Tag Archives: Suzi Love Images

1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten

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1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. via The Museum of Fine Arts, Boston.

Definition Empire Style Dress:  Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.

1800s White Evening Dress. Long train on the dress, gold sash, evening hair style, and carrying a fan. The Museum of Fine Arts, Boston.
1800s White Evening Dress With Long Train As Jane Austen Would Have Worn. #RegencyFashion #BritishHistory #JaneAusten https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
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1800s Early How Did Jane Austen and the Bridgertons Travel? The London To Louth Royal Mail. #RegencyEra #BritishHistory #JaneAusten #Bridgerton

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The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)

How did Jane Austen and her family? Did they go by stagecoach? The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure.  Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon. books2read.com/SuziLoveTravel

Description of Stage Coach Travel in England.  via 1815 Journal Tour of Great Britain. “The gentlemen coachmen, with half-a dozen great coats about them, immense capes, a large nosegay at the button-hole, high mounted on an elevated seat, with squared elbows, a prodigious whip, beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.”

The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)
The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)
1800s Early How Did Jane Austen and the Bridgertons Travel? The London To Louth Royal Mail. #RegencyEra #BritishHistory #JaneAusten #Bridgerton books2read.com/SuziLoveTravel Share on X
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HN_10_D2D_RetailerBuyLink_Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel

1812 June Jane Austen Style Couple In Fashionable Walking Dress, English. #RegencyFashion #HistoricalFashion #JaneAusten

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1812 June Couple In Fashionable Jane Austen style Walking Dress, English. Lady wears a green cape and hat over a high-waisted, or Empire style, white dress with a pink parasol. Man wears a tailcoat over fawn breeches,
yellow gloves, black shoes and hat and a walking stick. Fashion Plate via The Lady’s Magazine Or Entertaining Companion for the Fair Sex.

By the end of the 18th century, tailored garments for both men and women were replaced by styles made for ease and comfort, resulting in the neoclassical style of the 1780s. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomized by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown.

1812 June Couple In Fashionable Jane Austen style Walking Dress, English. Lady wears a green cape and hat over a high-waisted, or Empire style, white dress with a pink parasol. Man wears a tailcoat over fawn breeches, yellow gloves, black shoes and hat and a walking stick. Fashion Plate via The Lady's Magazine Or Entertaining Companion for the Fair Sex.
1812 June Jane Austen Style Couple In Fashionable Walking Dress, English. #RegencyFashion #HistoricalFashion #JaneAusten https://books2read.com/SuziLoveFashion1810-1814 Share on X
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1810 Jane Austen Style Couple In Walking Dress Of Lady’s Redingote And Man’s Tailcoat, French. #RegencyFashion #HistoricalFashion #JaneAusten

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1810 Couple In Walking Dress, French. Lady in a jade green Redingote, or coat, with paisley skirt, worn over a white dress with sleeves caught up, and hat tied under her chin. Man in a brown tailcoat, tight white pants that button down the sides, black hat and shoes and carrying a walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

The sort of outfits a lady and gentleman in Jane Austen’s times would have worn while out walking, shopping, or going to visit friends.

Pelisse, or Walking Dress, or Redingote.  The Fashion Dictionary description of a Redingote is (réd’ing-göt; red ing gote). Pronounced:   red ing gote  Woman’s long, fitted coat often cut Princess style and worn open in front to show off the dress underneath. Sometimes cut away in front. Originally made for men with several capes and trimmed with large buttons. French word developed from English words, riding coat.  reefer. Single- or double-breasted, fitted, tailored, over-all coat usually made from sturdy fabric but in the British Regency Era a Pelisse was often made from a lighter fabric, such as cotton. 

1810 Couple In Walking Dress, French. Lady in a jade green Redingote, or coat, with paisley skirt, worn over a white dress with sleeves caught up, and hat tied under her chin. Man in a brown tailcoat, tight white pants that button down the sides, black hat and walking stick. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1810 Jane Austen Style Couple In Walking Dress Of Lady's Redingote And Man's Tailcoat, French. #RegencyFashion #HistoricalFashion #JaneAusten https://books2read.com/SuziLoveFashionMen1800-1819 Share on X
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1792 Mahogany Grand Piano Made By John Broadwood, London. #GeorgianEra #music #piano

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1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org books2read.com/suziloveMusicPiano

1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Grand Piano, London, UK. Maker John Broadwood (1732–1812) Mahogany, oak, curly maple, ivory, ebony, brass. Credit: Mr. and Mrs. Jerome C. Neuhoff, 1957 via Metropolitan Museum New York City, U.S.A. metmuseum.org
1792 Mahogany Grand Piano Made By John Broadwood, London. #Georgian #music #piano books2read.com/suziloveMusicPiano Share on X
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19th Century Food For The Upper Classes In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #RegencyEra #HistoricalFood

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19th Century Food For The Upper Classes In Bridgerton and Jane Austen Times.

