Tag Archives: sewing

1808 Comparison Fashion Plate: Two Ladies In High-Waisted Dresses, One With Looking Glass. #RegencyFashion #JaneAusten #HistoricalFashion #france

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1808 Two Ladies, French. Apricot Evening Dress Or Moire Brochee, French. Patterned dress with very low cut bodice, short sleeves, long white gloves, and holding a Lorgnette, or looking glass, and a handkerchief. Grey Redingote with high waist and holding a red shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

The French magazine, Journal des Dames et des Modes, frequently made fashion plates with a single woman, two women or a woman with a man where they wear the same outfit. The two variations show innovative ideas for decorating plain white muslin dresses with a range of colorful accessories, and the early 1800s were definitely the years when accessories were the fashion highlight. Add a pair of colorful long gloves, a draped shawl or scarf, a reticule, handkerchief, fan or looking glass and the typical white dress is given individuality and personality.

1808 Apricot Evening Dress Or Moire Brochee, French. Patterned dress with very low cut bodice, short sleeves, long white gloves, and holding a Lorgnette, or looking glass, and a handkerchief. Grey Redingote with high waist and holding a red shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

Here is the companion to the above fashion plate with the single lady in her apricot dress. The lady in a grey Redingote is added.  

1808 Two Ladies, French. Apricot Evening Dress Or Moire Brochee, French. Patterned dress with very low cut bodice, short sleeves, long white gloves, and holding a Lorgnette, or looking glass, and a handkerchief. Grey Redingote with high waist and holding a red shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1808 Two Ladies, French. Apricot Evening Dress Or Moire Brochee, French. Patterned dress with very low cut bodice, short sleeves, long white gloves, and holding a Lorgnette, or looking glass, and a handkerchief. Grey Redingote with high waist and holding a red shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1808 Two Ladies, French. Apricot Evening Dress Or Moire Brochee, French. Patterned dress with very low cut bodice, short sleeves, long white gloves, and holding a Lorgnette, or looking glass, and a handkerchief. Grey Redingote with high waist and holding a red shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
HN_26_D2D Fashion Women 1805-1809 https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? https://books2read.com/SuziLoveFashionWomen1805-1809

1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping. #RomanticEra #Fashion #BritishHistory

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1836-1840 ca. Floral Print Cotton Dress With Silk Satin Piping, English. Cotton printed in soft pink, red, white, and green floral motif on light brown, edged with green silk satin piping and lined with linen and cotton. Sleeves tightly gathered, loose at elbow, skirt gathered from tight fitting bodice edged with green satin piping. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.From the Museum: Soft colours and floral patterns are a distinctive feature of many 1830s day dresses. Here, pink, red and white flowers harmonise with the brown ground and green piping. The construction of the sleeves is also interesting as they are tightly gathered at the top and loose around the elbow. This accentuates the slope of the shoulder and the tightness of the wrist.

1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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1836-1840 ca. Day Dress Of Printed Cotton, English. Printed in soft pink, red, white and green floral motif on light brown, edged with green silk satin piping, lined with linen and cotton and sleeves tightly gathered, loose at elbows, skirt gathered from tight fitting bodice. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
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18th Century Wool, Leather And Linen Front Lacing Stays #Corset #HistoricalFashion #GeorgianFashion

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18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway

In the early 18th century, stays were basically quilted waistcoats, laced in the front and un-boned and to be worn on informal occasions.  Mid century, the role of stays changed. They were then supposed to create a V shaped form and support a woman’s back, so baleen from whales was inserted into the garments and backs became longer. 

Eyelet holes were stitched and staggered in spacing, so stays could be spiral laced. Stays were strapless or had straps attached in the back and tied at the front sides.  Eyelet holes were stitched and staggered in spacing, so stays could be spiral laced.  Later, they began to support the bust, give a fashionable conical shape, and draw shoulders back. 

