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1823 Couple In Evening Costumes, French. #RegencyFashion #RomanticEra #HistoricalFashion

Suzi Love Posted on August 13, 2026 by Suzi LoveAugust 4, 2026

1823 Couple In Evening Costumes, French. Short length dancing dress of white gauze, short sleeves, pink ribbon trim, flowers, parure, or jewelry set, dancing shoes and hair in a bandeau. Man in half dress of black tailcoat, yellow vest, short length white trousers, high white
cravat, blue fob, and curled hair style. via Modes Francaises L’Indiscreet, France.

1823 Couple In Evening Costumes, French. Short length dancing dress of white gauze, short sleeves, pink ribbon trim, flowers, parure, or jewelry set, dancing shoes and hair in a bandeau. Man in half dress of black tailcoat, yellow vest, short length white trousers, high white cravat, blue fob, and curled hair style. via Modes Francaises L'Indiscreet, France.

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

HN_23_D2D_Fashion Men 1800-1819
1823 Couple In Evening Costumes, French. #RegencyFashion #RomanticEra #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819
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Posted in 1800s, 1800s Mens Fashions, 1800s women's fashion, Coat or Pelisse Or Redingote, Couple, dancing, Dress Or Robe, fashion accessories, France, hats, pants, Regency Era, Regency Fashion, shoes, Suit, Suzi Love Images, Vest or Waistcoat | Tagged 1800s men fashion, 1800s women's fashion, couple, cravat, Dress Or Gown, fashion accessories, Fashion Plate, France, gloves, jewelry, pants, Regency Fashion, Romantic Era, Romantic Era Fashion, sewing, Shoes, Tailcoat, Vest or Waistcoat
1876 Queen Bess Corset, American. Made by Worcester Corset Company_silk, bone, and metal_Sml

1876 ‘Queen Bess’ Silk Corset By Worcester Company, American. #VictorianFashion #VictorianEra #Corset #Worcester

Suzi Love Posted on August 12, 2026 by Suzi LoveAugust 11, 2026

1876 ‘Queen Bess’ Corset By Worcester Company, American. Made of silk, bone, and metal. Named ‘Queen Bess’, this corset was awarded the bronze medal at the Centennial Exposition in Philadelphia in 1876 and was patented in 1877. A well documented piece, it is unique in its design, which has been carefully constructed to support the wearer’s outer garments. The straps would assist in keeping the corset in place and hinder any shifting due to the heavy fabrics, and the bustle roll at back would ease any strain the wearer might experience from the excessive weight of the skirt. Credit Line:Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of E. A. Meister, 1950 Accession Number:2009.300.3496a–e

Corsets 1850-1880 History Notes Book 19 Towards the end of the 1800s, corsets changed to give a fashionable silhouette and be a decorative fashion item. Tight lacing helped give a narrow waist and a feminine form under clothing while decorative corsets became desirable fashion items. Victorian corsets for small waists and fashionable silhouettes. Corsets during the Victorian Era, or late 1800s, tightened to give tiny waists and fashionable silhouettes.

1876 ‘Queen Bess’ Corset By Worcester Company, American. Made of silk, bone, and metal. Named ‘Queen Bess’, https://books2read.com/SuziLoveCorsetBook19
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1876 ‘Queen Bess’ Corset By Worcester Company, American. Made of silk, bone, and metal. Named ‘Queen Bess’, this corset was awarded the bronze medal at the Centennial Exposition in Philadelphia in 1876 and was patented in 1877. A well documented piece, it is unique in its design, which has been carefully constructed to support the wearer’s outer garments. The straps would assist in keeping the corset in place and hinder any shifting due to the heavy fabrics, and the bustle roll at back would ease any strain the wearer might https://books2read.com/SuziLoveCorsetBook19
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1876 ‘Queen Bess’ Silk Corset By Worcester Company, American. #VictorianFashion #VictorianEra #Corset #Worcester https://books2read.com/SuziLoveCorsetBook19
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Posted in 1800s, 1800s women's fashion, Australia, Canada, Corset, England, Europe, South Pacific, Suzi Love Images, U.S.A, underclothing, Victorian Era | Tagged 1800s women's fashion, Corset, Metropolitan Museum NYC, underclothing, USA, Victorian Era, Victorian fashion

