Tag Archives: Victorian fashion

Names For Corset Makers in Jane Austen and Bridgerton times? Lots of them including Stay Maker, Corset Maker, Body Tailor and Milliner. #janeausten #bridgerton #Corset

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There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.

Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.  Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. 

1776 April 28th John McQueen, Stay Maker., New York. At the sign ogf the White Stays in Smith Street, near the Mayor's baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York.
Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.
1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)
1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements.
From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)
18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.
18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.
1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)
1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)
18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.
18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.
18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
Names For Corset Makers in Jane Austen and Bridgerton times? Lots of them including Stay Maker, Corset Maker, Body Tailor and Milliner. #janeausten #bridgerton #Corset https://books2read.com/SuziLoveCorsetBook14 Share on X
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1850–1859 ca. Pale Green Silk and Steel Corset, French. #VictorianFashion #Corset #HistoricalFashion

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1850–1859 ca. Silk Whalebone and Steel Corset, French. Pale green watered silk corset with black flossing and contrast stitching. via Fine Arts Museums Of San Francisco https://art.famsf.org

1850–1859 ca. Silk Whalebone and Steel Corset, French. Pale green watered silk corset with black flossing and contrast stitching. via Fine Arts Museums Of San Francisco https://art.famsf.org
1850–1859 ca. Pale Green Silk and Steel Corset, French. #VictorianFashion #Corset #HistoricalFashion https://books2read.com/SuziLoveCorsetBook19 Share on X
HN_19_D2D_Corsets 1850-1880 https://books2read.com/SuziLoveCorsetBook19
HN_19_D2D_Corsets 1850-1880. https://books2read.com/SuziLoveCorsetBook19

1885 Three Piece Side Saddle Riding Habit With Mother Of Pearl Buttons. #Victorian #Riding #Fashion

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1885 Three Piece Side Saddle Riding Habit. Double breasted boned jacket with notched lapel, mother of pearl buttons, sleeve gathered at shoulder, over- skirt with side hook & eye closures, button and loop, fall front leggings, leather stirrups, braided trim. via suzilove.com Whitaker Auction whitakerauction.smugmug.com

1885 Three Piece Side Saddle Riding Habit. Double breasted boned jacket with notched lapel, mother of pearl buttons, sleeve gathered at shoulder, over- skirt with side hook & eye closures, button and loop, fall front leggings, leather stirrups, braided trim. via suzilove.com Whitaker Auction whitakerauction.smugmug.com
1885 Three Piece Side Saddle Riding Habit With Mother Of Pearl Buttons. #VictorianFashion #Riding #HistoricalFashion  https://www.bookbub.com/profile/suzi-love Share on X
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1860 Corset, American. Cotton, metal, and bone. Thompson’s Patent Glove Fitting Corset. #corset #VictorianFashion

1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, American, founded 1865. Stamped Thompson’s Patent Glove Fitting Corset. via Metropolitan Museum NYC, U.S.A. metmuseum.org

1860 Corset, American. Cotton, metal, and bone. Manufacturer: Langdon Batcheller and Company, American, founded 1865. Stamped Thompson's Patent Glove Fitting Corset. via Suzi Love suzilove.com & Metropolitan Museum NYC, U.S.A. metmuseum.org
1860 Corset, American. Cotton, metal, and bone. Thompson's Patent Glove Fitting Corset. #corset #VictorianFashion https://books2read.com/SuziLoveCorsetBook19 Share on X
HN_19_D2D_Corsets 1850-1880 https://books2read.com/SuziLoveCorsetBook19
HN_19_D2D_Corsets 1850-1880. https://books2read.com/SuziLoveCorsetBook19

1890 Machine Stitched Brown Twill Corset, England or Germany. #VictorianEra #BritishHistory #Corset

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1890 Cotton Twill Corset, England or Germany. Machine stitched with front hooks and back lacing and made in two parts. Brown corset with the bones covered with a darker cotton twill, black fabric covered busks and a trimming of black machine-made cotton lace. Lined with white cotton twill and the top and bottom are bound with reddish brown tape.