It was around the 1790s that the term corset started to be used as a refined name for stays. The Times of 24 June 1795 stated that: ‘corsettes about six inches long…are now the only defensive paraphernalia of our fashionable belle’.

corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
HN_15_D2D_Corsets 1700-1790

1800s French Palais Royal Sewing Box from Bridgerton and Jane Austen’s times. #Bridgerton #RegencyFashion #Sewing #JaneAusten

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1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. This is the style of sewing box Jane Austen and her family would have used in the early 1800s, or Regency years. via via suzilove.com and 1st Dibs Auctions 1stdibs.com

Definition: Palais Royal: Name of an area around the Royal Palace in Paris, France, that specialized in making small and exquisite works of art during the 18th and 19th centuries. Palais Royal sewing tools were elaborate and usually feature mother-of-pearl, often intricately carved or engraved. During the 19th century, workboxes were often works of art with engravings, carvings, mother-of-pearl, and elaborate gilt metal mounts. Most popular were scissors with steel blades and gilt mounts, thimbles and needle cases which were often shaped like animals or other natural forms. Workmanship was exceptional and the tools almost too fragile to use.

1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

1820 Ice Blue Figured Silk Pelisse, or Coat, With Hussar Frogging On Bodice. #Regency #Fashion #Pelisse

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1820 Ice Blue Figured Silk Pelisse or Redingote. Bodice with hussar-style frogging, trimmed with fringed passementerie and silk covered buttons, puffed mancherons and cuffs en tablier with satin piping and buttons, hem with deep border of blue plush and flecked fringing which gives effect of feathers. This silk pelisse shows how women’s fashions, especially outer garments, were leaning towards men’s military styles. Braiding became popular, sleeves often had layers at the shoulders of either short sleeves under long sleeves or they had the braiding and buttons and buttonholes found on military uniforms. Fabrics were luxurious as seen in this figured silk, and decorative or extravagant hems were added, like the hem fringing on this coat. Because these coats were somewhat fragile due to being made of silk, not many would have survived.  Extant Pelisse, or Redingote via Kerry Taylor Auctions.  Kerrytaylorauctions.com

Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.

1820 Ice Blue Figured Silk Pelisse or Redingote. Bodice with hussar-style frogging, trimmed with fringed passementerie and silk covered buttons, puffed mancherons and cuffs en tablier with satin piping and buttons, hem with deep border of blue plush and flecked fringing which gives effect of feathers. This silk pelisse shows how women’s fashions, especially outer garments, were leaning towards men’s military styles. Braiding became popular, sleeves often had layers at the shoulders of either short sleeves under long sleeves or they had the braiding and buttons and buttonholes found on military uniforms. Fabrics were luxurious as seen in this figured silk, and decorative or extravagant hems were added, like the hem fringing on this coat. Because these coats were somewhat fragile due to being made of silk, not many would have survived.  Extant Pelisse, or Redingote via Kerry Taylor Auctions.  Kerrytaylorauctions.com
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1815-1818 ca. Typical Jane Austen Or Bridgerton Style Printed Cotton Day Dress. #Bridgerton #RegencyFashion #HistoricalFashion #JaneAusten

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1815-1818 ca. Morning Dress, British. Typical Regency Era Day Dress. Very simple printed cotton dress with long sleeves and a very high waist. This is the typical Empire style, or high-waisted dress made of printed cotton that Jane Austen and her female friends and family would wear during a normal day. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1815-1818 ca. Morning Dress, British. Front View. Typical Regency Era Day Dress. Very simple printed cotton dress with long sleeves and a very high waist. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1815-1818 ca. Morning Dress, British. Front View.
1815-1818 ca. Morning Dress, British. Back View. Typical Regency Era Day Dress. Very simple printed cotton dress with long sleeves and a very high waist. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1815-1818 ca. Morning Dress, British. Back View.
1815-1818 ca. Morning Dress, British. Side View. Typical Regency Era Day Dress. Very simple printed cotton dress with long sleeves and a very high waist. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1815-1818 ca. Morning Dress, British. Fabric View. Typical Regency Era Day Dress. Very simple printed cotton dress with long sleeves and a very high waist. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
1815-1818 ca. Typical Regency Era Printed Cotton Day Dress. #Regency #Fashion #JaneAusten

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HN_28_D2D_Fashion Women 1815-1819 https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819

1817 Yellow Military Style Pelisse As Favored by the Bridgertons and Jane Austen. #Bridgerton #RegencyFashion #JaneAusten

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1817 Yellow Redingote, or Pelisse, or Walking Dress, French. Yellow military style pelisse with braiding across the front and capes across the shoulders and worn over a white dress with a high neckline and a scalloped hem. Large and high bonnet with plume, or feathers, and green flowers, gloves and a handkerchief. Although this is a French fashion plate, similar styles were worn everywhere and Jane Austen would have worn a Pelisse like this before her death on the 18th July, 1817. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

The ongoing years of wars followed by the victories of Wellington’s armies brought the military into fashion in England and there was a rush of fashion articles named after him e.g.  Wellington hat, Wellington bonnet, Wellington jacket and Wellington Boot. In other European countries, military headwear was copied from military helmets and hats and frogging and epaulettes added a further patriotic touch to women’s clothing. And as always, fashions were copied and spread around the world, despite the battles being fought.