1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’ By James Gillray. #Cartoon #RegencyEra #BritishHistory #medical

Suzi Love Posted on August 11, 2026 by Suzi LoveAugust 7, 2026

1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner’s cowpox vaccination program begun in 1796 in England. Recipients of the vaccine developing cow-like appendages. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1802 'The Cow Pock or The Wonderful Effects Of The New Inoculation'. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner's revolutionary cow pox vaccination. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
Cartoon: 1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’ By James Gillray. #Cartoon #RegencyEra #medical https://books2read.com/suziloveROver
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1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com

1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 6, 2026

1799-1810 ca. Cotton Muslin Gown, Probably American. White cotton embroidered muslin, probably Bengal, all over sprigged broderie anglaise decoration,short sleeve with three pairs of inside ties to adjust the double-puff, ruffled edge, back tie at neckline and waist, ruched band above the slightly trained hem with scalloped sawtooth border and with cotton bodice lining. via whitakerauction.smugmug.com

These lightweight white cotton dresses were fashionable in Jane Austen’s times, but they were certainly not warm when a lady was out walking or when riding in a carriage. Numerous outer layers could be added for warmth and to brighten and personalize an outfit. These might be an overdress, pelisse or redingote, hat, shawl, gloves, or large fur muff.

The Empire dress which evolved in the late 1790s began as a chemise shift gathered under the breasts and at the neck. Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Embroidered Neoclassical Gown. White cotton and embroidered muslin, probably Bengali, all-over sprigged Broderie Anglaise, short sleeve with three pairs of inside ties to adjust double puff, ruffled edge, back tie at neckline and high waist, ruched band above slightly trained hem with scalloped sawtooth border, cotton bodice lining. whitakerauction.smugmug.com
1799-1810 ca. Jane Austen Style White Cotton Muslin Dress With Sprigged Broderie Anglaise. #RegencyFashion #JaneAusten #GeorgianFashion books2read.com/SuziLoveFashionWomen1800
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Posted in 1700s, 1700s Womens Fashion, 1800s, 1800s women's fashion, Dress Or Robe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, sewing, Suzi Love Images, U.S.A | Tagged 1700s Women's Fashion, 1800s Or 19th Century, 1800s women's fashion, Dress Or Gown, fabrics, Georgian Fashion, Jane Austen, Regency Fashion, sewing, USA, Whitaker Auctions

What was fashionable for outer wear in Bridgerton and Jane Austen’s times? Spencers, short jackets, or Regency jackets. #Bridgerton #JaneAusten #RegencyFashion #FashionHistory #GeorgianHistory

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 8, 2026

Spencers Or Regency Jackets By Suzi Love. History Notes Book 4. What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets were very popular. Take a look at the jackets being worn by women in the early 1800s or the times of Jane Austen. books2read.com/suziloveSpencers

