1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. This is the style of sewing box Jane Austen and her family would have used in the early 1800s, or Regency years. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
Definition: Palais Royal: Name of an area around the Royal Palace in Paris, France, that specialized in making small and exquisite works of art during the 18th and 19th centuries. Palais Royal sewing tools were elaborate and usually feature mother-of-pearl, often intricately carved or engraved. During the 19th century, workboxes were often works of art with engravings, carvings, mother-of-pearl, and elaborate gilt metal mounts. Most popular were scissors with steel blades and gilt mounts, thimbles and needle cases which were often shaped like animals or other natural forms. Workmanship was exceptional and the tools almost too fragile to use.
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. via via suzilove.com and 1st Dibs Auctions 1stdibs.comHN_11_D2D_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Early 1800s Typical Regency Couple in a Curricle. The sort of vehicle Jane Austen and her contemporaries would have driven in. Young men loved them and occasionally women drove them.
1816 Block Printed Quilt Panel made to celebrate the Marriage of Princess Charlotte to Prince Leopold of Saxe-Coburg.
Textile of block-printed white cotton in madder colours with pencilled blue. The cotton is printed with 9.5 octagonal panels intended to be cut out and applied to patchwork quilts. Each panels contains a bunch of flowers. Around the inner border is an inscription of Princess Charlotte of Wales married to Leopold Prince of Saxe-Coburg May 2, 1816. In the borders are three Prince of Wales feathers, the Royal Arms, and a crown on each side. At the end of the textile is printed a rectangular panel containing the manufacturers name and in a corner is the name ‘G. Swindels’.
This quilt has an excise stamp for 1816 and is inscribed ‘John Lowe and Co. Furniture Printers, Shepley Hall’, providing the name of the only identifiable manufacturer of these panels, although there are likely to have been others. John Lowe was a well-known firm of calico printers with large cotton factories and extensive bleaching grounds close to the River Tame near Ashton-under-Lyne in Lancashire.
Hand-quilting is done on a frame using needles called ‘betweens’. The stitches are executed with one hand; the other hand is kept underneath the quilt to feel for the needle. Small, uniform stitches (usually a ‘running stitch’) are taken through the three layers to form a decorative design. In ‘piecing’ or ‘patchwork’, small pieces of fabric are sewn together to produce a decorative design. The most enduring method in Britain is done by hand, and is known as ‘piecing over paper’. The pattern is first drawn onto paper and then accurately cut. Small pieces of fabric are tacked round each of the shapes, and then joined together from the back using overstitch. Most of the quilt top visible here has been pieced over paper, but in some areas the fabrics have been applied directly on to the earlier quilt that forms the wadding.
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via Suzi Love – suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love.
What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions.
books2read.com/suziloveFashWomen1700s
1831-1850 ca. Reticule, English. Round bag of crimson silk with embroidery and a drawstring. via Museum Of London.
1831-1850 ca. Reticule, English. Round bag of crimson silk with embroidery and a drawstring. via Museum Of London. D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
1812 Dress of Yellow Virginie, French. High waisted dress trimmed with lilacs, cashmere shawl, high white neck frill, high flowered bonnet. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
Typical of the Empire dresses worn by Jane Austen and her contemporaries. Low necklines and skirts that started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. These high-waisted dresses were worn most days and cotton, silk or taffeta were the popular fabrics.
1812 Dress of Yellow Virginie, French. High waisted dress trimmed with lilacs, cashmere shawl, high white neck frill, high flowered bonnet. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
1812 August. Ball Dress, English. Dress with lower waistline than normal in the Empire period, pink laced bodice, with decorative sleeves, skirt with pink hem decoration, pink hat with pretty plume, and yellow gloves. Fashion Plate via John Belle’s ‘La Belle Assemblee’, London. https://books2read.com/SuziLoveFashion1810-1814
1812 August. Ball Dress, English. Dress with lower waistline than normal in the Empire period, pink laced bodice, with decorative sleeves, skirt with pink hem decoration, pink hat with pretty plume, and yellow gloves. Fashion Plate via John Belle’s ‘La Belle Assemblee’, London.27_D2D_FashWomen1810-1814
Regency Gentleman’s Sporting Life in the times of Jane Austen. By Robert Cruikshank via Google Books Races, bowls, sailing, fox hunting… all the sports enjoyed by people in Regency Era. From: 1826 The English Spy by Robert Cruikshank via Google Books (PD150)
1826 Doncaster Race Course for the Great St. Leger Race. Regency Sporting Life. via 1826 The English Spy By English Cartoonist, Robert Cruikshank.1826 Bowling Alley at Worcester, England. Regency Sporting Life. via 1826 The English Spy By English Cartoonist, Robert Cruikshank.1826 View of Berkeley Hunt Kennel, England. Regency Sporting Life. via 1826 The English Spy By English Cartoonist, Robert Cruikshank.1826 Casualties Of The Hunt.A Regency Gentleman’s Sporting Life. Regency Sporting Life. via 1826 The English Spy By English Cartoonist, Robert Cruikshank.1826 Race characters at the turf, Regency Sporting Life. via 1826 The English Spy By English Cartoonist, Robert Cruikshank.RL_2_D2D_RetailerBuyLink_RL_2
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