The front fastens with a busk and the backs are provided with metal eyelets for a lace. The corset is hip length, curving to a rounded point in the front and less deeply at the back. The bones are close-set and splayed out at the bust and hips, and at the tops are trimmed with fancy stitching in cream. There is a band of dark brown cording at the top, covering the breasts. At the waist there is a V-shaped band in darker brown stitching. With metal fastenings. via  http://collections.vam.ac.uk/item/O351699/corset-unknown/

Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item,  tight lacing gave a narrow waist and the desired feminine form under clothing. https://books2read.com/SuziLoveCorsetBook20

1890 Cotton Twill Corset, England or Germany. Front hooks and back lacing. Cotton twill, machine-made cotton lace, lined with cotton twill, boned and metal. via suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1890 Machine Stitched Brown Twill Corset, England or Germany. #VictorianEra #BritishHistory #Corset https://books2read.com/SuziLoveCorsetBook20 Share on X
HN _20_D2D_Corsets 1880-1900Book 20 https://books2read.com/SuziLoveCorsetBook20
HN _20_D2D_Corsets 1880-1900Corsets 1880-1900 History Notes Book 20 https://books2read.com/SuziLoveCorsetBook20

1800s Cartoons For Riders At The Hunt In Bridgerton and Jane Austen Daily Lives. #Bridgerton #JaneAusten #RegencyEra #Cartoon

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Cartoons For Riders At The Hunt. Typical comical scenes from The Bridgertons and Jane Austen’s Daily Lives. From: 1860 Mr. Sponge’s Sporting Tour by Robert Smith Surtees. via Google Books (PD-100)

Success At The Hunt. From: 1860 Mr. Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
Success At The Hunt.
Riding with the hounds separates the good riders from the pretenders. From: 1860 Mr Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
Riding with the hounds separates the good riders from the pretenders.
How embarrassing! Coming to grief on the hunt. From: 1860 Mr Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
How embarrassing! Coming to grief on the hunt.
Excitement of The Hunt for all riders. From: 1860 Mr Sponge's Sporting Tour by Robert Smith Surtees. via Google Books (PD-100) suzilove.com
Excitement of The Hunt for all riders.
A Good Place To Watch the Hunt Go Past. via 1860 Mr. Sponge's Sporting Tour By Robert Smith Surtees. via Google Books (PD-150) suzilove.com
A Good Place To Watch the Hunt Go Past.
A Young Man Speaking To A Young Lady At the Hunt. via 1860 Mr. Sponge's Sporting Tour By Robert Smith Surtees. via Google Books (PD-150) suzilove.com
A Young Man Speaking To A Young Lady At the Hunt.
1800s Cartoons For Riders At The Hunt In Bridgerton and Jane Austen Daily Lives. #Bridgerton #JaneAusten #RegencyEra #Cartoon  books2read.com/suziloveYGD Share on X
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1800s Top Hat Styles During the 1800s #Regency #Romantic #Victorian

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Top Hat Styles Chart during the 1800s, from the Regency Era through to the Victorian years. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides. https://books2read.com/SuziLoveFashionMen1800-1819

Top Hat Styles Chart during the 1800s, from the Regency Era through to the Victorian years. Most popular style was cone shaped and tall in height. Originally made of beaver and very short but later from silk and taller. Tall crown, widens at top, narrow brim turns up slightly at sides.
1800s Top Hat Styles During the 1800s #Regency #Romantic #Victorian https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEra #Fashion #BritishHistory

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1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping, English. Cotton printed in soft pink, red, white, and green floral motif on light brown, edged with green silk satin piping and lined with linen and cotton. Sleeves tightly gathered, loose at elbow, skirt gathered from tight fitting bodice edged with green satin piping. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.From the Museum: Soft colours and floral patterns are a distinctive feature of many 1830s day dresses. Here, pink, red and white flowers harmonise with the brown ground and green piping. The construction of the sleeves is also interesting as they are tightly gathered at the top and loose around the elbow. This accentuates the slope of the shoulder and the tightness of the wrist.

1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEraFashion #HistoricalFashion #BritishHistory https://www.bookbub.com/profile/suzi-love Share on X
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What was fashionable for outer wear in Bridgerton and Jane Austen’s time? Different names in different countries: Pelisse, Redingote, Or Walking Dress. #Bridgerton #JaneAusten #RegencyEra #Historicalfashion

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What was fashionable for outer wear in past centuries?  Different names in different countries: Pelisse, Redingote, Coat, Or Walking Dress. The Bridgertons and Jane Austen and her contemporaries wore long coats like these to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters.   http://books2read.com/suzilovePelisse

HN_5Pelisse, Redingote, Or Walking Dress. History Notes Book 5 By Suzi Love. What was fashionable for outer wear in past centuries? Call them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse books2read.com/suzilovePelisse
Pelisse, Redingote, Or Walking Dress. History Notes Book 5 By Suzi Love. What was fashionable for outer wear in past centuries? Call them what you like: Coat, Pelisse, Redingote, Walking Dress, Promenade Dress. Take a look at what was being worn by women, men, and children. books2read.com/suzilovePelisse
What was fashionable for outer wear in Bridgerton and Jane Austen's time? Different names in different countries: Pelisse, Redingote, Or Walking Dress. #Bridgerton #JaneAusten #RegencyEra #Historicalfashion… Share on X
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