  • Definition: Spencer – Short, bodice hugging, usually long sleeved, outer jacket. For warmth and for fashion.
  • Definition Caroline Spencer: Worn during the Directoire and First Empire (1790-1815 C.E.). Spencer with pelerine cape that was made of white kerseymere and trimmed with light blue satin cut on bias.
  • Spencers were short jackets cut to match the high waistlines of Empire dresses. They often copied military styling, such as braiding, shoulder decoration, buttons and loop fasteners, and wrist adornments. They were generally of complex construction, often with a diamond shaped piece in the back.
HN_4_Spencers Or Regency Jackets By Suzi Loved. History Notes Book 4. #Regency #Fashion #History What was fashionable for outer wear in past centuries? Call them what you like: Spencers, short jackets, or Regency jackets. books2read.com/suziloveSpencers
Take a Look at Spencers, or Jackets Worn By Women In Bridgerton and Jane Austen’s Times, or Early 1800s. #Bridgerton#RegencyFashion #HistoricalFashion #History books2read.com/suziloveSpencers
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Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, Australia, Bridgerton, Canada, Edwardian Era, England, Europe, fashion accessories, France, Georgian Era, Georgian Fashion, History Notes, Jane Austen, military, Regency Era, Regency Fashion, Romantic Era, sewing, Spencer, Suzi Love Books, Suzi Love Images, U.S.A, Victorian Era | Tagged 1700s Mens Fashion, 1700s Women's Fashion, 1800s women's fashion, Book 4, Bridgerton, fashion accessories, Fashion Plate, History Notes, Jane Austen, Regency Era, Regency Fashion, Romantic Era, Spencer, Suzi Love Books, Victorian Era

1818 May Morning and Evening Fashionable Dresses As Worn By the Bridgerton Ladies. #bridgerton #RegencyFashion #FashionPlate

Suzi Love Posted on August 10, 2026 by Suzi LoveAugust 1, 2026

1818 May Morning and Evening Fashionable Dresses, English. Pale blue dress, heavily decorated with lace, matching hat and with hand held glasses. Lavender dress with low cut bodice, tiny sleeves, lace decoration on the hem, white paisley shawl, long white gloves and large bonnet. Fashion Plate via Lady’s Magazine.

Definition: Morning Walking Dress: Worn out shopping, walking in a city park or the country estate. Presentable and warm, more fashionable than relaxed Morning Dress but not heavily accessorized apart from a shawl that was usually added for warmth.

Definition Evening Dress: There were minute distinctions between ball, dinner, evening and opera gowns, which meant different quality of fabrics and designs. A Ball Gown differed from an evening dress as expensive silk fabrics were usually worn, light or heavy, decorated with lace, embroidery or beading, with low-cut bodice, short or no sleeves, and full skirts. In the early 1800s, white cotton dresses were considered suitable for many evening events, but not for balls. And definitely not for an evening event in a palace. White dresses with white embroidery for evening were considered fashionable and exclusive as only the wealthy could afford them.

Lorgnette: Eye glass on a long ornamental handle, into which glasses fold when not in use. Also opera glasses, especially with long handle.

1818 May Morning and Evening Fashionable Dresses, English. Pale blue dress, heavily decorated with lace, matching hat and holding glasses. Lavender dress with low cut bodice, tiny sleeves, lace decoration on the hem, white paisley shawl, long white gloves and large bonnet. Fashion Plate via Lady’s Magazine.
1818 May Morning and Evening Fashionable Dresses As Worn By the Bridgerton Ladies. #bridgerton #RegencyFashion #FashionPlate https://books2read.com/SuziLoveFashionWomen1815-1819
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Posted in 1800s, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Dress Or Robe, England, fashion accessories, Group, hats, London, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, glasses, gloves, Hats And Hair, Jane Austen, Regency Fashion, sewing, shawls, Shoes, The Lady's Magazine
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.

1823 Blue Silk Pelisse, or Coat, Decorated With Rouleaux and Vandyke Points. #Regency #Fashion #Pelisse

Suzi Love Posted on August 9, 2026 by Suzi LoveAugust 1, 2026

1823 Pelisse or Redingote or Walking dress, or Coat, English. Made for a wedding trousseau in 1823. Intricate decoration from rouleaux applied in floral shapes, and trimmed with wire wrapped in silk thread which stands out from the garment in loops at the ends. ‘Vandyke’ style of pointed shoulder pieces were fashionable at the time. Via Museum Of London, UK.

Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse

Definition Vandyke: Edging of v-shaped points, the name coming from the Flemish painter, Sir Anthony Vandyke, who was known for his short pointed beard.

