1814 Gentleman’s Ensemble, French. Gentleman in brown tailcoat, white vest, high collared white shirt, knotted white cravat, white pants and white gaiters above black shoes. The style of outfit worn by the men in Jane Austen’s life. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
What did the Bridgerton ladies and Jane Austen use to carry her personal items? Ridicule, Reticule, Or Handbag? Call them what you like: purses, bags, handbags, reticules, ridicules, clutches, or pocket replacements. They all did the same job and they changed greatly with the prevailing fashions of time. books2read.com/suziloveReticules
Definition Of A Reticule; Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket, so women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring. These Reticules, or bags, were the forerunners of our modern day purses.
The term ‘ridicule’ derived from the Latin ‘ridiculum’ and first used in France during the 17th century and meant subjecting something or someone to mockery. As women’s tiny bags were mocked, or ridiculed, for being a useless fashion accessory carried outside when they were first used in the late 1700s, it’s likely this is how the name ‘ridicule’ started. The later term ‘reticule’ derived from the Latin reticulum, meaning ‘netted bag’ and was applied when bags became larger and often made from netting. In the late 1700s and early 1800s, they were also known as indispensables as they carried all the personal items a lady needed upon her person every day. They were easily made by ladies, easy to carry and became an indispensable fashion accessory.
In the early nineteenth century, reticules started to look like future handbags as they were often made from rigid card or molded mâché or card into a variety of shapes. Early bags were circular and with a drawstring but as women wanted their reticules to look individual they could be made with two halves and a hinged metal closure or with concertina sides. Materials varied from silk, cotton and string and shapes were round, hexagonal or lozenge shapes with shell shaped bags becoming very popular during the Regency and Romantic Eras.
1800s magazines were written for well bred women who could read, so they gave plenty of ideas for how ladies could make and embellish reticules for their own use and as pretty gifts. Needlework was highly encouraged as a pastime for a lady so bags were frequently embroidered or decorated with beading. By the 1820s, reticules became more like our modern handbags using soft leather gathered at the top or hard leather with a rigid fastener and metal chain for carrying.
1757-1758 ca. Egg Shaped Toilet Case With Clock. By Master Francois Beeckaert, Paris, France. Gold, diamonds, silver, enamel. via Hermitage Museum, Russia.
1811-1820 Regency Era Overview. The British Regency was the period from 1811-1820. King George III was deemed mad and unfit to rule so his son became his proxy, the Prince Regent, or Prinny to his close friends. This was the era during which Jane Austen wrote her books. Books that are still read and discussed today.
As a period in Britain’s official history, the Regency lasted less than ten years, although scholars apply the term Regency to a much longer period. It began in 1811, when George Ill was declared mad and the Prince of Wales was appointed Regent. It ended in 1820 when the King finally died and the Regent was crowned George IV. However, the Regency was a period in Britain’s history that had an effect on the social and cultural life for four decades, from the start of the French Revolution in 1789 to the passing of Britain’s Great Reform Act in 1832.
The decision to make George IV the Regent took a lot of political debate. After nearly two and a half months of political wrangling, the British government agreed to grant the title of Prince Regent on George. The Act of Parliament was finally passed by a commission in the House of Lords on February 5th 1811 and the Prince was formally sworn in as Regent at Carlton House the next day. He continued to rule as Regent until 1820 when, on his father’s death, he assumed the title George IV and reigned until his own death in 1830.
During the Regency, royalty and upper class ladies and lords, or the Beau Monde, lived elegant and extravagant lives that also allowed excesses and depravity. Britain was united behind exceptional heroes in long wars against France, but internally divided by class distinction and political agitation. The foundations of a modem industrial nation were laid by engineers, inventors and scientists. while Romantic poets and visionary artists dreamt of escape to earlier times and more ideal worlds. From: Queen’s Gallery, London, U.K.
While writing about perfumes and oils, a favourite subject of mine, for my book, Scenting Scandal, I sniffed out some fascinating snippets on the history of early perfume suppliers in London. I have a nose for these things ( He He!) as in my past life I also blended oils and perfumes. One name stood out in historic London- Juan Floris.