Typical Meals Served for the upper classes in the Georgian and Regency Eras. For the Upper classes in the 18th and through to the end of the 19th century, meals were elaborate affairs.  and served by well-trained staff anticipated their every need. Women prided themselves on hosting dinners for 50-60 people which often consisted of numerous courses, and all served with the best wines and followed, for the men at least, by expensive port. 

An older lady usually controlled the servants and the serving of meals. For more about this, take a look at Older Lady’s Day Regency Life Series Book 5 by Suzi Love. Overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. books2read.com/suziloveOLD

food_19th Century Typical Family Dishes. Venison, Roast Beef, and Tongue. via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_19th Century Typical Light Dishes. Sliced Fowl, Spinach and Poached eggs, Veal, cutlets and Mashed Potatoes, Rissoles. via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_ 19th Century Typical Wild Game Dishes. Boiled rabbit, Partridge, Roast Hare, Pheasant, Wild Duck. via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_1800s Typical Fowl Dishes Served during the Regency years. Boiled Fowl With Cauliflower,Roast Fowl With Cress via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_1800s Typical Fish Dishes Served Sole, Salmon, and Cod. via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_1800s Typical Meat Dishes Served via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_1800s Typical Modern Table Settings via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)
food_1800s TypicalTable Setting 'A La Russe' (Russian style) via 1863 The Book of Household Management By Mrs. Isabella Beeton. Google Books (PD-100)

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1800s Typical Puddings and Pastries Served In Households Like the Bridgerton’s and Jane Austen’s. #Bridgerton #Food #RegencyEra #JaneAusten #BritishHistory

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1800s Typical Puddings and Pastries.These are the sort of puddings and pastries Jane Austen’s family would have eaten on a regular basis during the early 1800s, or Regency Era. Open Apple Tart, Galette, Apricot Fritters, Pancakes and Apricot Jam, Charlotte Russe, Macaroni Cheese, Cherry Tart, Mince Pies, Almond Puddings, Tartlets, Compote Of Fruit, Fruit Pudding, Fruit Tart, Christmas Plum Pudding, Milk Pudding and Roly Poly Jam Pudding. From: 1850s- 1860s Mrs. Beeton’s Books of Household Management. via Google Books (PD-150). 1800s Typical Puddings and Pastries Served In Households Like Jane Austen’s. https://books2read.com/suziloveOLD

1800s Typical Puddings and Pastries.These are the sort of puddings and pastries Jane Austen's family would have eaten on a regular basis during the early 1800s, or Regency Era. Open Apple Tart, Galette, Apricot Fritters, Pancakes and Apricot Jam, Charlotte Russe, Macaroni Cheese, Cherry Tart, Mince Pies, Almond Puddings, Tartlets, Compote Of Fruit, Fruit Pudding, Fruit Tart, Christmas Plum Pudding, Milk Pudding and Roly Poly Jam Pudding. From: 1850s- 1860s Mrs. Beeton's Books of Household Management. via Google Books (PD-150).
1800s_Typical Puddings_MrsBeeton
1800s Typical Puddings and Pastries Served In Households Like the Bridgerton's and Jane Austen's. #Bridgerton #Food #RegencyEra #JaneAusten #BritishHistory https://books2read.com/suziloveROver Share on X
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1800s Early Three Empire Style Dresses As Worn by Jane Austen. #RegencyEra #Germany #JaneAusten

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Early 1800’s Three Dresses, German. Three dresses showing the new simplistic and relaxed Grecian look. Soft floating fabrics, high- waisted, or Empire style, waist lines with wrist length or short puffed sleeves. Via landeskunde-online.de.

Definition Empire Style:  Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.

Early 1800's Three Dresses, German. Three dresses showing the new simplistic and relaxed Grecian look. Soft floating fabrics, high- waisted, or Empire style, waist lines with wrist length or short puffed sleeves. Via landeskunde-online.de.
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1756-1762 ca. Gold and Enamel Étui, French. #GeorgianEra #France #Antiques #WritingToools

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1756-1762 ca. Gold and Enamel Étui, French. Probably by Jean Ducrollay, 1756-62, Paris. via Metropolitan Museum New York City, U.S.A. metmuseum.org
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1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. #RegencyEra #Fashion #America

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1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org

1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1812-1820 ca. Red Wool Tailcoat, American. Brass buttons everywhere, including on the tails and pockets. via Metropolitan Museum New York City, U.S.A. metmuseum.org
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