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1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. Caricature By Isaac Cruikshank. #GeorgianEra #Cartoon #BritishHistory

Suzi Love Posted on October 14, 2026 by Suzi LoveOctober 3, 2026

1799 November 24th ‘Parisian Ladies in Their Full Winter Dress for 1800’. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via British Museum, London, UK. britishmuseum.org (PD-Art)

1799 November 24th 'Parisian Ladies in Their Full Winter Dress for 1800'. By Isaac Cruikshank. Ridiculing excesses of late 1790s Parisian high-waisted Greek look gowns of transparent fabrics and extremely low cut bodices.Full Dress meant every possible accessory was added to outfits.g. elaborate hats, reticules or bags, anklets and jewels. Via Suzi Love - suzilove.com & British Museum, London, UK. britishmuseum.org (PD-Art)
HN_1_D2D_Fashion Women 1700s
books2read.com/suziloveFashWomen1700s
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s

Posted in 1700s, 1700s Womens Fashion, cartoon, Customs & Manners, Dress Or Robe, England, fashion accessories, Georgian Era, Georgian Fashion, hats, London, Reticule or Bag, shoes | Tagged 1700s Women's Fashion, British history, British Museum, Cartoons, Dress Or Gown, fashion accessories, Georgian Fashion, Hats And Hair, reticule or bag, Shoes, WikiMedia Commons

1815 How Did Jane Austen and the Bridgertons Travel? Did they travel by Stage Coach? #Bridgerton #RegencyEra #BritishHistory #JaneAusten

Suzi Love Posted on September 19, 2026 by Suzi LoveSeptember 16, 2026

How did Jane Austen and her family? Did they go by stagecoach? The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure.  Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon.

Description of Stage Coach Travel in England.  via 1815 Journal Tour of Great Britain. “The gentlemen coachmen, with half-a dozen great coats about them, immense capes, a large nosegay at the button-hole, high mounted on an elevated seat, with squared elbows, a prodigious whip, beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.”

Coach Carriage Line Drawing. Photo Editing by Suzi Love ~ suzilove.com via Pearson Scott Foresman donation to Wikimedia Commons.
Coach Carriage Line Drawing. Photo Editing by Suzi Love ~ suzilove.com via Pearson Scott Foresman donation to Wikimedia Commons.
1805 January 1st Worcester and London Royal Mail Coach. Publisher: William Miller, Albermarle Street, London, U.K. Hand colored print. Coach is grey and purple with red wheels and drawn by four white horses. Below the mail guard it is printed, 'N.17'. Via Suzi Love suzilove.com British Postal Museum, London, U.K. postalmuseum.org
1805 January 1st Worcester and London Royal Mail Coach. Publisher: William Miller, Albermarle Street, London, U.K. Hand colored print. Coach is grey and purple with red wheels and drawn by four white horses. Below the mail guard it is printed, ‘N.17’. Via Suzi Love suzilove.com British Postal Museum, London, U.K. postalmuseum.org
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Posted in 1800s, Bridgerton, Carriage, England, Google Books, History, Jane Austen, London, Regency Era, Suzi Love Images, travel | Tagged Bridgerton, British history, British Postal Museum, carriage, google books, Jane Austen, Pearson Scott Foresman, postal, Regency Era, travel, WikiMedia Commons

1816 Inside A Dining Room By Martin Drolling. Bridgerton and Jane Austen household. #Bridgerton #JaneAusten #Wikimedia #Art #RegencyEra

Suzi Love Posted on September 18, 2026 by Suzi LoveSeptember 13, 2026

1816 Inside A Dining Room By Martin Drolling. Bridgerton and Jane Austen household. Via Wikimedia Commons commons.wikimedia.org (PD-ART)

1816 Inside a dining room by Martin Drolling. Via Wikimedia Commons commons.wikimedia.org (PD-ART)
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An overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. books2read.com/suziloveYGD
Posted in art, Bridgerton, Customs & Manners, England, Food and Drink, History, household, Jane Austen, Regency Era, Suzi Love Images | Tagged 1800s men fashion, art, Bridgerton, Food, household, Jane Austen, Regency Fashion, Regency Life, Regency Men, WikiMedia Commons

19th Century Mid. The Music Room By George Goodwin Kilburne. #Art #Music #RomanticEra

Suzi Love Posted on July 2, 2026 by Suzi LoveJuly 2, 2026

19th Century Mid. The Music Room By George Goodwin Kilburne (1839-1924). Oil On Panel, 30.4 X 40.6cm. Via Wikimedia Commons commons.wikimedia.org (PD-ART)

19th Century mid The Music Room. George Goodwin Kilburne (1839-1924). Oil On Panel, 30.4 X 40.6cm.