He opened his shop at 89 Jerym St. in the elegant quarter of St. James’ London soon after his arrival from the Mediterranean in 1730. After starting as a barber and comb-maker, he missed the aromas of his Mediterranean youth and began blending oils, essences and fixatives, from Europe, into the first Floris fragrances.
‘ Purveyors of The Finest Perfumes & Toiletries to the Court of St James’ Since the Year 1730.’
In the same manner that Fortnum & Mason held Royal Warrants to supply groceries to the Royals, Floris held Royal Warrants to supply perfumes, shaving items and toiletries.
The first Royal Warrant granted to J.Floris Ltd was in 1820 as ‘Smooth Pointed Comb-makers’ to the then newly appointed King George IV. Then, the social elite followed the court until the Floris ledgers held accounts for an array of public figures, including practically every European Royal. Combs, tooth brushes and mouth washes were greatly valued by the company’s elite clientele.
These days, and at the same premises, Floris still supplies royalty and world celebrities with an array of fragrances and bathroom accessories.
The Floris archives hold letters from famous customers detailing their preferences and their thanks, including the following examples:
Between 1820 and 1840 textile printers began to produce designs that were based on the woven silk dress fabrics of the 1750’s. Designs showing curving trails of lace or ribbons between bouquets of flowers became as popular in the 1830s as they had been in the 18th century.
Roller Printed Cotton.
The pattern on printed cotton was made with an engraved metal roller and additional colors were built up by wooden surface roller. Roller printing on textiles was introduced in the late 18th century and at first used mainly for small-patterned dress fabrics. By the 1830s, roller printing was highly mechanized process and had largely replaced block printing for fashionable furnishings.
Materials and Making
The development of roller printing coincided with a radical transformation in the dyestuffs available for printing on cotton. Until the beginning of the 19th century printing had been based on the use of vegetable dyes. In Britain, France and Germany new chemical processes were developed and mineral colors produced that transformed the palette of colors available to the printer and made combinations such as shades of pink and orange possible.
Design and Designing
The false trails of lace and bouquets of flowers in the fabric are inspired by the patterns of woven silks from nearly a century earlier. Changing taste made this design suitable for furnishing a room in the 1830s, while the 18th-century silk that was its inspiration would have been intended for a woman’s gown.
Time
The styles considered fashionable in 1830s furnishings were widely diverse. Among the more recognisable historical references were Rococo, Elizabethan and Gothic. A design such as this seems to be relying on novelty of effect for its success.
Information via Curator of Victoria and Albert Museum, London, UK. collections.vam.ac.u Victoria and Albert Museum, London, UK.
The name Faberge is associated with the Russian Imperial family for whom most of the world’s most famous eggs were created. In 1870, Faberge inherited his father’s jewelry business and quickly became known for his brilliant designs. A display of his work and the gold medal he was awarded in Moscow’s Pan-Russian Exhibition of 1882 brought him to the attention of the Russian nobility.
In 1885, Faberge was commissioned by Tsar Alexander III of Russia to create an Easter egg for his wife, the Empress Maria Fedorovna. This became known as The Hen Egg, the first Imperial Faberge Egg, and is made of gold. The Empress was so happy with the gift that Alexander appointed Fabergé a ‘Goldsmith by Special Appointment to the Imperial Crown’ and the following year commissioned another egg. From then on, Faberge was given complete freedom with future Imperial designs which become even more elaborate every year. A famous Fabergé egg is one of sixty eight jeweled eggs made by Fabergé and his assistants for the Russian Tzars and private collectors between 1885 and 1917.
After the Russian Revolution, the House of Faberge was nationalized by the Bolsheviks and the Faberge family fled to Switzerland where Peter Carl Faberge died in 1920. Several of the Faberge Imperial eggs are still missing.
1900 Cockerel Faberge Easter Egg, or, Cuckoo Clock Egg was given by Tsar Nicholas II to Empress Maria Feodoronova. Mechanism on top rear enables its bird to come out and move. The egg is part of the Viktor Vekselberg Collection, owned by The Link of Times Foundation, and housed in the Fabergé Museum in Saint Petersburg, Russia. Faberge Easter Egg, Russia.
