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Why Did Women Wear Chatelaines Dangling From Chains In Bridgerton and Jane Austen’s Times? Women carried essential items on them. #Bridgerton #JaneAusten #RegencyFashion #GeorgianFashion #VictorianFashion

Suzi Love Posted on May 21, 2026 by Suzi LoveMay 15, 2026

Jane Austen’s and the Bridgerton ladies personal necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive.  http://books2read.com/SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

hat were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
D2D_RetailerBuyLink_HN_9
books2read.com/SuziLoveChatelaines
D2D_RetailerBuyLink_HN_9. Chatelaines and Chains History Notes Book 9 books2read.com/SuziLoveChatelaines

Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Box Or Container, Bridgerton, Chatelaine, Decorative Item, Edwardian Era, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, History Notes, household, Jane Austen, money, Regency Era, Regency Fashion, Romantic Era, sewing, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era, Writing Tools | Tagged 1700s Women's Fashion, 1800s women's fashion, Book 9, Bridgerton, chatelaines, decorative, Edwardian Era, England, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era Fashion, sewing, Suzi Love Books, travel, Victorian fashion, Writing Tools

What did Jane Austen wear? Her family and friends wore elegant and pretty fashions in the early 1800s. #RegencyFashion #JaneAusten #suzilovebooks

Suzi Love Posted on May 17, 2026 by Suzi LoveMay 17, 2026

What did Jane Austen and friends wear? Early 1800s fashions were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. History Notes Book 26 Fashion Women 1805-1809.
https://books2read.com/SuziLoveFashionWomen1805-1809

The Empire waist gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given in France to the period when Napoleon built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. Jean-Jaques Rousseau advocated copying peasants and returning to a simpler life and more natural fashions. Unrestricting clothing was part of the new Democracy in France and these simpler and flowing fashions were adopted all over Europe, including Britain and despite the continual wars being fought against France during the early 1800s. Not even war stopped fashions from being copied everywhere.

HN_26_Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon's first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809 
https://books2read.com/SuziLoveFashionWomen1805-1809
HN_26_D2D_FsshionWomen1805-1809
Posted in 1800s, 1800s women's fashion, art, Australia, bedroom fashion, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Corset, Dress Or Robe, England, Europe, fashion accessories, France, Google Books, hats, History, History Notes, Jane Austen, London, mourning, Pastimes, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Russia, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 26, Corset, Dress Or Gown, fashion accessories, Fashion Plate, Fashions Of London and Paris, google books, Hats And Hair, History Notes, Jane Austen, jewelry, Journal des Dames et des Modes, La Belle Assemblee, mourning, Napoleon Bonaparte, Regency Fashion, riding, shawls, Shoes, Spencer, Suzi Love Books, The Lady's Monthly Museum, The Repository Of Arts, underclothing, weddings

What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. #Bridgerton #JaneAusten #RegencyEra #GeorgianEra #VictorianEra

Suzi Love Posted on May 15, 2026 by Suzi LoveMay 15, 2026

Chatelaines and Chains History Notes Book 9 By Suzi Love. What do you know about Chatelaines and Chains worn in Jane Austen’s and Bridgerton times? Women in charge of households carried important items with them. History Notes Book 9 Chatelaines and Chains. books2read.com/SuziLoveChatelaines

Personal Necessities, keys, or chatelaines was a set of useful items hung from waist by decorative chain. Chatelaines and Chains. History Notes Book 9 By Suzi Love. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. http://books2read.com/SuziLoveChatelaines

Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. Women in charge of households dangled long chains from their waists to keep essentials within easy reach e.g. keys, notebook and pen, watch, sewing items, vinaigrette or perfume, or magnifying glass. Early chatelaine were simple essentials. Later chatelaine were decorative and expensive. books2read.com/SuziLoveChatelaines

What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests.

What were chatelaines used for?