Posted in 1800s, 1800s women's fashion, art, furniture, household, Music, Pastimes, Romantic Era | Tagged 1800s women's fashion, art, music, piano, WikiMedia Commons | Leave a reply

1808 January Drawing from Life at the Royal Academy, Somerset House, London. #RegencyEra #Art #JaneAusten

Suzi Love Posted on June 15, 2026 by Suzi LoveJune 10, 2026

1808 January 1st Drawing from Life at the Royal Academy, Somerset House, London, U.K. The Royal Academy would have held art classes like this in London during Jane Austen’s time. Designed and etched by Thomas Rowlandson. Via Wikimedia Commons. commons.wikimedia.org

1808 January 1st Drawing from Life at the Royal Academy, Somerset House, London, U.K. The Royal Academy would have held art classes like this in London during Jane Austen's time. Designed and etched by Thomas Rowlandson. Via Wikimedia Commons. commons.wikimedia.org
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Posted in 1800s, 1800s Mens Fashions, art, cartoon, Google Books, Jane Austen, London, Pastimes, Regency Era, Regency Fashion | Tagged 1800s men fashion, art, Cartoons, Jane Austen, London Places, pastimes, Regency Era, Regency Fashion, Regency Life, Regency London, Regency Men, WikiMedia Commons

1800s Early How Did Jane Austen and the Bridgertons Travel? The London To Louth Royal Mail. #RegencyEra #BritishHistory #JaneAusten #Bridgerton

Suzi Love Posted on June 11, 2026 by Suzi LoveJune 10, 2026

The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)

How did Jane Austen and her family? Did they go by stagecoach? The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure.  Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon. books2read.com/SuziLoveTravel

Description of Stage Coach Travel in England.  via 1815 Journal Tour of Great Britain. “The gentlemen coachmen, with half-a dozen great coats about them, immense capes, a large nosegay at the button-hole, high mounted on an elevated seat, with squared elbows, a prodigious whip, beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.”

The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)
The London To Louth Royal Mail, England, U.K. Print by Charles Cooper Henderson. (1803-1877)
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HN_10_D2D_RetailerBuyLink_Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel
Posted in 1800s, Bridgerton, Carriage, England, History, Jane Austen, London, postal, Regency Era, Suzi Love Images, travel | Tagged art, Bridgerton, British history, British Postal Museum, carriages, England, Jane Austen, mail coach, postal, Suzi Love Images, travel, WikiMedia Commons

1800s Early Gentleman John Jackson, London, U.K. #Regency #Boxing #Pugilism

Suzi Love Posted on April 12, 2026 by Suzi LoveMarch 2, 2026

1800s Early Gentleman John Jackson, London, U.K. #Regency Boxing was known as pugilism and was wildly popular in the Regency Era with all classes of men both as a spectator sport and an athletic hobby. Pugilists didn’t wear gloves. Jackson was a champion prize fighter from 1795-1818 ca. Opened his boxing studio where he taught young bucks the manly art of self-defense. via Wikimedia Commons.

1800s Early Gentleman John Jackson, London, U.K. #Regency Boxing was known as pugilism and was wildly popular in the Regency Era with all classes of men both as a spectator sport and an athletic hobby. Piugilists didn’t wear gloves. Jackson was a champion prize fighter from 1795-1818 ca. Opened his boxing studio where he taught young bucks the manly art of self-defense.
1800s Early Gentleman John Jackson, London, U.K. #Regency Boxing was known as pugilism and was wildly popular in the Regency Era with all classes of men both as a spectator sport and an athletic hobby. Piugilists didn’t wear gloves. Jackson was a champion prize fighter from 1795-1818 ca. Opened his boxing studio where he taught young bucks the manly art of self-defense.
RL_2_D2D_RetailerBuyLink_RL_2
RL_2_D2D_RetailerBuyLink_RL_2 https://books2read.com/suziloveYGD
Posted in 1800s, 1800s Mens Fashions, cartoon, England, History, Regency Era, sports, Suzi Love Images | Tagged art, boxing, Cartoons, London, Regency London, Regency Men, sports, WikiMedia Commons

1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden

Suzi Love Posted on February 12, 2026 by Suzi LoveJanuary 30, 2026

Covent  Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl  commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.

1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1721-1789 ca. St. Paul's Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org
1800s Early Covent Garden Market, London, U.K.
1800s Early Covent Garden Market, London, U.K.

In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.

By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”. 

Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion.

Covent Garden’s flower girls attracted attention by shouting:

“Two bundles a penny, primroses!”

“Sweet violets, penny a bunch!”

In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.

In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King's entrance. Watercolor drawn by James Winston. via British Museum.
1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum.
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org
1827 Covent Garden Market, Westminster, London, U.K.  By Frederick James Havell.
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.

In 1830, Charles Fowler’s neo-classical building was erected to cover the market and as the market grew, the prostitutes moved on. The Floral Hall and Charter Market were added and the Jubilee Market in 1904.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul's Church, Covent Garden. Two story white building with 'Watch House' painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.

In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.