Embracing Scandal Book 1, Scandalous Siblings Series. Lady Rebecca Jamison sneaks into the house of the Duke of St. Martin to beg his assistance to combat a rogue and murderous group of railway investors.
Lady Rebecca Jamison told The Duke of St. Martin. ‘We utilize Foster and Braithwaite as our stock trading agents and invest through them using the minimum identification on any documents.”
“Impressive. I heard that Foster and Braithwaite’s business grew twelve fold in the last few years by riding on railway stocks.”
“Hence, our problem. Their profits, our profits, became legendary. People speculated about the mysterious names on share certificates.” At his puzzled look she added, “Simple enough. We draw up letters. Ladies sign with their initials and family name, nothing more, so no one realizes the investors aren’t men. Or rather, no one did before.”
“And now?”
“Two weeks ago, some members of the outer circle approached my brother, Michael. They believe him to be personally responsible for our own change in fortune.”
“How big a change in fortune?”
“Oh, nothing too major.” She waved a hand in a vague manner and hoped her face didn’t flush. “Modest successes. Dividend rates in excess of six percent in some situations.”
His eyebrows shot upwards. “Six percent! Nobody I do business with calls that modest. No wonder they wish to obliterate all reference to your family, and your Society.”
“Yes, if only we’d been able to keep our good fortune a secret. We take the uttermost care with our clandestine activities, as we value our privacy and our reputations.”
The Duke raised a brow and pointed at his clock. “Oh, yes. Great care with your reputation!”
She chose to ignore him. “Michael laughed it off. Refused to join their so-called group of friends who dabbled in investing. So they raised the stakes. If he refuses to hand over m … his calculations for all the new railway share ventures opening, within the next two weeks, they vowed to destroy the members of his family. One by one, until he gives in.”
“Ah, now I understand. That’s why they’re keeping you alive. They’re waiting to acquire the records. They assume as eldest, and involved in a charitable society, you hold the most knowledge of…” When he mumbled, she stiffened. Did he guess? “Of Michael’s future stock predictions. Then, when they have all they require, they’ll kill all–”
“Yes, yes, I know. They’ll dispense with us regardless.”
She lifted her chin a notch. “But I can resolve this situation. Given a little more time, plus a little assistance from you.”
“Ah! Back to the crux of the matter. What you require from me.”
1897 The Imperial Coronation Egg With A Surprise.Made By Mikhail Pushkin. Presented by Emperor Nicholas II to his wife Empress Alexandra Feodorovna as memento of entry to Moscow on May 26th, the day of the Coronation, in Uspensky Cathedral. Gold embellished with translucent yellow guilloché enamel.
Many Russian Easters were celebrated with Imperial monogramed eggs as the royals were very involved with both the religious celebrations of Easter and the family traditions. Fabergé eggs were jeweled eggs created by Peter Carl Fabergé and his company in Russia from 1885 to 1917. The most famous of the eggs are the ones made for the Russian Tsars, Alexander III and Nicholas II, as Easter gifts for their wives and mothers, often called the ‘Imperial’ Fabergé eggs. The House of Fabergé made about 50 eggs and 43 have survived. Another two were planned for Easter 1918, but because of the Russian Revolution were not delivered. After the Revolution, the Fabergé family left Russia and the Fabergé trademark has been sold several times since then. Several companies have sold Easter egg merchandise using the Fabergé name. The trademark is now owned by Fabergé Limited, which makes egg-themed jewelry.
1897 The Imperial Coronation Egg With A Surprise. #Easter #Faberge #Russia https://books2read.com/suziloveEaster Share on X
1810 ca. Typical Regency Era Day Dress of Sprigged White Muslin, England. High-waisted, hand sewn, bibbed front bodice fastens at shoulders with self covered buttons, net lace insertions on front bodice, squared neck, long tapered sleeves, gathered at shoulders, ankle length skirt, apron panels tied with cotton tapes at back and lined bodice. Via Museum Of applied Sciences, Australia. collection.maas.museum
Definition Empire Style Dress: High-waisted white gown defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the fussy, elaborate and expensive clothing worn in the 1700s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England and in the television series, Bridgerton.
