Tag Archives: Georgian Fashion

Names For Corset Makers in Jane Austen and Bridgerton times? Lots of them including Stay Maker, Corset Maker, Body Tailor and Milliner. #janeausten #bridgerton #Corset

Suzi Love Posted on by

There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.

Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.  Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. 

1776 April 28th John McQueen, Stay Maker., New York. At the sign ogf the White Stays in Smith Street, near the Mayor's baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York.
Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.
1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)
1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements.
From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)
18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.
18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.
1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)
1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)
18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.
18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.
18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.org
https://books2read.com/SuziLoveCorsetBook14

1795-1805 ca. Green Silk and Metal Vest,Or Waistcoat, as worn by men of Jane Austen’s acquaintance. #JaneAusten #GeorgianEra #regencyera #historicalFashion

Suzi Love Posted on by

1795-1805 ca. Green Silk and Metal Vest, Or Waistcoat, Probably French. The style of waistcoat worn by men in Jane Austen’s times. Interesting cross-over front and tasteful embroidery, standing collar, back has ties to adjust the fit. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1795-1805 ca. Green Silk and Metal Vest, Or Waistcoat, Probably French. The style of waistcoat worn by men in Jane Austen's times. Interesting cross-over front and tasteful embroidery, standing collar, back has ties to adjust the fit. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

1790-1800 ca. Men’s Black leather Riding Boots with wide tan tops as worn by Jane Austen’s male acquaintances. #RegencyFashion #GeorgianEra #shoes

Suzi Love Posted on by

1790-1800 ca. Men’s Riding Boots. Black leather with wide tan leather tops,
small heel and slightly rounded toes. via Los Angeles County Museum of Art, California, USA.
collections.lacma.org

1790-1800 ca. Men's Riding Boots. Black leather with wide tan leather tops, small heel and slightly rounded toes. via Los Angeles County Museum of Art, California, USA. collections.lacma.org
HN_23_D2D_Fashion Men 1800-1819
https://books2read.com/SuziLoveFashionMen1800-1819

1750 Back Lacing Multicolor Silk Stays, Or Corset, French. #GeorgianFashion #FashionHistory #Corset

Suzi Love Posted on by

1750 Multicolor Silk Stays, Or Corset, French. Back Lacing, hip phalanges, or fingers, triangular shaped front. Via Fashion Museum NYC fashion museum.fitnyc.edu

1750 Multicolor Silk Stays, Or Corset, French. Back Lacing, hip phalanges, or fingers, triangular shaped front. Via Fashion Museum NYC fashion museum.fitnyc.edu
1750 Multicolor Silk Stays, Or Corset, French. Back Lacing, hip phalanges, or fingers, triangular shaped front. Via Fashion Museum NYC fashion museum.fitnyc.edu

Corsets originated in the beginning of the 16th century, when aristocratic Spanish women first adopted “whalebone bodies.” Stays (later known as corsets) rapidly became fashionable throughout Europe. In 1588, the French essayist Michel de Montaigne wrote, “To get a slim body, Spanish style, what torture do women not endure, so tightly tied and bound . . . ” Although doctors and moralists remonstrated, women continued to wear some form of corset until the middle of the 20th century, because corsetry was associated with feminine beauty, aristocratic display, and self-discipline.

HN_15_D2D_Corsets 1700-1790

1750-1770 Ca. Back Lacing Linen Corset, European. #GeorgianEra #Corset #HistoricalFashion

Suzi Love Posted on by

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone. Corset: deep point, hip flaps, lacing at the back, Netherlands.

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone. https://books2read.com/SuziLoveCorsetBook15

Description: Quilted linen corset with vertical tunnels and with ribs. Whalebone stiffening, point on front, hip flaps, front shoulder straps of fabric plus long narrow linen strips to tie. Lined and has chamois leather at armpits, front point and waist. Linen corset with a deep thickened point at the front, hip flaps, and lacing at the back. Fully quilted with vertical tunnels, with ribs. Thickened tip at the front is slightly triangular. Above for round shape due to wide horizontal rib. Flares from the waist into hip phlangers, or fingers.  Lacing eyelets and criss-crossed lacing at the back.
Front shoulder straps are of the fabric with very long linen straps with narrower linen strap, total 110 cm, and two horizontal linen loops on top of the backs. There is a narrow linen strip on all seams and along all edges. Armpits and the front point are reinforced with chamois leather and chamois leather is at the waist with straps attached. Via  Mode Museum Province of Antwerp

1750-1770 ca. Back Lacing Linen Corset, European. Made of linen, lining of natural linen, chamois leather to strengthen, straps of linen, stiffening of whalebone.

Corsets 1700-1790 History Notes Book 15 This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display. 

