Category Archives: Royalty

1800s Early Different Degrees Of Nobility In Great Britain In Bridgerton and Jane austen Years.#bridgerton #janeausten  #peerage #BritishHistory #RegencyEra #debretts

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1800s Different Degrees Of Nobility In Great Britain and Ireland. FIVE LEVELS.

1828_DifferentDegreesPeerage_Debretts

                   

BENEATH THESE COME THE BARONS:  The rank and precedence of Baronets is immediately after the younger sons of Barons, and before all Knights, whether of the Order or Knights. When the Order of Baronets was first instigated, its numbers were limited to 200. Members were carefully selected from the most wealthy and distinguished families of landed gentry. In the reign of the first Charles, it was the stimulus and reward for devoted loyalty. Later, it was often bestowed as an honorary recompense for sufferings and attachment when royalty was unable or unwilling to give solid remuneration. FROM: 1835 Debrett’s Baronetage of England

PRINCES of the BLOOD ROYAL: The Sovereign’s sons, brothers, and uncles are styled Princes of the Blood Royal, and have precedency of all other dukes, with the title of Royal Highness, which title was also, by special warrant, in 1816, conferred on the duke of Gloucester, deceased, and, 6th April 1818, on Prince Leopold of Saxe Cobourg (King of the Belgians).    FROM: 1840 Debrett’s Peerage of the UK

  • THE PRIVILEGES OF THE PEERS OF THE UNITED KINGDOM OF GREAT BRITAIN AND IRELAND.  The nobility of England enjoy many great privileges, the principal of which are as follow:-
  • 1. They are free from all arrest for debts, as being the king’s hereditary counsel
  • lors. Therefore a peer cannot be outlawed in any civil action and no attachment lies against his Person. This privilege extended also to their members of the lower house, till the year 1770, when their lordships joined the house of commons in a bill for abolishing it. 
  • 2. In criminal causes they are only tried by their peers, who give their verdict, not upon oath as other juries, but only upon their honor: and then a court is fitted up for the purpose in the middle of Westminster hall, at the king’s charge.
  • 3. To secure the honor of, and prevent the spreading of any scandal upon peers, or any great officer of the realm,there is an express law called scanda lum magnutum by which any man convicted of making a scandalous report against a peer of the realm ( though true ) is condemned to an arbitrary fine , and to remain in custody till the same be paid . 
  • 4. Upon any great trial in a court of justice a peer may come into the court and sit there uncovered. No peer can be covered in the royal presence without permission for that purpose, except the lord baron of Kinsale, of his majesty’s kingdom of Ireland.  In case of the poll tax, the peers bear the greatest share of the burden, they being taxed every one according to his degree.
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1800-1810 ca. Flat Silk Slippers With Ankle Ties Worn By Empress Josephine Bonaparte and As Worn By Jane Austen And friends. #Regency #Shoes #JaneAusten #France

Suzi Love Posted on by

1800-1810 ca. Flat Silk Slippers With Ankle Ties Worn By Empress Josephine Bonaparte and As Worn By Jane Austen And friends. #Regency #Shoes #JaneAusten #France

Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments and it wasn’t until the 1820s that square, rather than rounded or pointed toes became fashionable. Made of soft kid or cloth, these delicate shoes were flimsy and wore out quickly. There was often no difference between a left or right shoe, so when one slipper had a hole it was easily replaced. Slippers were often bought in multiples at a time so there were spares.

1800-1810 ca. Flat Silk Slippers, French. \With Ankle ties and front bow. Worn by Empress Josephine Bonaparte. via Châteaux de Malmaison et Bois-Préau
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

Love Jane Austen and the Bridgertons? Easy to read overview of what an older lady did, wore, and how she lived in Jane Austen’s time. #Bridgerton #JaneAusten #RegencyEra #BritishHistory

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Easy to read overview of what an older lady did, wore, and how she lived in Jane Austen and Bridgerton’s time. Information for history buffs and pictures for readers and writers of historical fiction.  Older Lady’s Day Regency Life Series Book 5 by Suzi Love books2read.com/suziloveOLD

Older Lady’s Day Regency Life Series Book 5 by Suzi Love #Regency An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. books2read.com/suziloveOLD
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Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #RegencyEra #books #History #Pinterest #SuziLove

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Pinterest Boards By Suzi Love.

