1808 Two Bodices, French. Green and white striped dress has short puffed sleeves and matching green turban. White dress with pink overdress has short sleeves and a pink headdress to match. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions like this were copied by English magazines so these styles of hats would have been worn by Jane Austen and her contemporaries.
1807 Two Ladies and a Gentleman, English. Lady in lavender walking dress, or Pelisse, with fur trim, holding a blue reticule or bag, fitted lavender bonnet with tassel and yellow gloves. Lady in white evening dress with salmon tunic caught up at one side and evening turban. Man in long blue overcoat, or Redingote, with contrasting collar, high white cravat, yellow gloves, tall Hessian boots with tassels, and wearing a top hat. via Le Beau Monde, or Literary and Fashionable Magazine, London, U.K.
These are the types of outfits worn by Jane Austen and contemporaries in England and shown in their English magazines.The same designs had probably already been seen in France, because English publishers obsessively copied French fashions despite the two countries being at war for many years.
1818 Deep Green Redingote, French. Merino wool coat or walking dress. High white neck frill, black velvet dress decoration and velvet bonnet shaped like a shell, green shoes and white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. The type of outfit young Regency Era ladies would have worn if they were out shopping on Bond Street, walking in a park, or taking a carriage ride through Hyde Park.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
1818 Gorgeous women’s fashion In the late Regency Era. Dresses, coats or Redingotes, Spencers, shawls, fichu or shoulder cape, shoes, hats and headdresses, gloves, and Reticules or bags as displayed in various fashion magazines.
Fashion Accessory: Completes and complements outfit. Two groups- 1. Those worn e.g. bonnets, caps and hats, boots and shoes, cravats and ties, gloves, mittens and muffs, jewelry, scarves and shawls, socks and stockings 2. Those carried e.g. bags, fans, and parasols.
If you are a reader or writer of early 1800s, or Regency Era fashions such as mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories, try History Notes Book 28 Women’s Fashions 1815-1819
1880’s Corset, French, silk satin, steel busk, and bone. Women used corsets to get closer to an ‘ideal physical form’. Until the beginning of the 20th century, women’s waists were tightened by corsets. via Kyoto Institute, Japan.
Corsets 1880-1900 History Notes Book 20 This book shows how a fashionable silhouette became of paramount importance and how a well-fitted corset became a fashion essential. As well as a decorative fashion item, tight lacing gave a narrow waist and the desired feminine form under clothing.
1840 Group In An Outdoor Setting, French. Two men in top hats. Modes de Longchamps’. Men’s outfits, a woman’s riding habit and a small boy, all tailored by Robin of 21 Rue Saint Marc, Paris. via Le Bon Ton. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1809 Women’s Fashions: Dresses, Shawls, Hats and Jewelry from various fashion magazines. Typical of the outfits worn by Jane Austen and her contemporaries for daytime and evening activities. An Empire style, or high-waisted white cotton dress worn under a Spencer or short jacket, a Redingote, or coat, for warmth and with pretty hats, shawls and shoes.
1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered cloth with Pina, or pineapple motifs. In Jane Austen’s times, pineapples were very much a luxury item. It became popular to sew items in pineapple shapes or to embroider pineapples onto articles. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810-1812 ca. Front Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Back Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Sleeve Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidered Dress With Pineapples, Probably Spanish. #RegencyEra #JaneAusten #Fashion #Spain https://books2read.com/SuziLoveFashion1810-1814 Share on X
1780 Rolltop Desk, With Removable Legs Germany. By Master Furniture Maker, David Roentgen,German. Numerous woods including oak, pine, walnut, cherry, tulipwood, mahogany, plus gilt bronze, brass, steel and iron, marble and partially tooled and gilded leather. Marquetry motifs of flowers and gardening. Interior pigeonholes and drawers, exterior handles shaped like lion masks holding gilded rings. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1800-1870 ca. Stocking Purses, British. Beaded stocking purses crocheted in silk and steel beads, with steel rings with tassels and fringes. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Definition Miser or Long or Stocking or Ring Purses: Long, narrow, tubular shape, often wider at ends and narrow in middle, which had a short slit opening. Popular in England and France from the mid-18th century through the early 20th century.
From the Curator Victoria and Albert Museum, London: Stocking purses are also known as misers’ or wallet purses. The majority were netted, but some were knitted or crocheted, like this one. Once worked, the elongated tube was put on an expandable purse stretcher to shape it. It was then sewn up, leaving a central opening, and squeezed through a pair of rings known as sliders, which were used to secure and separate the different coins stored at either end. It could be carried in the hand, bag or pocket, or tucked over a belt. Many stocking purses were made as presents, and were thought a suitable object to give to a gentleman. Crochet is a type of needlework with an open, lacy appearance, which is formed with a hook and single length of thread making a series of loops, chains and knots. The technique developed out of ‘tambouring’, a type of embroidery, after the tambour hook began to be used to create series of loops, free from a ground fabric. This could then be used as a separate trimming, like lace, or made to form items like this purse. Crochet was thus added to the varieties of fancy needlework available to ladies, and instructions for making it can be found in manuals from the 1820s onwards.
1800-1870 ca. Stocking Purses, British. Beaded stocking purses crocheted in silk and steel beads,
with steel rings with tassels and fringes.
via Suzi Love suzilove.com
Victoria and Albert Museum, London, UK.
collections.vam.ac.uk.
1800-1870 ca. Beaded Stocking Purses, British #RegencyEra #RomanticEra #Fashion