Early 1800’s Three Dresses, German. Three dresses showing the new simplistic and relaxed Grecian look. Soft floating fabrics, high- waisted, or Empire style, waist lines with wrist length or short puffed sleeves. Via landeskunde-online.de.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
Why shouldn’t Lady Lillian take the chance of a night’s fun and freedom, hidden from high-society an out of reach of the duke’s continual criticisms? She’d lost enough of her life while married to a man who didn’t deserve either her patience or her fortitude. Starting tonight, she’d take control of herself and rebirth the confident and happy person that only appeared now when she was staying at her father’s country estate.
She’d been excited about this night for weeks and she’d no intention of running away before she’d explored and widened her experience, though only visually. Not even if Brenton threatened to expose her, or worse, visit her father and reveal where she’d been. Stiffening her spine, she took Brenton’s hand and, after muttering a quick apology to her cluster of admirers, led him straight to one of the balcony doors. She didn’t stop until they were in a darkened section of the balcony where no one could overhear their conversation.
She dropped his hand and turned to lean on the veranda rail and stared out at the garden. ‘What are you doing here?’ She spoke without turning to face him, both mortified and terrified that he’d discovered her here.
‘Michael dragged me here.’ He caught her wrist and tugged her around to face him. ‘Who is that woman you are with? Did she bring you here?’ He ran his hand through his hair, trying to calm himself and dampen down his anger. ‘Of course she brought you here. You wouldn’t have known to come to a place like this otherwise. Did she coerce you in some way?’
Lillian chuckled. ‘Do you truly believe me such an innocent that I don’t know the location of brothels or the estate houses that hold balls where the main guests are ladies of the night? I’m not that naïve, Brent. When I was a married woman, the other married ladies spoke constantly about the state of their marriages. Those conversations included such things as where their husbands, fathers, or brothers went to visit paid women, and what happened in those places.’ She snorted. ‘They’d no idea that my own marriage was so dismal that the only times my husband touched me in bed was those rare occasions when he remembered he was supposed to breed a son and so made an appointment for the next night to visit my bedchamber. Even during those ten dreadful minutes he spent with me, he never thought to explain what happened between a man and a woman, or about how children were conceived. My mother, the duchess, gave me a one sentence explanation on my wedding day of how to act with my husband and the need to create a child, but she unfortunately never gave me the information I needed about what physical intimacy entailed, so the first time my husband lifted the hem of my night dress, I panicked.’
1814 Jane Austen, Mansfield Park. “Give a girl an education and introduce her properly into the world, and ten to one but she has the means of settling well, without further expense to anybody.”
1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20
1806 Short-Sleeved White Muslin Dress With Train. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand-loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Half Parure: A Parure is a matched set of jewelry, including a necklace, bracelet, earrings, pin etc. A half Parure didn’t include a jewelled headdress, or tiara.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.
Corset: French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
Love After Waterloo by Suzi Love. Despite Wellington’s victory over Napoleon four days earlier, soldiers, to use the term loosely, still lingered around Waterloo. They and deserters from both sides had joined local famers in picking through the remains of bodies, uniforms, and armory to pilfer anything of value. There’d been nowhere safe to hide her and her son, Daniel, so Lady Melton’s’ brothers had packed what remained of their equipment and taken them, along with a few wounded British soldiers, to the Captain’s quarters, knowing that his orders were to protect whoever remained of French stragglers and deserters.
Anne’s twin brothers hadn’t lingered, because Wellington and what was left of his British troops were marching back towards Brussels and Brendon’s skills as a physician were urgently needed. Benjamin, an aide to Wellington, had stayed to organize the repatriation of their soldiers and the departure of their sister and nephew. Neither twin had understood her reluctance to join Captain Belling and his group and had ignored her pleas to stay with them in Europe, stating firmly that it was time that she and Daniel returned to London.
They hoped that Anne could reopen their townhouse in London and prepare for when they could join her, optimistically within a few weeks. She wasn’t quite so optimistic. Napoleon was an egotist. He wasn’t the type to accept defeat easily, and she imagined he’d already be making plans for a triumphant return in the future, despite the carnage left behind at Waterloo when he and his remaining troops retreated. Her brothers had reported that the plains had been covered with the dead and the dying, both men and horses.
“There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises at every attempt to intimidate me.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote https://books2read.com/SuziLoveFashion1810-1814
