Writer Or Reader Of Regency Era?What did Jane Austen and friends wear? Women’s clothing changed dramatically in early 1800s. New silhouette copied simplistic styles of Greeks and Romans. High-waisted white dresses and flowing skirts with color and warmth added by outerwear and accessories. Fashion Women 1801-1804 History Notes Book 25 https://books2read.com/SuziLoveFashionWomen1801-1804
Definition Empire Style Dress: High-waisted white gowns defined women’s fashion during the Regency Era. ‘Empire’ is the name given to the period when Napoleon Bonaparte built his French Empire. High-waisted, loose gowns were adopted by the aristocracy as a symbol of turning away from the elaborate clothing worn in the 1700s. This sort of high-waisted dress would have been worn by Jane Austen and her contemporaries in England.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
Fan of the Bridgerton Series? Jane Austen Lover? Writer Or Reader Of Regency Era? What did they wear in early 1800s? #Bridgerton #RegencyFashion #JaneAusten #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1801-1804
1807 London: being an accurate History and Description of the British Metropolis and its Neighborhood to Thirty Miles Extant. By David Hughson. via Google Books (PD-200)
1807 London in Jane Austen’s era. From History and Description. #RegencyEra #London #BritishHistory #JaneAusten books2read.com/suziloveROver
Claridge’s Hotel – London’s Historic Places Claridge’s was founded in 1812, during the Regency Era, as Mivart’s Hotel at 51 Brook Street, Mayfair, London, UK.
Lord William Beauclerk leased the terrace house from the Grosvenor Estate with permission to turn it into a hotel run by James Edward Mivart, the anglicized name for French chef Jacques Mivart. By 1838, the hotel grew to buy five consecutive houses along Brook Street, knocking down the walls to create one large hotel and Mivart prospered by introducing English county families to subtle French cooking to replace their traditional stodgy fare. Mivart designed the hotel for guests who wished to stay longer, so apartments were let by the month to foreign royalty and nobility who enjoyed the ambiance of the well-run hotel yet had the privacy of their own suites. The Prince Regent, who succeeded to the throne as King George IV in 1820, had a suite of rooms permanently reserved for him so he could discreetly carry on his playboy lifestyle.
In 1827, The Morning Post noted that Mivart’s was the fashionable rendezvous for the high Corps Diplomatique. In 1854, the hotel was sold to Mr and Mrs Claridge who ran a separate hotel at 49 Brook Street. They combined the two operations to trade as “Mivart’s at Claridge’s” until, after Mivart’s death, the hotel changed its name to Claridge’s in 1856, adding “late Mivart’s” underneath.
In 1860, Queen Victoria and Prince Albert visited the Empress Eugènie of France, who had made Claridge’s her winter quarters, and Queen Victoria was so impressed that she wrote to her uncle, Leopold I, King of the Belgians, in glowing terms of Claridge’s. The hotel became so connected to royalty it was called an “extension to Buckingham Palace”.including the Grand Duke Alexander of Russia and King William III of the Netherlands, until by 1853, The Times decided London had just three first-class hotels- Mivart’s, The Clarendon in Bond Street and Thomas’s in Berkeley Square.
In 1881, William Claridge’s failing health forced them to sell to a consortium, but the hotel consisted of several private houses and couldn’t be upgraded to compete with purpose built hotels cropping up all over London. The Savoy for example, built in 1889, offered lifts to all floors, electricity, en suite bathrooms and the best chef in Europe, Auguste Escoffier. So in 1894, Richard D’ Oyly Carte, founder of the rival Savoy Hotel, purchased Claridge’s and commissioned CW Stephens, designer of Harrods, to rebuild the hotel from the ground up. The new Claridge’s opened in November 1898.
1897 Claridge’s Hotel, Mayfair, London, U.K. A perspective view of the new building showing the front entrance in Brook Street and the return front in Davies Street. Drawn by C. W. Stephens, architect.
After World War I, Claridge’s flourished due to demand from aristocrats who no longer maintained a London house and Carte’s son, Rupert D’ Oyly Carte, added a new extension. During World War II, Peter II of Yugoslavia and his wife spent their exile at Claridge’s until on 17th June 1945, suite 212 was ceded by the UK to Yugoslavia for a single day to allow their heir, Crown Prince Alexander, to be born on Yugoslav soil.
Claridge’s Hotel, Mayfair, London, during Bridgerton and Jane Austen years. #Bridgerton #janeausten #London #BritishHistory #ClaridgesHotel #travel https://books2read.com/suziloveROver
Pleasure House Ball: Brenton, Lord Mallory, attends his first courtesan’s ball in ten years to appease his concerned friends, though he’d rather stay home and read to his motherless daughter. Though mortified that Brenton unmasks her at a scandalous ball, Lady Lillian Armstrong doesn’t regret their night together. Book 3 Irresistible Aristocrats books2read.com/suzilovePHB
Excerpt: For himself, Brent was past caring if he was seen at a courtesan’s ball, even stark naked, but he’d never risk Lillian’s reputation. The only garment within reach in the cupboard they were hiding is was a silk robe covered in pink and purple cabbage roses and with a frilled neckline but, deciding that beggars couldn’t be choosy, he shoved his arms into the sleeves and tied the belt at his waist.
