1810-1829 ca. Green Silk Street Shoes, Probably British. As Worn by Jane Austen and her contemporaries and the Bridgerton family. Heavier sole than ordinary day shoes, although the silk fabric meant they were only worn for easy promenades. Rounded toe means prior to 1830, when toes became square. Strong colors in shoes complimented fashionable colorful garments of the time. via Metropolitan Museum, NYC, U.S.A. metmuseum.org
1817 November Morning Dress and Evening Dress, English. Morning Dress is a round dress of Jaconot muslin with back buttons, small collar open in front to display the throat, lower part of front with bias tucks, moderately full skirt finished around bottom with small tucks and deep flounce with bright rose ribbon. Rose velvet Spenser trimmed with white satin and rose silk, finished at throat with white satin puffings. Plain long sleeves, French style Leghorn bonnet trimmed with large rows of ribbon to match Spenser and tied under the chin, stand-up lace frill around throat, swansdown muff, straw kid sandals and gloves.
Evening dress of fawn crepe over a white satin slip, cut low around the bust, confined to waist by a narrow cestus of white satin, fastened in front by a brilliant clasp. Single fall of Mecklin lace on dress, very short full sleeve finished at bottom by a rouleau of white satin and narrow lace plait. Skirt trimmed with double row of white satin Spanish puffs, very full and in bias. Hair high, parted and curled on the forehead with garland of Provence roses. Pearl earrings and necklace, spangled crape fan, white kid gloves and white satin slippers. Fashion Plate via The Mirror of Fashion in The Ladies’ Monthly Museum, England.
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
1810 Les Invisibles. By James Gillray. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1810 Les Invisibles. By James Gillray. Two men walk towards each other, each with a lady hanging to each arm, all have their faces concealed by some part of their dress, hat, or collar, or both. One man has a round hat, with a fantastically curved brim projecting downwards. The other has a huge crescent-shaped cocked hat with the peaks dipping over face and back. Via British Museum, London, UK.RL_2_D2D_RetailerBuyLink_RL_2
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1811 Green Dress French. High waist with bow under the bust, Mamaluke sleeves as “a long full sleeve partitioned into five sections, each section being drawn and seamed to fit around the arm up sleeves, white collar lining, fashionable blue bonnet tied under the chin and wearing yellow shoes. The sort of fashionable outfit worn by women in Jane Austen’s times, or 1800s, or Regency Era. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Mamaluke Sleeves: Long full sleeves partitioned into five sections, each section being drawn and seamed to fit around the arm up.
1790-1800 ca. Men’s Riding Boots. Black leather with wide tan leather tops, small heel and slightly rounded toes. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Los Angeles County Museum of Art, California, USA. collections.lacma.org Shoes in the early 1800s were flat or low heeled and occasionally decorated with a bow or floral embellishments. From the 1820s onwards, square toes became fashionable.
1840s Woman’s Shoes or Slippers, Probably United States. Square toes, silk satin, sueded leather, linen, and kid leather. via Suzi Love suzilove.com
& Los Angeles County Museum of Art, California, USA.
collections.lacma.org
1798 Gentleman’s Outfit, French. Long green overcoat with yellow buttons, tan gloves, black boots topped with yellow band, gloves with three seams across the back of the hand, high white cravat, black hat, fob at his waist and holding a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
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1813 Yellow Redingote Or Coat, French. Hooded coat with gorgeous white trim, yellow boots, yellow velvet bonnet with a white plume. Jane Austen and her female family and friends wore fashions like these. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Redingote, or Pelisse, or Walking Dress, or Promenade Dress: Going by many names, this is a coat copied from men’s overcoats but worn by both men and women. Generally, opens down the front, worn for warmth over a dress or coat and breeches, and has a military look with front vertical buttoning or decoration. Called a Redingote in French periodicals but English magazines called them by many other names: pelisse, carriage dress, walking dress, promenade costume.
1798 Woman’s Light Blue Douillette, Or Housecoat, French. Trimmed with pink velvet, pink fan, black slave sandals, apricot hat with black trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Description Douillette: A coat or housecoat, sometimes quilted, worn in France.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. #Georgian #nonfiction #amwriting books2read.com/suziloveFashWomen1700s
1814 Couple In Walking Ensembles, French. Gentleman in a brown tailcoat with a notched collar and back pockets, vest, white breeches tied under his knees, red fob at the waist, white stockings, high white shirt collar, white cravat, top hat and cane. Lady in adorable pink Redingote with capes.