RL_1_D2D_Regency Overview RetailerLinks
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RL_1_D2D_Regency Overview RetailerLinks https://books2read.com/suziloveROver
Posted in 1700s, 1800s, England, Food and Drink, Georgian Era, History, London, Regency Era, Romantic Era, Suzi Love Images, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, British history, British Museum, Covent Garden, Food, Georgian era, google books, London, Museum Of London, Regency London, Suzi Love Images, theatre, WikiMedia Commons | Leave a reply

1840 The York To London Royal Mail In The Village Of Bedale, England. #RegencyEra #BritishHistory #carriages #postage

Suzi Love Posted on January 25, 2026 by Suzi LoveJanuary 17, 2026

1840 ca. The York To London Royal Mail. By A. Anson Martin. Mailcoach in the village of Bedale, Yorkshire, U.K. Church at the end of the wide country road and thatched cottages behind the coach. Signed and Inscribed ‘(All Right)’. Via British Postal Museum, London, U.K. ~ postal museum.org

The dreadful condition of British roads caused great apprehension to all classes of travelers. Making a journey anywhere in the country was a big undertaking and often a gentleman composed his last will and testament before his departure.  Traveling in vehicles was only possible during the day or on the nights with very bright moonlight with few vehicles attempting road travel in winter and any travel on a Sunday was frowned upon. books2read.com/SuziLoveTravel

Description of Stage Coach Travel in England.  via 1815 Journal Tour of Great Britain. “The gentlemen coachmen, with half-a dozen great coats about them, immense capes, a large nosegay at the button-hole, high mounted on an elevated seat, with squared elbows, a prodigious whip, beautiful horses, four in hand, drive in a file to Salthill, a place about twenty miles from London, and return, stopping in the way at the several public-houses and gin-shops where stage-coachmen are in the habit of stopping for a dram, and for parcels and passengers on the top of the others as many as seventeen persons. These carriages are not suspended, but rest on steel springs, of a flattened oval shape, less easy than the old mode of leathern braces on springs. Some of these stage coaches carry their baggage below the level of the axletree.”

1840 ca. The York To London Royal Mail. By A. Anson Martin. Mailcoach in the village of Bedale, Yorkshire, U.K. Church at the end of the wide country road and thatched cottages behind the coach. Signed and Inscribed '(All Right)'.Via Suzi Love ~ suzilkove.com & British Postal Museum, London, U.K. ~ postal museum.org
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HN_10_D2D_RetailerBuyLink_Travel and Luggage By Suzi Love History Notes Book 10 #History #travel How did people travel in past centuries? What did they take with them to make their long journeys easier? books2read.com/SuziLoveTravel
Posted in 1800s, Carriage, England, History, London, postal, Regency Era, Suzi Love Images, travel | Tagged art, British history, carriages, England, google books, postal, Romantic Era, Suzi Love Images, travel, WikiMedia Commons

1800s Early Beau Brummell, Arbiter of Men’s Fashion and friend of Prince Regent. #RegencyEra #BritishHistory #JaneAusten

Suzi Love Posted on January 12, 2026 by Suzi LoveJanuary 12, 2026

George Bryan “Beau” Brummell (June 7th 1778 – March 30th 1840) Arbiter of men’s fashion and friend of the Prince Regent, the future King George IV. Established mode of dress for men that rejected overly ornate fashions for understated but perfectly fitted and tailored clothing. Look based on dark coats, full-length trousers rather than knee breeches and stockings, with immaculate shirt linen and an elaborately knotted cravat. 1855 Engraving of Beau Brummell from an article in Harper’s New Monthly Magazine.

George Bryan "Beau" Brummell (June 7th 1778 – March 30th 1840) Arbiter of men's fashion and friend of the Prince Regent, the future King George IV. Established mode of dress for men that rejected overly ornate fashions for understated but perfectly fitted and tailored clothing. Look based on dark coats, full-length trousers rather than knee breeches and stockings, with immaculate shirt linen and an elaborately knotted cravat. 1855 Engraving of Beau Brummell from an article in Harper’s New Monthly Magazine.
Beau_1805 Beau Brummell (1778-1840) Regency Dandy, proponent of understated but perfectly fitted and tailored garments, especially dark coats, full-length trousers, immaculate shirt linen and an elaborately knotted cravat. Friend of the Prince Regent, later King George IV. Watercolor By Richard Dighton (1795- 1880) Via Wikimedia Commons commons.wikimedia.org (PD-ART)
1805 Beau Brummell (1778-1840) Regency Dandy, proponent of understated but perfectly fitted and tailored garments, especially dark coats, full-length trousers, immaculate shirt linen and an elaborately knotted cravat. Friend of the Prince Regent, later King George IV. Watercolor By Richard Dighton (1795- 1880) Via Wikimedia Commons commons.wikimedia.org (PD-ART)
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Posted in 1800s, 1800s Mens Fashions, cartoon, Coat or Pelisse Or Redingote, Customs & Manners, England, fashion accessories, hats, Jane Austen, London, pants, Regency Era, Regency Fashion, shoes, Suit, Suzi Love Images, Vest or Waistcoat | Tagged art, Beau Brummell, boots, breeches, British history, Cartoons, fashion accessories, Hats And Hair, Jane Austen, Prince Regent, Regency Fashion, Regency London, Regency Men, Shoes, Tailcoat, WikiMedia Commons

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