I love Pinterest for keeping thousands of historical images in some sort of order. And I love using Pinterest Boards as inspiration for my romance books. What about you? Do you use Pinterest for planning something, or just for fun? Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards

Are you following my Pinterest Boards? Images galore for history, books, Regency Era, fashion and writing. #Regency #books #Historyhttp://www.pinterest.com/suziloveoz/
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1805-1808 ca. Man’s Three Piece Court Suit As Worn In Jane Austen’s Years: Coat, Waistcoat, Breeches, French. #JaneAusten #RegencyEra #HistoricalFashion #Breeches

Suzi Love Posted on by

1805-1808 ca. Man’s three-part court suit of coat, waistcoat, and breeches, French. Wool broadcloth embroidered with silk and metallic threads, spangles, and glass. Plum colored broadcloth embroidered with plum colored and white silk and chenille, silver thread, spangles and brilliants. Supposed to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain, 1805-1808, at a ball given by Napoleon at the Tuileries. Worn with 01.110 and 01.111. Said to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain from 1805-1808; to his grand-nephew, James Bowdoin Winthrop by inheritance; to James Bowdoin Winthrop’s nephew, Robert C. Winthrop, Jr. by inheritance; gift of Robert C. Winthrop, Jr. to MFA, February 1, 1901.

DIMENSIONS Coat: center back (collar to bottom of coat): 106 cm (41 3/4 in.)
Waistcoat: center front: 55.2 cm (21.75 in.)
Breeches: center front: 67.9 cm (26.75 in.)

CREDIT LINEGift of Robert C. Winthrop. ACCESSION NUMBER01.110-112 via Museum Of Fine Arts, Boston, U.S.A.

1805-1808 ca. Man's three-part court suit (coat, waistcoat, and breeches) Plum colored broadcloth embroidered with plum colored and white silk and chenille, silver thread, spangles and brilliants. Supposed to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain, 1805-1808, at a ball given by Napoleon at the Tuileries. via mfa.org

HN_23_D2D_Fashion Men 1800-1819
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1816 Block Printed Quilt Panel made to celebrate the Marriage of Princess Charlotte to Prince Leopold of Saxe-Coburg. #RegencyEra #Royalty #BritishHistory #Sewing

Suzi Love Posted on by

1816  Block Printed Quilt Panel made to celebrate the Marriage of Princess Charlotte to Prince Leopold of Saxe-Coburg.

Textile of block-printed white cotton in madder colours with pencilled blue. The cotton is printed with 9.5 octagonal panels intended to be cut out and applied to patchwork quilts. Each panels contains a bunch of flowers. Around the inner border is an inscription of Princess Charlotte of Wales married to Leopold Prince of Saxe-Coburg May 2, 1816. In the borders are three Prince of Wales feathers, the Royal Arms, and a crown on each side. At the end of the textile is printed a rectangular panel containing the manufacturers name and in a corner is the name ‘G. Swindels’.

This quilt has an excise stamp for 1816 and is inscribed ‘John Lowe and Co. Furniture Printers, Shepley Hall’, providing the name of the only identifiable manufacturer of these panels, although there are likely to have been others. John Lowe was a well-known firm of calico printers with large cotton factories and extensive bleaching grounds close to the River Tame near Ashton-under-Lyne in Lancashire.

Hand-quilting is done on a frame using needles called ‘betweens’. The stitches are executed with one hand; the other hand is kept underneath the quilt to feel for the needle. Small, uniform stitches (usually a ‘running stitch’) are taken through the three layers to form a decorative design. In ‘piecing’ or ‘patchwork’, small pieces of fabric are sewn together to produce a decorative design. The most enduring method in Britain is done by hand, and is known as ‘piecing over paper’. The pattern is first drawn onto paper and then accurately cut. Small pieces of fabric are tacked round each of the shapes, and then joined together from the back using overstitch. Most of the quilt top visible here has been pieced over paper, but in some areas the fabrics have been applied directly on to the earlier quilt that forms the wadding.

Victoria and Albert Museum, London, England.  

1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk_1
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk_1
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk_2
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk_2
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk 4
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk 4
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk 5
1816 Quilt Panel, English. Block printed cotton panel showing roses, lilies and lilacs. via collections.vam.ac.uk 5
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