Category Archives: England

1811 High-Waisted Green Dress With Blue Bonnet, French. #RegencyFashion #JaneAusten #HistoricFashion

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1811 Green Dress French. High waist with bow under the bust, Mamaluke sleeves as “a long full sleeve partitioned into five sections, each section being drawn and seamed to fit around the arm up sleeves, white collar lining, fashionable blue bonnet tied under the chin and wearing yellow shoes. The sort of fashionable outfit worn by women in Jane Austen’s times, or 1800s, or Regency Era. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Mamaluke Sleeves: Long full sleeves partitioned into five sections, each section being drawn and seamed to fit around the arm up.

1811 Green Dress French. Dress with white bodice insert, long yellow gloves, green spotted cornet for a hat, and carrying cloth and a package. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
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19th Century Mahogany Domestic Medicine Chest As used in the Bridgerton and Jane Austen years. #RegencyEra #Medical #JaneAusten #Bridgerton

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19th Century Mahogany Domestic Medicine Chest as would have been used in Regency England in the lifetime of Jane Austen and the Bridgerton family. via Christie’s Auction Rooms. christies.com

19th Century Mahogany Domestic Medicine Chest. via Christie’s Auction Rooms. christies.com suzilove.com
19th Century Mahogany Domestic Medicine Chest. via Christie’s Auction Rooms. christies.com suzilove.com
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19th Century Women’s Cotton Caps with tails and frills as worn by women in Bridgerton and Jane Austen years. #Bridgerton #RegencyEra #Hats #JaneAusten

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19th Century Early Women’s Cotton Caps. Worn as morning caps, night caps, or under other hats. With lappets, hanging ties, or tails, which were also called ‘follow me lads’, or ‘flirtation ribbons’. via Museum of Fine Arts, Boston, U.S.A. mfa.org. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Caps: Worn as morning caps, night caps, or under other hats. Jane Austen and her family and female friends would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place.
Caps sometimes had hanging ties, or tails, were also called ‘follow me lads’, or ‘flirtation ribbons’.

Definition Lappets: Two long strips of material, often lace, hanging from top of head down back or over  shoulders. Sometimes extensions of a headdress and a requirement for court dress.

19th Century Early Women's Cotton Caps. Worn as morning caps, night caps, or under other hats. Hanging ties, or tails, also called 'follow me lads', or 'flirtation ribbon's. via Museum of Fine Arts, Boston, U.S.A. mfa.org
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19th Century First Half Woman’s Cotton Mull Cap as worn by women in Bridgerton and Jane Austen years. #Bridgerton #RegencyEra #Hats #JaneAusten

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19th Century First Half Woman’s Embroidered Cap, French. In the 19th Century, women wore some sort of headwear during the day and the evening. Finely decorated cotton caps were worn during the morning with informal or At-Home, dress and at night with nightwear. These caps had fine embroidery, ruffles, lace edgings on the streamers, embroidered, pointed edges of the ruffles, ties, and streamers, known as ‘follow me lads’ or ‘flirtation ribbons’.

19th Century First Half Woman’s Embroidered Cap, French. Cotton mull with cotton embroidery, linen bobbin lace insertion, silk ribbon, round gathered crown with spoked wheel design in center surrounded by long leafed wreath, outside this a wreath of carnations, same carnations around forehead band and neck band, design embroidered with white linen thread, white taffeta ribbon run through the embroidered net casing and tied in center back. via Museum of Fine Arts, Boston, U.S.A. mfa.org


19th Century First Half Woman's Embroidered Cap, French. Cotton mull with cotton embroidery, linen bobbin lace insertion, silk ribbon, round gathered crown with spoked wheel design in center surrounded by long leafed wreath, outside this a wreath of carnations, same carnations around forehead band and neck band, design embroidered with white linen thread, white taffeta ribbon run through the embroidered net casing and tied in center back. via Museum of Fine Arts, Boston, U.S.A. mfa.org


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19th Century Late. Quill Box and Writing Slope With Drawer, India. #Writing #VictorianEra #antique

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19th Century Late. Quill Box and Writing Slope, India. Scalloped base and drawer. Desk opens up to a writing slope and opens again to hidden drawers. Complete with candle holders and ink pots. The type of inkstand that households woulds have in Jane Austen’s times for writing letters and keeping track of estate matters. Many of these exotic and decorative items were brought to England by gentlemen doing their Grand Tour through Europe and Asia. via 1st Dibs Auctions ~ 1stdibs.com

19th Century Late. Quill Box and Writing Slope, India. Scalloped base and drawer. Desk opens up to a writing slope and opens again to hidden drawers. Complete with candle holders and ink pots. via suzilove.com and 1st Dibs Auctions 1stdibs.com

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1800 ca. Jane Austen Style Fawn Cotton Bodiced Petticoat With Front Lacing. #JaneAusten #RegencyFashion #FashionHistory #underclothing

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1800 ca. Fawn Cotton Bodiced Petticoat With Front Lacing, English. via National Trust Collections, UK. nationaltrustcollections.org.uk

Because dresses were so light and airy as to be almost see-through, petticoats were needed to protect a woman’s modesty. If a glimpse of an ankle was supposed to turn a man’s head, imagine what would happen if he saw an entire lady’s exposed leg.