Lillian clamped two hands over her mouth to stop giggles from escaping, but he gave a what-else-can-I-do shrug and pretended his masculinity remained intact, despite the feminine gilding. Thankfully, she seemed composed, which was in direct contrast to his own distress, emotional and physical, at not managing their time together better.
Counting backwards from a hundred usually calmed him and had taken the edge of the anger and frustration he’d suffered during the last months of his marriage, so he closed his eyes and focused on counting. One hundred, ninety-nine, ninety-eight, ninety-seven—
‘Bloody hell,’ Brent yelled. Lillian had wrapped a hand around him just as the wardrobe’s door flew open and four faces peered inside.
Lillian screamed. Brent pushed her firmly behind him and she burrowed behind his broad back and pulled the scarf across her face. He addressed the occupants of the room as if it was an every day occurrence to hide in a cupboard at an orgy. ‘Hello Browning, and Browning’s guests,’ he said cheerfully. ‘Having a nice foursome?’
Before Lillian had dipped her head, she’d glimpsed the faces of their four onlookers. Faces that showed emotions ranging from utter amusement from their host, Browning, curiosity from his companions. Perhaps for them hiding in a cupboard was normal. The thought made her giggle again and she tried to poke her head out from behind Brent’s silk clad bottom to see what Browning would do, but Brent reached behind him and pushed her head down again.
‘Glad you’re enjoying yourself, Mallory.’ Browning’s amusement sounded in his voice, and she sensed that he was attempting to shift Brent aside so he could get a look at her face. ‘Didn’t think naked romps were your cup of tea these days, old boy.’
Book Hooks: Brent was past caring if he was seen at a courtesan’s ball. #RegencyRomance #HistRom #ReadARegency #EroticRomance books2read.com/suzilovePHB
This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. History Notes Book 14.
Do you read or write Historical Romance? Want a glimpse under dresses worn during the Bridgerton and Jane Austen years? Overview of corsets. #Bridgerton #JaneAusten #GeorgianFashion #RegencyFashion #Corset https://books2read.com/SuziLoveCorsetBook14
1810 French Gentleman. Riding outfit of double-breasted brown coat, tight pants with a side button decoration, jaunty black hat, gloves, and a crop. As Worn by Gentleman in Jane Austen Families. #RegencyFashion #JaneAusten Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Pantaloons: When tailcoats lengthened, breeches extended below the knees to accommodate the longer tails and were gradually replaced with slimmer fitting, longer pants, or pantaloons, that ended at the ankle. Pantaloons were close-fitting and sometimes buttoned all the way down the leg. To make them hug the leg tighter, knitted fabrics were used, or fabrics like nankin and kerseymere were cut on the bias.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
1810 Riding Outfit French DoubleBreastedBrownCoat Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1810 Pantaloons and Double-Breasted Cutaway Coat As Worn by Gentleman in Jane Austen years. #RegencyFashion #JaneAusten #pantaloonshttps://books2read.com/SuziLoveFashionMen1800-1819
1820 ca. Cream Pelisse, English. Empire, or high-waisted, coat, long sleeves, collar, shoulder extensions over the sleeves and elaborate front decoration, corded cotton, cotton thread, and shell buttons. via National Gallery of Victoria, Australia. ngv.vic.gov.au books2read.com/suzilovePelisse
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1820 ca. High-Waisted Cream Pelisse, Or Coat, as fashionable in Bridgerton times. #Bridgerton #RegencyFashion #Pelisse #Coat books2read.com/suzilovePelisse
1812 Man’s Overcoat With Layered and Rounded Capes, French. Black breeches tied at the knees, white stockings, blue waistcoat, black shoes and carrying a bicorn, or two-cornered black hat. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
In the early 1800s, men no longer wore complicated styles and extravagant fabrics. Men’s fashion simplified and became more conservative. A well cut tailcoat, vest, pantaloons and an immaculate cravat of beautiful white linen in the style of George Bryan, or Beau, Brummell. Clothes were a status symbol and indicated a man’s social position. These clothing items were the sort worn by Jane Austen’s male family and friends.
1816 Ball Dress, French, as worn by the Bridgertons and Jane Austen. White short length dancing dress, multiple frills above hem, black bodice with a back bow, hair braided and pinned into an upswept evening style. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Women’s clothing came in the late 1810s came in a wide range of styles to suit every season and occasion. When attending assemblies or balls, ladies in Jane Austen’s times women wore Empire style dresses which were usually of light fabric and floaty in style and often of a shorter length suitable for dancing.
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? https://books2read.com/SuziLoveFashionWomen1815-1819