1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Pelisse Or Redingote, British. Made for a trousseau for a wedding. via Museum of London.
1823 Blue Silk Pelisse, or Coat, Decorated With Rouleaux and Vandyke Points. #RegencyFashion #Pelisse #RomanticEra books2read.com/suzilovePelisse
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Posted in 1800s, 1800s women's fashion, Coat or Pelisse Or Redingote, Dress Or Robe, England, fashion accessories, hats, London, Regency Era, Regency Fashion, Reticule or Bag, sewing, Suzi Love Images | Tagged 1800s women's fashion, Dress Or Gown, fashion accessories, Hats And Hair, Museum Of London, Redingote Or Pelisse Or Coat, Regency Fashion, sewing, Shoes

1817 Bridgerton and Jane Austen Style High-Waisted Pink Morning Walking Dress, French. #RegencyFashion #JaneAusten #Bridgerton

Suzi Love Posted on August 9, 2026 by Suzi LoveAugust 7, 2026

1817 Pink Morning Walking Dress, French. High-waisted,high frilled neckline, long straight sleeves, triple layer of frills above the hem, bonnet with plumes, or feathers to decorate, and tied under the chin with pink ribbon, pink shoes and gloves. Most likely has white muslin dress with the white neck frill underneath the dress. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Definition Morning Walking Dress: Worn out shopping, walking in a city park or the country estate. Presentable and warm, more fashionable than Morning Dress  but not overly accessorized.

1817 Pink Morning Walking Dress, French. High-waisted,high frilled neckline, long straight sleeves, triple layer of frills above the hem, bonnet with plumes, or feathers to decorate, and tied under the chin with pink ribbon, pink shoes and gloves. Most likely has white muslin dress with the white neck frill underneath the dress. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

1817 Bridgerton and Jane Austen Style High-Waisted Pink Morning Walking Dress, French. #RegencyFashion #JaneAusten #Bridgerton https://books2read.com/SuziLoveFashionWomen1815-1819

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Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
Posted in 1800s, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Dress Or Robe, England, fashion accessories, France, hats, Jane Austen, Regency Era, Regency Fashion, sewing, shoes, Suzi Love Images | Tagged 1800s women's fashion, Bridgerton, Dress Or Gown, fashion accessories, Fashion Plate, Hats And Hair, Jane Austen, Journal des Dames et des Modes, Regency Fashion, sewing, Shoes

1819 January Mourning Winter Carriage and Evening Dresses. #Regency #Mourning #Fashion

Suzi Love Posted on August 8, 2026 by Suzi LoveAugust 7, 2026

1819 January Two Fashion Plates By Dean and Mundy For Mourning: Winter Carriage and Evening Dresses. High-waisted carriage dress, cuffs edged with white lace and trimmed with gray frog closures, matching plumed hat and shawl. Empire style evening dress with short sleeves and wide neckline trimmed with scallops of white lace, skirt trimmed with white rosettes, evening upswept hairstyle. Fashion Plates Published by Dean and Munday, 1819, London.

Mourning wear was worn in Britain during the regency Era, firstly for Princess Charlotte who died in England on November 6th, 1817, or then for Queen Charlotte, wife of King George III and grandmother of Princess Charlotte, who died on November 17th, 1818. All the fashion magazines featured numerous outfits in black suitable for mourning, followed by many for half mourning in colors of grey, black with touches of white, and later mauve or lavender.

Black was worn for full mourning with various other colors were worn during the months of half mourning, including grey and mauve. However, as black dresses, black tunics, and black lace shawls were popular throughout the Regency years, it is often hard to decide what was definitely made for mourning and what was simply fashionable wear.

After the death of H.R. H. Princess Charlotte on November 7th, 1817, official court mourning was ordered. ‘The ladies to wear black bombazines, plain muslin or long lawn crape hoods, shamoy shoes and gloves, and crape fans. The gentlemen to wear black cloth without buttons on the sleeves or pockets, plain muslin or long lawn cravats and weepers, shamoy shoes and gloves, crape hat bands, and black swords and buckles.’ Two months later, a change of mourning attire was ordered.

