1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. This is the style of sewing box Jane Austen and her family would have used in the early 1800s, or Regency years. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
Definition: Palais Royal: Name of an area around the Royal Palace in Paris, France, that specialized in making small and exquisite works of art during the 18th and 19th centuries. Palais Royal sewing tools were elaborate and usually feature mother-of-pearl, often intricately carved or engraved. During the 19th century, workboxes were often works of art with engravings, carvings, mother-of-pearl, and elaborate gilt metal mounts. Most popular were scissors with steel blades and gilt mounts, thimbles and needle cases which were often shaped like animals or other natural forms. Workmanship was exceptional and the tools almost too fragile to use.
1808 Fashionable English Couple, Dressed As In Jane Austen’s times. Lady in a white dress with pointed hem decorations, fitted white hat tied under her chin with yellow ribbon, yellow shawl and pink slippers. Gentleman in formal dress of blue tailcoat, black knee breeches, white stockings, black shoes, black bicorn hat, curly hair style and sideburns and a sword. Interestingly, this is English style fashions from a French magazine. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1808 Fashionable English Couple. Lady in a white dress with pointed hem decorations, fitted white hat tied under her chin with yellow ribbon, yellow shawl and pink slippers. Gentleman in formal dress of blue tailcoat, black knee breeches, white stockings, black shoes, black bicorn hat, curly hair style and side burns and a sword. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.1808 Fashionable English Couple Dressed As In Jane Austen's times. #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809
1818 Long Green Redingote Or Coat With Velvet Collar, French. White shirt with high collar, cravat, white trousers, black boots and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
“I remember who you are, Lady Melton,” Captain Belling said in a cold voice, barely glancing over his shoulder at them. “The only thing I don’t know is why the hell you and that child are still anywhere near Waterloo, when all women were ordered to evacuate a week ago.”
“That child has a name, Captain. His name is Daniel, or if you are a stickler for formality, Viscount Melton.”The captain turned and frowned down at her son, who stared back at him with blatant curiosity and a small amount of animosity, as forthright as any young and intelligent child. Even at his young age, Daniel was a shrewd judge of character, and had been instructed by his uncles to be careful about trusting strangers. When the Captain turned back to the tattered maps spread over his makeshift desk, Anne ignored his unspoken dismissal and used the time to observe the infuriating man without having his condemning gaze fixed on her, as it had been a week earlier at the Duke and Duchess of Richmond’s extravagant Brussels ball. If she and Daniel were to travel with his group of wounded soldiers, Anne wanted to learn as much as possible about their leader. Her son’s survival depended on her being well informed and prepared for any eventuality.
Dust filtered down through a gaping hole in the high roof and settled in the Captain’s hair, turning it a darker brown than his normal golden yellow, though a bucketful of dust wouldn’t make any difference to the state of his stained uniform. His left pants’ leg had been sliced open to the knee, the two sides pinned clear of the large bandage winding down most of his leg, while a spindly wooden crutch was propped against the table.
His large physique had attracted her even before their dance at the ball, though his striking physical attributes didn’t compensate for his belligerent attitude, or for his obvious displeasure at encountering her both in Brussels and near the battlefield. Still, the Captain had undoubtedly scowled in a similar fashion at many women he’d met either in Brussels or at Waterloo, as she’d heard him spout his narrow-minded view at the ball to his fellow officers. The Captain believed that in the vicinity of battles only men should be allowed. Not women, and especially not ladies.
Early 1800s Typical Regency Couple in a Curricle. The sort of vehicle Jane Austen and her contemporaries would have driven in. Young men loved them and occasionally women drove them.
1808 ca. Jane Austen style high-waisted muslin dress with bib front, British. High stomacher front, i.e. a bib front fastened with pins, and embroidered with clusters of flowers and leaves. Embroidery satin stitch, chain stitch and French knots. Dress of muslin, embroidered in wool with a design of flowers and leaves down the sleeves and across the front of the dress. The bodice back and side fronts are lined with linen and there are linen undersleeves. The front of the bodice is made up of a panel of bias-cut muslin, which is sewn onto the skirt rather like the bib of an apron so that it can be placed in position at the neck with pins. When the pins are removed the bib front falls away to reveal linen underflaps which fasten across the bust to give support. This type of bodice construction was common during this period in this style of dress and is known as the high stomacher front.
Embroidered with clusters of flowers and leaves and embroidery is worked in satin stitch, chain stitch and French knots, the design trails down across the front of the dress and around the scalloped hemline to simulate a draped tunic-style garment slit up the side seam. Front bodice has panel of bias-cut muslin sewn onto skirt like the bib of an apron so that it can be placed in position at the neck with pins. When the pins are removed the bib front falls away to reveal linen underflaps which fasten across the bust to give support. Bib front bodice construction was common in the Regency Era, or Jane Austen’s years, in this style of dress and is known as the high stomacher front. via Victoria and Albert Museum, London, U.K.
1798 White Dress, French. Gold and black back insert to match gold stripes on the hem, white shawl with gold stripes, gold hat with black decoration. Via Journal des Dames et des Modes or Costume Parisien.
1830s Silk and Leather Shoes, Or Slippers, American. Flat black shoes with ankle ties and square toes. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1800s Typical Game Bird Dishes Served during the 1800s. These are the sort of dishes Jane Austen’s family would have eaten on a regular basis. Banded Partridges, Roast Partridges, Roast Surrey Fowl, Larded Guinea Fowl, Roast Plovers, Stuffed Capons, Roast Gosling and Roast Pigeons. From: 1850s- 1860s Mrs. Beeton’s Books of Household Management. via Google Books (PD-150)
1816 Block Printed Quilt Panel made to celebrate the Marriage of Princess Charlotte to Prince Leopold of Saxe-Coburg.
Textile of block-printed white cotton in madder colours with pencilled blue. The cotton is printed with 9.5 octagonal panels intended to be cut out and applied to patchwork quilts. Each panels contains a bunch of flowers. Around the inner border is an inscription of Princess Charlotte of Wales married to Leopold Prince of Saxe-Coburg May 2, 1816. In the borders are three Prince of Wales feathers, the Royal Arms, and a crown on each side. At the end of the textile is printed a rectangular panel containing the manufacturers name and in a corner is the name ‘G. Swindels’.
This quilt has an excise stamp for 1816 and is inscribed ‘John Lowe and Co. Furniture Printers, Shepley Hall’, providing the name of the only identifiable manufacturer of these panels, although there are likely to have been others. John Lowe was a well-known firm of calico printers with large cotton factories and extensive bleaching grounds close to the River Tame near Ashton-under-Lyne in Lancashire.
Hand-quilting is done on a frame using needles called ‘betweens’. The stitches are executed with one hand; the other hand is kept underneath the quilt to feel for the needle. Small, uniform stitches (usually a ‘running stitch’) are taken through the three layers to form a decorative design. In ‘piecing’ or ‘patchwork’, small pieces of fabric are sewn together to produce a decorative design. The most enduring method in Britain is done by hand, and is known as ‘piecing over paper’. The pattern is first drawn onto paper and then accurately cut. Small pieces of fabric are tacked round each of the shapes, and then joined together from the back using overstitch. Most of the quilt top visible here has been pieced over paper, but in some areas the fabrics have been applied directly on to the earlier quilt that forms the wadding.
