This book shows how corsets changed to both provide support and also fit well under clothing to give a fashionable silhouette. Corsets started being a fashion item, rather than simply underclothing to be hidden. Romantic Era women’s fashionable corsets. Corsets worn from 1830-1850, or the Romantic Era of fashion. https://books2read.com/SuziLoveCorsetBook18 Corsets 1830-1850 History notes Book 18
1818 November 6th A Dandy Cock in stays or- A new thing for the ladies.By Isaac Robert Cruikshank A dandy, much burlesqued, stands full-face, his head, which has a bird-like profile, turned to the left; his hair is brushed up at the back behind his hat to resemble the tail-feathers of a cock. He wears puffed-out breeches and top-boots with enormous spurs, and holds an umbrella. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
1800 ca. Sleeveless Chemise or Nightgown of white cotton and lace. Length just below knee. Gathered back and front onto yoke of lace and gathered fabric inserts. Gathers around neck by tape in casing. ‘Blanche’ embroidered centre front. Waist up to 50 in or more. via National Trust Collections, UK. nationaltrustcollections.org.uk
Definition Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name replaced by ‘Chemise’. Sometimes doubled as a nightshift, or nightrail. From around 1700, women wore a long garment, like a man’s shirt, next to their skin, day and night. ‘Costume In England’ describes this as originally a shirt or smock and adopted by women as an undergarment.
This undergarment fell from their shoulders to calves, and was called a chemise, shift, or vest. During the day, it was worn under stays, or a corset, and at night it could be worn as a nightshirt. Wealthier women could afford specific bedroom attire, but lower and working class women wouldn’t have had this luxury and so wore a chemise as both an undergarment and as sleepwear. The rich and the upper classes wore embroidered and otherwise decorated versions of this simple linen or cotton shift. Other classes of women wore a very simple version with little or no decoration as they had no time for decorative embroidery and no money to buy silk threads.
1826 The Dinner Party. Social Life. From 1826 The English Spy By Robert Cruikshank. via Google Books (PD-180).
An older lady usually controlled the servants and the serving of meals. For more about this, take a look at Older Lady’s Day Regency Life Series Book 5 by Suzi Love. Overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. books2read.com/suziloveOLD
Want To Know More About Georgian Era Men’s Fashions? Try History Notes Book 2 By Suzi Love. Fashion Men 1700s Late. books2read.com/suziloveFashMen1700 What was fashionable for men in the late 1700s? Extravagant colors and fabrics and outrageous styles. Take a look at their suits, hats, accessories and bedroom fashions.
What was fashionable for men in the late 1700s? Extravagant colors and fabrics and outrageous styles. Take a look at their suits, hats, accessories and bedroom fashions. Strictly speaking, the Georgian Era might include all the years that a ‘King George’ ruled in England, but for the purposes of this book the ‘Georgian Era’ is primarily the late 1700s when mad King George III ruled. His son became Prince Regent in the early 1800s, therefore creating the years known as the Regency, and became George IV on the death of his father.
The Georgian years officially ended with the death of King George IV in 1830.
1771 Tattersall’s Horse Training School, London, U.K. via Yale Center for British Art, Paul Mellon Collection.
Tattersall’s was founded in 1766 by Richard Tattersall (1724–1795), the Duke Of Kingston’s stud groom in premises near Hyde Park Corner, London. Two Subscription rooms were designated for members of the Jockey Club and became a meeting place for sporting and betting men. ‘Old Tatt’ conducted sales for the Duke of Kingston’s stud in 1774 and the Prince of Wales, or Prinny, in 1786. The prince often visited Richard Tattersall who was succeeded by his son, Edmund Tattersall (1758–1810), who extended the business to France.
Do you need more factual and visual information for your historical fiction? Try History Notes Books 1-28. Non-fiction Series: Fashion, corsets, Regency Era, music and social manners in the 18th and 19th centuries e.g.
1780 Rolltop Desk, With Removable Legs Germany. By Master Furniture Maker, David Roentgen,German. Numerous woods including oak, pine, walnut, cherry, tulipwood, mahogany, plus gilt bronze, brass, steel and iron, marble and partially tooled and gilded leather. Marquetry motifs of flowers and gardening. Interior pigeonholes and drawers, exterior handles shaped like lion masks holding gilded rings. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1800-1805 ca. White cotton petticoat of the sort worn by Jane Austen in the early 1800s. Worn under a sleeved, trained dress and over a loose knee length chemise and corset which covered the exposed bust area. The skirt of the petticoat has an apron front open down the side seams. Drawers were not commonly worn at the time. via The John Bright Collection. thejohnbrightcollection.co.uk
Petticoats were made to fit under the low cut bodices of the early 1800s fashions, and to not be seen under a wide and square bodice. This meant thin ribbons were sometimes attached at the shoulders so the petticoat would be virtually without a bodice.