1807 London: being an accurate History and Description of the British Metropolis and its Neighborhood to Thirty Miles Extant. By David Hughson. via Google Books (PD-200)








1807 London: being an accurate History and Description of the British Metropolis and its Neighborhood to Thirty Miles Extant. By David Hughson. via Google Books (PD-200)








Claridge’s Hotel – London’s Historic Places Claridge’s was founded in 1812, during the Regency Era, as Mivart’s Hotel at 51 Brook Street, Mayfair, London, UK.

Lord William Beauclerk leased the terrace house from the Grosvenor Estate with permission to turn it into a hotel run by James Edward Mivart, the anglicized name for French chef Jacques Mivart. By 1838, the hotel grew to buy five consecutive houses along Brook Street, knocking down the walls to create one large hotel and Mivart prospered by introducing English county families to subtle French cooking to replace their traditional stodgy fare. Mivart designed the hotel for guests who wished to stay longer, so apartments were let by the month to foreign royalty and nobility who enjoyed the ambiance of the well-run hotel yet had the privacy of their own suites. The Prince Regent, who succeeded to the throne as King George IV in 1820, had a suite of rooms permanently reserved for him so he could discreetly carry on his playboy lifestyle.

In 1827, The Morning Post noted that Mivart’s was the fashionable rendezvous for the high Corps Diplomatique. In 1854, the hotel was sold to Mr and Mrs Claridge who ran a separate hotel at 49 Brook Street. They combined the two operations to trade as “Mivart’s at Claridge’s” until, after Mivart’s death, the hotel changed its name to Claridge’s in 1856, adding “late Mivart’s” underneath.
In 1860, Queen Victoria and Prince Albert visited the Empress Eugènie of France, who had made Claridge’s her winter quarters, and Queen Victoria was so impressed that she wrote to her uncle, Leopold I, King of the Belgians, in glowing terms of Claridge’s. The hotel became so connected to royalty it was called an “extension to Buckingham Palace”.including the Grand Duke Alexander of Russia and King William III of the Netherlands, until by 1853, The Times decided London had just three first-class hotels- Mivart’s, The Clarendon in Bond Street and Thomas’s in Berkeley Square.
In 1881, William Claridge’s failing health forced them to sell to a consortium, but the hotel consisted of several private houses and couldn’t be upgraded to compete with purpose built hotels cropping up all over London. The Savoy for example, built in 1889, offered lifts to all floors, electricity, en suite bathrooms and the best chef in Europe, Auguste Escoffier. So in 1894, Richard D’ Oyly Carte, founder of the rival Savoy Hotel, purchased Claridge’s and commissioned CW Stephens, designer of Harrods, to rebuild the hotel from the ground up. The new Claridge’s opened in November 1898.

1897 Claridge’s Hotel, Mayfair, London, U.K. A perspective view of the new building showing the front entrance in Brook Street and the return front in Davies Street. Drawn by C. W. Stephens, architect.
After World War I, Claridge’s flourished due to demand from aristocrats who no longer maintained a London house and Carte’s son, Rupert D’ Oyly Carte, added a new extension. During World War II, Peter II of Yugoslavia and his wife spent their exile at Claridge’s until on 17th June 1945, suite 212 was ceded by the UK to Yugoslavia for a single day to allow their heir, Crown Prince Alexander, to be born on Yugoslav soil.







Pleasure House Ball: Brenton, Lord Mallory, attends his first courtesan’s ball in ten years to appease his concerned friends, though he’d rather stay home and read to his motherless daughter. Though mortified that Brenton unmasks her at a scandalous ball, Lady Lillian Armstrong doesn’t regret their night together. Book 3 Irresistible Aristocrats books2read.com/suzilovePHB
Excerpt: For himself, Brent was past caring if he was seen at a courtesan’s ball, even stark naked, but he’d never risk Lillian’s reputation. The only garment within reach in the cupboard they were hiding is was a silk robe covered in pink and purple cabbage roses and with a frilled neckline but, deciding that beggars couldn’t be choosy, he shoved his arms into the sleeves and tied the belt at his waist.
Lillian clamped two hands over her mouth to stop giggles from escaping, but he gave a what-else-can-I-do shrug and pretended his masculinity remained intact, despite the feminine gilding. Thankfully, she seemed composed, which was in direct contrast to his own distress, emotional and physical, at not managing their time together better.
Counting backwards from a hundred usually calmed him and had taken the edge of the anger and frustration he’d suffered during the last months of his marriage, so he closed his eyes and focused on counting. One hundred, ninety-nine, ninety-eight, ninety-seven—
‘Bloody hell,’ Brent yelled. Lillian had wrapped a hand around him just as the wardrobe’s door flew open and four faces peered inside.
Lillian screamed. Brent pushed her firmly behind him and she burrowed behind his broad back and pulled the scarf across her face. He addressed the occupants of the room as if it was an every day occurrence to hide in a cupboard at an orgy. ‘Hello Browning, and Browning’s guests,’ he said cheerfully. ‘Having a nice foursome?’
Before Lillian had dipped her head, she’d glimpsed the faces of their four onlookers. Faces that showed emotions ranging from utter amusement from their host, Browning, curiosity from his companions. Perhaps for them hiding in a cupboard was normal. The thought made her giggle again and she tried to poke her head out from behind Brent’s silk clad bottom to see what Browning would do, but Brent reached behind him and pushed her head down again.
‘Glad you’re enjoying yourself, Mallory.’ Browning’s amusement sounded in his voice, and she sensed that he was attempting to shift Brent aside so he could get a look at her face. ‘Didn’t think naked romps were your cup of tea these days, old boy.’