Did Jane Austen wear this type of petticoat under her dress? Probably. This wide necked, small shoulder straps and Empire, or high-waisted, undergarment would have provided some warmth plus protect the modesty of Regency Era women. This would be worn under the high-waisted, wide necked, small bodiced type of thin, or even almost transparent, dresses of the early 1800s.

1800 ca. Fawn Cotton Bodiced Petticoat With Front Lacing, English. via National Trust Collections, UK. nationaltrustcollections.org.uk
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1804 Royal Mint, Stamping Room, London, U.K. As Jane Austen saw it. From Ackermann’s Microcosm of London. #JaneAusten #RegencyEra #London #BritishHistory #Art

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1804 Royal Mint, Stamping Room, London, U.K. As Jane Austen would have known it. From Ackermann’s Microcosm of London by A.C. Pugin and Thomas Rowlandson.

1804 Royal Mint, Stamping Room, London, U.K. From Ackermann's Microcosm of London by A.C. Pugin and Thomas Rowlandson.
1804 Royal Mint, Stamping Room, London, U.K. From Ackermann’s Microcosm of London by A.C. Pugin and Thomas Rowlandson.
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1818-1823 ca. Silk Turban As Worn In Jane austen and Bridgerton Times. #Bridgerton #JaneAusten #RegencyEra #HistoricalFashion #Hats

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1818-1823 ca. Turban, London, U.K. Silk, silk thread, paper, cotton, wire,and hand-sewn. Cap is gathered and full to mimic the shape of a turban which became popular evening wear around 1820 when ‘exotic’ was fashionable.

1818-1823 ca. Turban, London, U.K. Silk, silk thread, paper, cotton, wire,and hand-sewn. Cap is gathered and full to mimic the shape of a turban which became popular evening wear around 1820 when 'exotic' was fashionable.

Silk, silk thread, paper, cotton, wire and hand-sewn. A full cap of white satin gathered into a headband in imitation of a turban. The crown is inset with white net embroidered in circles with white silk thread. The headband is of white satin with three horizontal tucks and edged with white silk plush. Trimmed on one side with artificial flowers made of wired green paper leaves and white muslin rosebuds. via Victoria and Albert Museum, London, U.K.

Early 19th-century etiquette required a lady’s head to be covered at all times, even with evening dress. A cap such as this one, gathered and full to suggest the shape of a turban, was popular for evening wear about 1820. The Romantic movement created an interest in the dress of non-European countries, particularly North Africa and the Middle East. Decorative motifs and accessories were borrowed to make current fashions more ‘exotic’. Although knowledge of the proper proportions and construction of a turban was not available to British milliners, the overall shape was approximated for the most fashionable headwear.

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1810-1820 ca. Machine Knitted White Cotton Pantaloons, Probably Military, As Worn in Jane Austen and Bridgerton Times. #Bridgerton #JaneAusten #RegencyFashion #military

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1810-1820 ca. Pantaloons, Probably Military, British. The type of pants worn by men in Jane Austen’s times when wars were being fought all over the world, especially in Europe. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton ‘puff’ centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

Pair of men’s pantaloon trousers made of machine-knitted white cotton and decorated with cream silk braid applied down the sides and on the fronts. This imitates the hussar uniforms of the period and appeared on fashionable men’s dress. The pantaloons are cut to fit the leg and button at the bottom with three buttons. The pantaloons fasten at the front with front falls buttoning over a five buttoned fly. There are two horizontal pockets at the front below the waistband and a fob pocket in the waistband. There are four metal buttons for braces, two at the front and two at the back. These probably are original. There is a cotton ‘puff’ at the centre back waist and two linen tapes for waist adjustment.

Pantaloons also brought the glamour of military uniform into men’s fashionable dress, especially when teamed with Hessian boots. Uniforms worn by the various armies during the Napoleonic Wars (1793-1815) were often very colourful and lavishly adorned with braid and tassels. It is hardly surprising that some of these attractive trimmings should have infiltrated fashion, particularly when nationalistic feelings ran high. Civilian pantaloons were often ornamented with military-style braid that was applied in a vertical band of topside Russia braiding. They were not, however, generally decorated on the front, which suggests that this pair was for military use. The silk braid is applied in the form of an Austrian knot, which was a popular motif on pantaloons of the light cavalry such as the hussars and light dragoons.

1810-1820 ca. Pantaloons, Probably Military, British. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton 'puff' centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1810-1820 ca. Pantaloons, Probably Military, British. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton 'puff' centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1810-1820 ca. Pantaloons, Probably Military, British. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton 'puff' centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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Jane Austen: “Her own thoughts and reflections were habitually her best companions.” Jane Austen ~ Mansfield Park (1817) #JaneAusten #Quote #Regency

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“Her own thoughts and reflections were habitually her best companions. ” Jane Austen Mansfield Park (1814)

"Her own thoughts and reflections were habitually her best companions. " Mansfield Park (1814)
“Her own thoughts and reflections were habitually her best companions. ” Jane Austen Mansfield Park (1814)
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