Definition Redingote Or Coat Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat. French fashion plates call these coats a Redingote and English plates call them a Pelisse, Or Walking Dress, or Carriage Costume.

1817 Yellow Redingote, or Pelisse, or Walking Dress, French. Yellow military style pelisse with braiding across the front and capes across the shoulders and worn over a white dress with a high neckline and a scalloped hem. Large and high bonnet with plume, or feathers, and green flowers, gloves and a handkerchief. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1817 Yellow Redingote, or Pelisse, or Walking Dress, French. Yellow military style pelisse with braiding across the front and capes across the shoulders and worn over a white dress with a high neckline and a scalloped hem. Large and high bonnet with plume, or feathers, and green flowers, gloves and a handkerchief. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.

HN_28_D2D_Fashion Women 1815-1819 https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819

1800-1830 ca. Basket Shaped Knit and Glass Beads Bag As Carried By The Bridgertons and Jane Austen. #Bridgerton #JaneAusten #RegencyFashion #reticule #Germany

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1800-1830 ca. Drawstring Bag, German. Basket-shaped, Ecru cotton knit embroidered with colored glass beads in design of grapevine on upper half, open work embroidered with weaving motif on lower half. Wired at center, cardboard at base. Green silk cord drawstring. The Elizabeth Day McCormick Collection via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
1800-1830 ca. Reticule, or Bag, American. Bottom of bag shaped like basket and made of stiff deep cream colored mohair with minute blue figure, two panels of light blue painted silk moiré, upper part of bag of deep cream colored figured silk, blue silk ribbon, drawstring and bows trimming lower part of bag. via Museum of Fine Arts, Boston, U.S.A. mfa.org
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19th Century Early Bridgerton and Jane Austen Style Four Sided White Satin Reticule, Or Bag, With Embroidery and Tassels. #Bridgerton #JaneAusten #RegencyFashion #sewing #reticule

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19th Century Early Reticule, Or Bag, New England, England or U.S.A. Septagonal, or four sided, with embroidery and silk tassels. White satin embroidered with polychrome silks, silver threads, silver sequins. On front, in center of wreath of roses tied with blue bow, is written VALUE THE TRIFLE. On back, in similar wreath, is FRIENDSHIP. On sides are floral motifs, one of sweetpeas and the other of pansies. On all sides a border of silver threads in chain motif entwined with curling brown vine. Primarily worked in satin stitch. Thirteen silk tassels attached. White ribbon ties. via Museum of Fine Arts, Boston, U.S.A. mfa.org

Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.

bag_19th Century Early Reticule, Or Bag, New England, England or U.S.A. Four sided with embroidery and silk tassels. On front, wreath of roses tied with blue bow written VALUE THE TRIFLE. On back wreath FRIENDSHIP. On sides floral motifs. On all sides border of silver threads in chain motif entwined with curling brown vine. Thirteen silk tassels attached. White ribbon ties. via Museum of Fine Arts, Boston, U.S.A.
19th Century Early Reticule, Or Bag, New England,
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1810 ca. High-Waisted Pineapple Dress, French. #RegencyEra #HistoricalFashion #JaneAusten

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1810 ca. Pineapple Dress, French. High-waisted, Empire style dress with embroidered pineapple motifs, short wide neckline, puffed sleeves and long train. via Palais Galliera, Musée de la Mode de la Ville de Paris.

1810 ca. Pineapple Dress, French. High-waisted, Empire style dress with embroidered pineapple motifs, short wide neckline, puffed sleeves and long train. via Suzi Love suzilove.com & Palais Galliera, Musée de la Mode de la Ville de Paris.
HN_27_D2D_fashwomen1810-1814 https://books2read.com/SuziLoveFashion1810-1814
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