This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. History Notes Book 14.
https://books2read.com/SuziLoveCorsetBook14


Pleasure House Ball: Brenton, Lord Mallory, attends his first courtesan’s ball in ten years to appease his concerned friends, though he’d rather stay home and read to his motherless daughter. Though mortified that Brenton unmasks her at a scandalous ball, Lady Lillian Armstrong doesn’t regret their night together. Book 3 Irresistible Aristocrats books2read.com/suzilovePHB
Excerpt
‘Lillian,’ Brent hissed through gritted teeth. ‘Have you been paying attention to me? I know most of the gentlemen attending this ball and there isn’t one of them that’s good enough for you.’
‘Not even you?’ At his shocked look, she waved her hand between them. ‘Sorry. I know you’re not interested in me. Not in that way, anyway.’
She watched his Adam’s apple bob as he swallowed, hard. Was she mistaken? Did he find her attractive, after all? Because, Lord knew, she found him, and his muscled body, very enticing. Many a time she’d ridden behind him purposely so she could watch his taut behind rise and fall in the saddle, his thighs stretched tight as he rose slightly in the stirrups and his coat pulling across wide shoulders. She’d secretly been pleased that he wouldn’t allow visitors to his house, declaring that he and his daughter were still grieving. Though she knew that was a fabrication to prevent his mother from bringing a constant stream of eligible ladies to visit, she enjoyed being the only woman who saw him dressed down and carefree as they rode together. Which they did often.
With her head tilted to one side so she could peer up at him, she said, ‘Are you? Interested in me that way? As a woman.’
She heard the hiss of his indrawn breath and sensed she was about to be rejected. Being rejected by her husband had wounded her feminine pride, though even that pain hadn’t destroyed her. By contrast, if her best friend, the man that knew her better than her mother, turned away from her, the pain would kill her. She spun towards the door, desperate to escape.
‘Ah, there you are.’ Her companion, Maggie, stepped through the balcony doorway and strode towards her. She eyed Brenton, slowly appraising him from top to toe, before turning her back to him. ‘I was worried when I couldn’t find you. Are you all right?’
Brenton stepped around Maggie and gave her the same disdainful look as she’d given him. He gave a small bow and said, ‘I’m Brenton. And your name is…?’
Maggie rolled her eyes. ‘I know better than to reveal myself here. And I already know who you are, my lord.’
Lillian squirmed when Brent’s gaze flicked towards her and back to Maggie. ‘I’ve told my friend about you, Brent.’
‘I see.’ He turned to Maggie and leaned in close. ‘And what sort of friend are you that you brought a young woman to an event that caters to less than respectable ladies?’
‘The best sort, my lord.’ Maggie didn’t flinch form Brent’s blunt question. ‘The sort of friend who recognizes that a woman has been scarred by men and life and needs a chance to enjoy herself without censure. Needs a night of fun and frolic, rather than one of fear and loneliness.’
‘Loneliness?’ Brent repeated the word in surprise and looked at Lillian. ‘Is she correct? You’ve been lonely.’
‘In my marriage, yes, I was lonely. Geoffrey didn’t like me to see my own friends or family too much. He wanted me at home, where he could keep me under control, or attending events on his arm. A decorative addition to enhance his reputation as a man who purchased only the best quality goods. Immaculate clothing, flashy carriage, well-bred horses, and a household where he ruled supreme. There was little room for me to breathe.’
He touched her arm. ‘I’m sorry to have failed you so badly. I was so swept up in my own misery and battling to keep my wife’s affairs under wraps that I gave no thought to how your life was when in London.’


1812 May Pink Walking Dress, English. Coat is called a ‘Spencer Robe’ in the description and the fabric is sarcenet in blossom color. High collar, bobble decoration on the hem, pink sleeveless pelisse dress trimmed with a tufted Chinese silk fringe. The deep vandyke black lace is a loose Polonaise style that sits over the collar of the white muslin dress. The provincial muslin bonnet has two curled white ostrich feathers on the front. Half-boots are of pink kid, gloves are lemon or pale tan kid, and pink reticule, or ridicule or bag, has a drawstring. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Pelisse, Redingote, Or Walking Dress: Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.
Definition Reticule Or Ridicule Or Bag Or Purse: Because reticules were so popular, Jane Austen and her family and friends would have made reticules for each other for gifts and carried these small purses with them whenever they went out.
Definition Aigret, Aigrette, Egret: Plume of feathers or jeweled ornament in shape of feathers worn on head or hats. During the early 19th century., or Jane Austen’s lifetime, the favorite feathers were osprey and heron.

The Metropolitan Police, London Before 1829
Other Police organizations


Rates of Postage of single Letters in Pence In Great Britain in Jane Austen’s times.
The Twopenny Post- Office.


1802 August. Two Ladies in Evening Dresses in the high-waisted, or Empire line, styles worn By Jane Austen. White dress with pink trim, pink fan, and pink plumed headdress. Aqua blue dress with white bodice and a blue trimmed evening headdress.
The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome.
Definition Aigret, aigrette, egret: Plume of feathers or jeweled ornament in shape of feathers worn on head or hats. During the early 19th century, or Jane Austen’s lifetime, or during the years of the Bridgerton series, the favorite feathers were osprey and heron.


1821 December Green Promenade Dress, English. High waisted coat over white dress with ruffled collar, vertical front bows, short puffed sleeves over long straight sleeves, matching ruffled bonnet and yellow gloves. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’, London, U.K.

