1813 French Couple In Morning Dress. Man: Brown overcoat and tan trousers. Lady: White dress and bonnet, long yellow gloves and holding a watering can. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. books2read.com/SuziLoveFashionMen1800-1819
1802 Full Dress of Blue Court Suit, French. Man’s grand parure, or full dress, with white lace on the tailcoat and ruffles on the shirt, jewels, white stockings, black dress shoes, sword and a bicorn hat under his arm. Fashion Plate via Journal des Dames et des Modes, Costume Parisien. Typical menswear for court in most parts of Europe in the early 1800s, or Regency Era, or Jane Austen’s times, included a tailcoat, a vest or waistcoat, breeches, stockings, dress shoes, and hat.
1805-1808 ca. Man’s three-part court suit of coat, waistcoat, and breeches, French. Wool broadcloth embroidered with silk and metallic threads, spangles, and glass. Plum colored broadcloth embroidered with plum colored and white silk and chenille, silver thread, spangles and brilliants. Supposed to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain, 1805-1808, at a ball given by Napoleon at the Tuileries. Worn with 01.110 and 01.111. Said to have been worn by the Hon. James Bowdoin, U.S. Minister to Spain from 1805-1808; to his grand-nephew, James Bowdoin Winthrop by inheritance; to James Bowdoin Winthrop’s nephew, Robert C. Winthrop, Jr. by inheritance; gift of Robert C. Winthrop, Jr. to MFA, February 1, 1901.
DIMENSIONS Coat: center back (collar to bottom of coat): 106 cm (41 3/4 in.)
Waistcoat: center front: 55.2 cm (21.75 in.)
Breeches: center front: 67.9 cm (26.75 in.)
CREDIT LINEGift of Robert C. Winthrop. ACCESSION NUMBER01.110-112 via Museum Of Fine Arts, Boston, U.S.A.
1799-1805 ca. Gold dress with small train and very small bodice.. via musee des tissus et des arts decoratifs de lyon. https://books2read.com/SuziLoveFashionWomen1801-1804
1804-1810 ca. Empire style, or high-waisted, French Court Dress called ‘Joséphine’, Attributed to embroiderer Jean-François Bony, Lyon, France. Silk tulle, silk, chenille, and cotton. via Musée des Tissus et musée des Arts décoratifs, Lyon. via Musée des Tissus et musée des Arts décoratifs, Lyon.
Definition Empire Style: Named after the First Empire in France, by 1800 Empire dresses had a very low décolleté, or neckline and a short narrow backed bodice attached to a separate skirt. Skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a simple cotton high-waisted dress was worn most days and accessorized according to the importance of the occasion.
1815 French Couple. Lady in evening dress with scooped neckline on low-cut pink bodice, floral headpiece and long white gloves. Gentleman in brown tailcoat and stirrup trousers, vest, and casual necktie. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
The sort of fashionable outfits and items worn or carried by Jane Austen and her contemporaries when out in public. Ladies outfits for evening were accessorized with gloves, headdresses and jewelry and often dresses were of this shorter length for dancing. Gentlemen were always heavily accessorized as well with the essential of gloves, coats, waistcoats and neatly tied cravats. For more about the fashions of 1815, take a look at History Notes Books 23 and 28 men’s and women’s regency Era fashions.
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? What was fashionable for women at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Book 28 for 1815-1819 in History Notes Includes fashions for mourning, riding, dresses, hats, shoes, reticules or bags, underclothing, accessories.
Fashion Men 1800-1819 History Notes Book 23 What was fashionable for men in early 1800s, or Jane Austen’s time, or Regency Era? Suits, hats, shoes, underclothing, fashion accessories, military and bedroom fashions. French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world.
1800 Elegant Young French Gentleman. Pulling on his top coat over a long tan coat. Tan gloves, brown hat, brown boots, cane. Fashion Plate via suzilove.com and Journal des Dames et des Modes, or Costume Parisien.
Overcoats: Called many names: Greatcoat, or Carrick, or Garrick, or Coachman’s, or Driving. Or Box Coat. Overcoats were voluminous and covered the other clothing. Usually with many capes, or collars, or pelerines covering the shoulders and with buttons down the front. Popular in the 19th century for riding, driving and travel as they kept the wearer warm and snow and rain off the body. Greatcoat: Overcoat with capes around the shoulders for men. Carrick or Garrick Coat: Other names for a gentleman’s inclement weather coat and worn for driving or travel.
1808 Lady In A Dancing Dress, French. Dress of Tulle Broderie, short puffed sleeves, floral embroidery, dancing slippers and upswept hairstyle. Fashion Plate via Journal des Dames et des Modes, Costume Parisien. When attending assemblies or balls, ladies in Jane Austen’s times women wore Empire style dresses which were usually made of light fabric and floaty in style and often of a shorter length suitable for dancing.
1800s Silver and Carved Mother of Pearl Writing and Desk Set, French. Wax Seal, Dip Pen and Letter Opener in the style that Jane Austen would have used to write her novels and her letters. via Ruby Lane Antiques. rubylane.com. books2read.com/SuziLoveWritingTools
1806 Waiting For the St. Cloud Coach, Place de la Concorde, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) This couple is depicted waiting for the coach, which was a passenger vehicle drawn by four horses. The woman is wearing a fashionable hat or “capote” that covers her face. Her dress maintains the empire waist and has very long sleeves that also have a ‘mancheron’ or a gathered sleeve at the shoulders. The man is wearing a ‘habit du gagé’ or a coat with tails, buttoned at the waist. His hat is a ‘haut-de-forme’ or what is commonly known in English as a top hat. He wears tight, short pants tucked into large, riding boots, as was the fashion for men. Illustrations by François Courboin from Octave Uzanne‘s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes de Paris VIa Brown University Library .
