or the “vein of love”, or a nerve led from the heart to the third finger, the healing finger , so they romantically linked this finger to the heart. Now we know that this is not true and there is no vein that runs from our ring fingers to our hearts. There are also some more practical reasons the third finger continues to be used. It’s the most prominent for displaying a ring and it cannot be extended to its full length on its own and usually remains slightly bent, preventing the ring slipping off.
The Wedding Ring: Also goes on the left ring finger because it is the only finger with a vein that connects to the heart although some countries, such as India, Germany, Spain, Norway, and Russia traditionally wear their wedding rings on their right hand.
Viking Wedding Rings: These were mostly made of silver and bronze and rarely of gold with the designs inspired by Norse Gods, geometric shapes, runes, and animal totems
Gimmel Rings: In the 16th and 17th centuries, European husbands gave their bride a gimmel ring with two interlocking bands. The bride and groom both wore one after their engagement and during the wedding ceremony the rings were joined and the wife wore the ring.
World Wars: During the first World War, many men on the front began wearing wedding rings as a remembrance of their wives and families at home. That custom carried through to World War Two so in the 1950s wedding rings for men became common practice.
Tri-Gold Rings: Gold is the traditional ring metal but some people prefer a mix of colors. Yellow gold represents fidelity, rose gold romantic love, and white gold friendship, so a tri-gold ring symbolizes your shared past, present, and future path. ding ring to symbolize all three, as well as your shared past, present, and future path.
Black Wedding Rings: Some couples choose black wedding bands because they represent everlasting commitment and the color can also mean power, strength and sophistication.
Anniversary or Push Ring: Given on the birth of a first child or an anniversary, usually an important one such as the first, five-year or 10-year anniversary.
Wedding ring customs that originated in long ago history. #weddings #Customs #history Share on XMany Russian Easters were celebrated with Imperial monogramed eggs as the royals were very involved with both the religious celebrations of Easter and the family traditions. Fabergé eggs were jeweled eggs created by Peter Carl Fabergé and his company in Russia from 1885 to 1917. The most famous of the eggs are the ones made for the Russian Tsars, Alexander III and Nicholas II, as Easter gifts for their wives and mothers, often called the ‘Imperial’ Fabergé eggs. The House of Fabergé made about 50 eggs and 43 have survived. Another two were planned for Easter 1918, but because of the Russian Revolution were not delivered. After the Revolution, the Fabergé family left Russia and the Fabergé trademark has been sold several times since then. Several companies have sold Easter egg merchandise using the Fabergé name. The trademark is now owned by Fabergé Limited, which makes egg-themed jewelry.
1800s Late – 1900s Early Imperial Faberge Easter Eggs.
Jenny Nystrom (1884-1946) Vintage Easter Cards. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
1900s Early Gorgeous Faberge Eggs From Russia. 4.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
1900s Early Gorgeous Faberge Egg Pendants Made In Russia. 2.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
1900-1910 ca. Various antique Russian gold, enamel, jeweled and hardstone miniature egg pendants. bonhams.com The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