1819 January Winter Carriage and Evening Dresses, London, UK. Possibly mourning wear Princess Charlotte died in England in 1817. High-waisted dresses trimmed with white lace and pink rosettes, high outdoor hat and evening upswept hairstyle. Via Suzi Love. suzilove.com & Dean & Munday, Threadneedle Street, London, UK.
1819 January. Winter Carriage and Evening Dresses. High-waisted carriage dress, cuffs edged with white lace and trimmed with gray frog closures, matching plumed hat and shawl. Empire style evening dress with short sleeves and wide neckline trimmed with scallops of white lace, skirt trimmed with white rosettes, evening upswept hairstyle. Mourning wear for Princess Charlotte who died in England in 1817 or for another member of the Royal family. Fashion Plate Published by Dean and Munday, London.
1819 January. Winter Carriage and Evening Dresses, London, U.K. High-waisted carriage dress, trimmed with front closures, matching plumed hat. Empire style evening dress with tiny sleeves and wide neckline trimmed with white lace on sleeves, skirt trimmed with rows of frills. Fashion Plate Published by Dean and Munday, 1819, London.
1819 January. Winter Carriage and Evening Dresses, London, U.K. High-waisted carriage dress, trimmed with front closures, matching plumed hat. Empire style evening dress with tiny sleeves and wide neckline trimmed with white lace on sleeves, skirt trimmed with rows of frills. Fashion Plate Published by Dean and Munday, 1819, London.
1819 January Mourning Winter Carriage and Evening Dresses in Bridgerton years. #Bridgerton #RegencyFashion #Mourning #HistoricalFashion https://books2read.com/SuziLoveFashionWomen1815-1819
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Posted in 1800s, 1800s women's fashion, Bridgerton, Coat or Pelisse Or Redingote, Customs & Manners, Dress Or Robe, England, fashion accessories, Group, hats, London, mourning, peerage, Regency Era, Regency Fashion, Reticule or Bag | Tagged 1800s women's fashion, Bridgerton, Dean and Mundy London, Dress Or Gown, fashion accessories, Fashion Plate, gloves, Hats And Hair, jewelry, mourning, Princess Charlotte, Redingote Or Pelisse Or Coat, Regency Fashion, Regency Royalty, Shoes

Are you a Reader or Writer of Regency Era Fashions? Jane Austen and Bridgerton corsets. #corsets #historicalfashion #RegencyFashion #JaneAusten #Bridgerton

Suzi Love Posted on August 7, 2026 by Suzi LoveAugust 7, 2026

This book shows how corsets changed to fit well under clothing,  give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen’s lifetime. https://books2read.com/SuziLoveCorsetBook17

HN_17_Corsets 1810-1830 History Notes Book 17 This book shows how corsets changed to fit well under clothing, give maximum support and comfort. Corsets pushed up breasts and showed off the bust line beneath a square-cut and low-cut neckline as in the early 1800s, or Regency years. Jane Austen and her female and friends wore these corsets. Corsets or stays worn during the early 1800s, or Jane Austen's lifetime. https://books2read.com/SuziLoveCorsetBook17
Are you a Reader or Writer of Regency Era Fashions? Jane Austen and Bridgerton corsets. #corsets #historicalfashion #RegencyFashion #JaneAusten #Bridgerton https://books2read.com/SuziLoveCorsetBook17
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Posted in 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, Google Books, History Notes, Jane Austen, Regency Era, Regency Fashion, Suzi Love Books, Suzi Love Images, U.S.A, underclothing | Tagged 1800s women's fashion, Book 17, Bridgerton, British history, Corset, europe, Fashion Plate, History Notes, Jane Austen, Metropolitan Museum NYC, Museum Of Fine Arts, Regency Fashion, Suzi Love Books, underclothing, USA, Victoria and Albert Museum

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