  • Castle keepers needed keys safe, yet easily accessible.
  • By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
  • During 1800’s, women wore large collections of tools hung from chains
  • Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
  • Worn by women of all classes, from workers to nobility
  • Varied depending on class and finances.
  • Made of silver, brass, steel, leather, or fabric
  • During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
  • Chatelaines became decorative brooches
  • Often given as a wedding present from a husband to bride
  • Later became fashion accessories
HN_9 Chatelaines and Chains History Notes Book 9 books2read.com:SuziLoveChatelaines
HN_9_D2D_Chatelaines and Chains
D2D_RetailerBuyLink_HN_9. Chatelaines and Chains History Notes Book 9 books2read.com/SuziLoveChatelaines

Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, 1900s, Australia, Box Or Container, Bridgerton, Chatelaine, Decorative Item, Edwardian Era, England, Europe, fashion accessories, Georgian Era, Georgian Fashion, History Notes, household, Jane Austen, money, Regency Era, Regency Fashion, Romantic Era, sewing, Suzi Love Books, Suzi Love Images, travel, U.S.A, Victorian Era, Writing Tools | Tagged 1700s Women's Fashion, 1800s women's fashion, Book 9, Bridgerton, chatelaines, decorative, Edwardian Era, England, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Fashion, Romantic Era Fashion, sewing, Suzi Love Books, travel, Victorian fashion, Writing Tools

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket, American. #Regency #Underclothing #RomanticEra

Suzi Love Posted on April 30, 2026 by Suzi LoveApril 25, 2026

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.

Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.  

Corset:  French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing. 

From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.

1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
Suzi Love Book Bub https://www.bookbub.com/profile/suzi-love
Suzi Love Book Bub https://www.bookbub.com/profile/suzi-love
Suzi Love Book Bub https://www.bookbub.com/profile/suzi-love
Posted in 1800s, fashion accessories, Jane Austen, Regency Era, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, chemise, Chicago History Museum, Corset, petticoat, Regency Fashion, Romantic Era, underclothing, USA, Victoria and Albert Museum

1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes

Suzi Love Posted on April 26, 2026 by Suzi LoveMarch 8, 2026

1780-1820 ca. Brown Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org

shoes_1780-1820 ca. Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1700s, 1700s Mens fashion, 1800s, 1800s Mens Fashions, England, Georgian Era, Georgian Fashion, Regency Era, Regency Fashion, shoes, Suzi Love Images, U.S.A | Tagged boots, Bridgerton, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Shoes

1826 Silk and Linen Riding Habit, American. #RegencyEra #HistoricalFashion #Riding

Suzi Love Posted on April 24, 2026 by Suzi LoveMarch 15, 2026

1826 Silk and Linen Riding Habit, American. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1826 Silk and Linen Riding Habit, American. via Suzi Love ~ suzilove.com & Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, Dress Or Robe, Regency Era, riding, Suzi Love Images, U.S.A | Tagged 1800s women's fashion, Dress Or Gown, Metropolitan Museum NYC, Regency Fashion, riding, USA
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. #RegencyEra #Fashion #America

Suzi Love Posted on April 22, 2026 by Suzi LoveMarch 2, 2026

1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819
Posted in 1800s, 1800s Mens Fashions, Coat or Pelisse Or Redingote, Regency Era, Regency Fashion, U.S.A | Tagged 1800s men fashion, Metropolitan Museum NYC, Redingote Or Pelisse Or Coat, Regency Fashion, sewing, Suzi Love Images, Tailcoat, USA

Light-hearted look at Young Lady in Bridgerton and Jane Austen’s times, or early 1800s. #Bridgerton #RegencyEra #JaneAusten #Nonfiction

Suzi Love Posted on April 6, 2026 by Suzi LoveFebruary 21, 2026

Light-hearted look at Young Lady in Jane Austen’s times, or early 1800s. A glimpse into both the frivolous and more serious occupations filling a young lady’s day in the lifetime of Jane Austen, or the Regency Era, or the early 19th Century. Historic images and historical information show her fashions and frolics.
https://books2read.com/suziloveYLD

