19th Century Brass Travelling Inkwell and Quill Holder, Turkey. Carried by scribes as they travelled from one settlement to another and carried these held in their belts. Would have come from Turkey. The type of inkwell that travellers in Jane Austen’s times might have carried for writing letters when away from home. Many of these exotic and decorative items were brought to England by gentlemen doing their Grand Tour through Europe and Asia.via Ruby Lane Antiques.
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
1780 Watch on a Chatelaine, Germany. Silver Repousse Verge With four chain chatelaine. via Heritage Auction H.A.com.
Definition Chatelaine: The word Chatelaine is French and means the keeper of the keys. Chatelaine” derives from the Latin word for castle. In Medieval times, the chatelaine was in charge of the day-to-day running of the castle. What did a chatelaine do? Most important task was keeper of the keys. Also ordered supplies, did bookkeeping, supervised servants, taught castle children, and organized guests. books2read.com/SuziLoveChatelaines
By 1700’s, a metal jeweled ornament hung from pockets, attached to belts, or by hooks into skirt waistbands
During 1800’s, women wore large collections of tools hung from chains
Young girls sewed and did needlework and needed to carry sewing notions eg scissors, thimbles
Worn by women of all classes, from workers to nobility
Varied depending on class and finances.
Made of silver, brass, steel, leather, or fabric
During 19th century, fashionable dresses often had no waist and nowhere to hang chatelaines
Chatelaines became decorative brooches
Often given as a wedding present from a husband to bride
Later became fashion accessories.
1780 ca. Watch. Landwing Augsburg
Silver Repousse Verge With Chatelaine. Watch with silver repose outer case and plain inner case, five figure classical scene, scallops in high relief, glass bulls eye crystal, plus four chain chatelaine with key, fob, pencil, and file. via Heritage Auctions
Chatelaine: Set of useful items hung from decorative chains.1780 Watch On Four Chain Chatelaine, Germany. #GeorgianEra #Antiques #Watch #Chatelaine. books2read.com/SuziLoveChatelaines Share on XChatelaines and Chains History Notes Book 9 By Suzi Love. #regency Women in charge of houses wore long chains holding important household items around their waist e.g. keys, pen, notebook, sewing. books2read.com/SuziLoveChatelaines
1798 Woman’s Light Blue Douillette, Or Housecoat, French. Trimmed with pink velvet, pink fan, black slave sandals, apricot hat with black trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Description Douillette: A coat or housecoat, sometimes quilted, worn in France.
1810 ca. Spencer, Or Short Jacket, Of Printed Cotton, Europe. White base with rose and zigzag motifs in pink, red, yellow and green. via Mode Muze, Netherlands ~ modemuze.nl. Spencers were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years, to provide warmth and some protection from windy conditions when the transparency of gowns might cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Spencer over her dress in the cold British winters.
Definition Spencer: Short body-hugging jacket worn for warmth and modesty. Said to have originated in an accident to Lord Spencer while hunting when his coat tails were torn off and he wore it as a short jacket.
1810 Green Wool Coat With Metal Buttons, European. Velvet collar, lined, cutaway front and two rows of metal buttons. Back has horizontal pockets and gusset and flap with buttons. The sort of coat worn by gentlemen in Britain and Europe in the times of Jane Austen via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1814 Couple In Walking Ensembles, French. Gentleman in a brown tailcoat with a notched collar and back pockets, vest, white breeches tied under his knees, red fob at the waist, white stockings, high white shirt collar, white cravat, top hat and cane. Lady in adorable pink Redingote with capes.
1818-1823 ca. Turban, London, U.K. Silk, silk thread, paper, cotton, wire,and hand-sewn. Cap is gathered and full to mimic the shape of a turban which became popular evening wear around 1820 when ‘exotic’ was fashionable.
Silk, silk thread, paper, cotton, wire and hand-sewn. A full cap of white satin gathered into a headband in imitation of a turban. The crown is inset with white net embroidered in circles with white silk thread. The headband is of white satin with three horizontal tucks and edged with white silk plush. Trimmed on one side with artificial flowers made of wired green paper leaves and white muslin rosebuds. via Victoria and Albert Museum, London, U.K.
Early 19th-century etiquette required a lady’s head to be covered at all times, even with evening dress. A cap such as this one, gathered and full to suggest the shape of a turban, was popular for evening wear about 1820. The Romantic movement created an interest in the dress of non-European countries, particularly North Africa and the Middle East. Decorative motifs and accessories were borrowed to make current fashions more ‘exotic’. Although knowledge of the proper proportions and construction of a turban was not available to British milliners, the overall shape was approximated for the most fashionable headwear.
1800 ca. Brown Striped Trousers, American or European. Button front waistband, small drop down flap, or fall, pockets, and with extra fullness in the back for ease of movement. via Metropolitan Museum, N.Y.C., U.S.A. The style of men’s pants that replaced breeches as the fashionable pants item for men in Jane Austen’ times.
1810-1820 ca. Pantaloons, Probably Military, British. The type of pants worn by men in Jane Austen’s times when wars were being fought all over the world, especially in Europe. Machine-knitted white cotton decorated with cream silk braid on sides and fronts as seen on Hussar uniforms. Cut to fit the leg and button bottom at waist with three buttons. Front fall buttons over five buttoned fly, two horizontal pockets at front below waistband and fob pocket in waistband. Four metal buttons for braces, two front and two back. Cotton ‘puff’ centre back waist and two linen tapes for waist adjustment. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Pair of men’s pantaloon trousers made of machine-knitted white cotton and decorated with cream silk braid applied down the sides and on the fronts. This imitates the hussar uniforms of the period and appeared on fashionable men’s dress. The pantaloons are cut to fit the leg and button at the bottom with three buttons. The pantaloons fasten at the front with front falls buttoning over a five buttoned fly. There are two horizontal pockets at the front below the waistband and a fob pocket in the waistband. There are four metal buttons for braces, two at the front and two at the back. These probably are original. There is a cotton ‘puff’ at the centre back waist and two linen tapes for waist adjustment.
Pantaloons also brought the glamour of military uniform into men’s fashionable dress, especially when teamed with Hessian boots. Uniforms worn by the various armies during the Napoleonic Wars (1793-1815) were often very colourful and lavishly adorned with braid and tassels. It is hardly surprising that some of these attractive trimmings should have infiltrated fashion, particularly when nationalistic feelings ran high. Civilian pantaloons were often ornamented with military-style braid that was applied in a vertical band of topside Russia braiding. They were not, however, generally decorated on the front, which suggests that this pair was for military use. The silk braid is applied in the form of an Austrian knot, which was a popular motif on pantaloons of the light cavalry such as the hussars and light dragoons.