HN_15_D2D_Corsets 1700-1790

1775-1825 ca. Bridgerton and Jane Austen Style Black Silk Breeches, American or European. #Bridgerton #JaneAusten #GeorgianEra #RegencyFashion

Suzi Love Posted on by

1775-1825 ca. Bridgerton and Jane Austen Style Black Silk Breeches, American or European. #Bridgerton #JaneAusten #GeorgianEra #RegencyFashion books2read.com/SuziLoveFashionMen1800-1819

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1798 Two Ladies In Jane Austen Style White Walking Dresses With Fashion accessories. #GeorgianFashion #RegencyFashion #JaneAusten

Suzi Love Posted on by

1798 Two ladies in Jane Austen style white walking dresses. Left: Dress has gold trim, white bonnet, green Parasol. Right: Stand up collar, short puffed sleeves, brown shawl and coiled head dresses, both with necklaces. via Rijks Museum, Amsterdam, Netherlands. rijksmuseum.nl

1798 Two Ladies In White Walking Dresses. Left: Dress has gold trim, white bonnet, green Parasol. Right: Stand up collar, short puffed sleeves, brown shawland coiled head dresses, both with necklaces. via Suzi Love suzilove.com & Rijks Museum, Amsterdam, Netherlands. rijksmuseum.nl
HN_1_D2D_Fashion Women 1700s books2read.com/suziloveFashWomen1700s
HN_1 Fashion Women Late 1700s History Notes Book 1 by Suzi Love. What was fashionable for women in the late 1700s? Extravagant colors and fabrics and outrageous styles were all seen in these flamboyant fashions. books2read.com/suziloveFashWomen1700s

1800 ca. Gentleman’s White Dimity Waistcoat Or Vest As Worn In Jane Austen’s Times. #JaneAusten #RegencyEra #RegencyFashion

Suzi Love Posted on by

1800 ca. Gentleman’s White Dimity Waistcoat, England. This vest is typical of the move away from the 18th Century’s formal styles and fussy fabrics and matched the shift of women’s fashions towards lighter and airier styles and fabrics. via Whitaker Auction whitakerauction.smugmug.com

Waistcoats worn at the very beginning of the early 19th century generally had a straight bottom, double-breasted and with wide lapels. Not long after this, waistcoats began to be cut higher up to the waist in front so men during Jane Austen’s lifetime would have worn both styles.

1800 ca. Gentleman's White Dimity Waistcoat, England. via suzilove.com and Whitaker Auctions.
1800 ca. Gentleman’s White Dimity Waistcoat, England. via suzilove.com and Whitaker Auctions.
HN_23_D2D_Fashion Men 1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819
23_d2d_fashionmen1800-1819 https://books2read.com/SuziLoveFashionMen1800-1819

1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads held together by looping stitches. #Reticule #GeorgianFashion #GeorgianEra

Suzi Love Posted on by

1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads, or sablé, held together by looping stitches. Polychrome Rococo design on white ground, shepherd, shepherdess, four sheep around orange tree center, border with cornucopias and flowers. Ecru silk cord drawstrings with floral bead-covered wood tassels. Blue silk lining. via Museum of Fine Arts, Boston.

bag_1715-1775 ca. Flat Drawstring Bag, French. Strung glass beads, or sablé, held together by looping stitches. Polychrome Rococo design on white ground, shepherd, shepherdess, four sheep around orange tree center, border with cornucopias and flowers. Ecru silk cord drawstrings with floral bead-covered wood tassels. Blue silk lining. via Museum of Fine Arts, Boston.
HN_3_D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules
D2D_RetailerBuyLink_HN_3 http://books2read.com/suziloveReticules

18th Century Wool, Leather And Linen Front Lacing Stays #Corset #HistoricalFashion #GeorgianFashion

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18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway

In the early 18th century, stays were basically quilted waistcoats, laced in the front and un-boned and to be worn on informal occasions.  Mid century, the role of stays changed. They were then supposed to create a V shaped form and support a woman’s back, so baleen from whales was inserted into the garments and backs became longer. 

Eyelet holes were stitched and staggered in spacing, so stays could be spiral laced. Stays were strapless or had straps attached in the back and tied at the front sides.  Eyelet holes were stitched and staggered in spacing, so stays could be spiral laced.  Later, they began to support the bust, give a fashionable conical shape, and draw shoulders back. 

It was around the 1790s that the term corset started to be used as a refined name for stays. The Times of 24 June 1795 stated that: ‘corsettes about six inches long…are now the only defensive paraphernalia of our fashionable belle’.

corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
corset_18th Century Wool, Leather And Linen Front Lacing Stays. via digitalmuseum.norway
HN_15_D2D_Corsets 1700-1790