RL_4_YLD_Young Lady's Day_4_ Regency Life Series Book 4 by Suzi Love.
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD
Posted in 1800s, 1800s women's fashion, art, Australia, Bridgerton, Canada, cartoon, Chatelaine, Coat or Pelisse Or Redingote, Customs & Manners, dancing, Decorative Item, Dress Or Robe, England, Europe, fashion accessories, Google Books, hats, History, Jane Austen, London, mourning, Music, Pastimes, Quotations, Regency Era, Regency Fashion, Regency Life Series, Reticule or Bag, riding, sewing, shoes, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 4, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, mourning, music, pastimes, Regency Fashion, Regency Life Series, Regency London, Regency Women, reticule or bag, riding, Shoes, Suzi Love Books

Easter Egg Vintage Cards. #Easter #Vintage #Cards

Suzi Love Posted on April 1, 2026 by Suzi LoveMarch 24, 2026

Ordinary people began to celebrate Easter by sending postcards as gifts. At first, mainly religious pictures appeared on postcards. Then postcards images became more about real life and people. In the early 1900s, postcards became more fanciful and pretty for young children. Religious images were gradually replaced by images that children could understand and relate to about Easter.

Postcards then concentrated on images of chickens and eggs, symbolic of birth and rebirth such as chickens emerging from cracked shells as Christ emerged from the tomb. Children were then added to the images so cards became for something for the whole family. Children with chickens and eggs became very popular on postcards. Bunny rabbits became associated with Easter and children could relate to these as it fitted with their idea of the Easter bunny.

Ellen Clapsaddle (1865 – 1934). An American illustrator from the late 19th and early 20th centuries and recognized as the most prolific postcard and greeting card artist of her time. Her greatest success was single-faced cards that could be kept as souvenirs or mailed as postcards. These cards were highly prized particularly during the peak of the golden age of souvenir postcards from 1898 to 1915. She is credited with over 1000 designs in post cards and souvenir cards. Cards in the mid 1900s were created to send personal Easter messages to loved ones such as mothers and fathers, grandparents, aunts and uncles and siblings. Artists from around the world began creating beautiful cards to share at Easter.

Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy ideas, especially European subjects.Jenny Nystrom (1884-1946)

Vintage Easter Egg Cards.

Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.comhttps://books2read.com/suziloveEaster
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love - suzilove.com
Egg With Flowers. Easter Greetings. Suzi Love – suzilove.com

Posted in 1900s, art, Customs & Manners, Easter, Edwardian Era, England, Europe, History, Russia, Suzi Love Images, U.S.A | Tagged Customs and Traditions, Easter, Easter Card, Easter in Images, europe, Suzi Love Images, Suzi Love Research, vintage

Easter Bunny Vintage Cards. #Easter #Vintage #Cards

Suzi Love Posted on March 30, 2026 by Suzi LoveMarch 26, 2026

Vintage Bunny Easter Cards. Suzi Love – suzilove.com

Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Holding Baby Rabbit Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com via nypl.digitalcollections.org
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
1908 Vintage Bunny Easter Cards. Suzi Love - suzilove.com
1908 Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love - suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
Posted in 1900s, art, Australia, Canada, Customs & Manners, Easter, Edwardian Era, England, Europe, History, Russia, Suzi Love Images, U.S.A | Tagged Customs and Traditions, Easter, Easter Card, Easter in Images, Suzi Love Images, vintage

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  • 1819 January Mourning Winter Carriage and Evening Dresses. #Regency #Mourning #Fashion
  • 1818 Gentleman’s Long Green Redingote Or Coat as Worn By the Bridgerton Men. #Bridgerton #RegencyFashion #France
  • Are you a Reader or Writer of Regency Era Fashions? Jane Austen and Bridgerton corsets. #corsets #historicalfashion #RegencyFashion #JaneAusten #Bridgerton
  • What was fashionable in Bridgerton and Jane Austen’s times? Mourning, riding, daytime, evening fashion plus underclothing. #Bridgerton #JaneAusten #RegencyFashion
  • 1802 High-Waisted Jane Austen era white dress with train and Lace Cap. #JaneAusten #RegencyFashion #whitedress

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