1810 ca. Cotton Dress Ensemble With Train, French. Cut out in back, lace shawl with sequins can be added to cover shoulders, small low cut bodice, all over embroidery and very short decorative sleeves. Front, Back and Side Views. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1820 ca. Typical Regency Wrap Corset.. Worn over a chemise. Cross-over fabric and lacing at the back. Tied around at the front. via Roger-Viollet Palais Galliera, Musée de la Mode de la Ville de Paris.
Corsets changed at the end of the Regency Era to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. The Bridgerton ladies, Jane Austen and their female friends would have worn this type of soft wrap corset. https://books2read.com/SuziLoveCorsetBook17.
1817 March. Opera Dress, English. The sort of outfit Jane Austen and her contemporaries or the Bridgerton women would wear for an evening at the opera or theatre. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
A blue crape dress over a white satin slip; the dress trimmed round the skirt with a deep blond lace, which is headed with a light and novel trimming, composed of white floss silk and small pearl beads: this trimming is surmounted with a beautiful deep embroidery of lilies, surrounded by leaves. The body and sleeves of this dress, as our readers will perceive by our print, are extremely novel. Head-dress, toque à la Berri; it is a crown of a novel form, tastefully ornamented round the top with lilies to correspond with the trimming of the skirt, and a plume of white feathers, which droop over the face. Ear-rings, necklace, and bracelets, sapphire mixed with pearl. The hair dressed in loose light ringlets on the forehead, and disposed in full curls in the back of the neck. White kid gloves, and white satin slippers.
1815 March Evening Full Dress For the Opera or Theatre, English. As would have been worn in Bridgerton and Jane Austen years. Rich burgundy velour dress with white under dress with short puffed sleeves over long straight sleeves, rows of puffings for hem trimming, white lace shawl collar with Vandyke points, matching burgundy velvet turban with white feathers or plumes. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London.
Dress Full Dress: The most formal and complete ensemble, worn for day or night events, and includes the fullest range of accessories that could be added to the outfit to make the most impressive display.
Definition Evening Dress: There were minute distinctions between ball, dinner, evening and opera gowns meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace or at the opera or theatre.
Definition Van Dyke Points: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.
1798 Gentleman’s Outfit, French. Long green overcoat with yellow buttons, tan gloves, black boots topped with yellow band, gloves with three seams across the back of the hand, high white cravat, black hat, fob at his waist and holding a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1821, April 1st; Duke of Stirkton’s residence, Mayfair, London. Being the object of someone’s ridicule might be a novel experience for Maximus Meacham, Duke of Stirkton, but it wasn’t one he cared to repeat, even if the woman laughing at his proposal spoke like a queen and looked like a goddess.
https://books2read.com/suziloveFTAV
As the Duke of Stirkton, he was well accustomed to being watched. Young pups copied his dress style. Toad-eaters mimicked his behavior in futile attempts to ingratiate themselves into his life. Conservative groups applauded his somber public behavior, while cartoonists ridiculed his straight-laced demeanor and suggested he take a mistress. Or two.
Whichever way people viewed him, no one had dared ridicule him to his face. Until this evening. The Countess had side-stepped his butler and marched into his drawing room as if an unannounced call upon an unmarried duke was something she did regularly. Max had informed her, in great detail, of the extensive search he and his cousin had undertaken to locate her and the other women. She’d huffed and rolled her eyes. Normally, his month-about- mistresses gleefully accepted his proposal because sharing a duke’s bed for a month would set them up for the rest of their lives. Apart from the financial benefits, he was a generous lover. One benefit of his abnormal upbringing had been an early and full education into what women wanted in a bed partner. Until the Countess had laughed at him, he’d never had reason to doubt his sexual prowess. In the brief time she’d been in his house, she’d challenged several of his beliefs.
“It’s the ideal solution.” And something he needed. “I will help you search my grandfather’s boxes by day and, in exchange, you’ll make yourself available to me in the evenings.” Max waited, unsure what to expect. An odd situation for a man who prided himself on reading adversaries as easily as he tallied the accounts.
1823 Hackney Cab, London, U.K. This small cabriolet was built by coach builder, David Davies, and licensed for public convenience. Name ‘hackney’ derived from village of Hackney, Middlesex, famous for horse drawn carriages. French word cabriolet was shortened to cab, hence ‘Hackney Cab’. In 1813, there were 1100 hackney coaches for hire in London. Designs changed constantly and in 1834 Joseph Hansom registered his design for a cabriolet named ‘Hansom Cab’.
1815 Beaded Coin Purse With Pinchback Ormolu Frame. Would have been carried inside a reticule, or larger bag, so a woman had small coinage on hand to pay for items on those occasions when a gentleman wasn’t with her to pay for them. Via Ruby Lane Antiques.
A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket.
1820 Lapdesk, English. Exterior covered in metal with a lacquer finish and edged with stamped and gold lacquered brass strips. Interior veneered in kingwood with plush velvet writing surface. walpoleantiques.com
1812 Man’s wool, linen, and cotton long coat with four shoulder capes, European. Also called a Carrick Coat, a Driving Coat, or a Redingote in France. via Metropolitan Museum, NYC, USA. ~ metmuseum.org
A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. The men in Jane Austen’s life and the Bridgerton men would have worn this sort of warm and practical coat like this when riding his horse in inclement weather or when driving his carriage.
Definition: Carrick Coat: Or Garrick or Coachman’s coat, with capes, or collars, popular in 19th century for riding and travel.
