1785–1800 ca. Cotton Breeches, American or European. Man’s cotton breeches, drop down, or fall, front opening, button fastening at the waist, extra material in the back allows more movement for riding etc., and buttons secure the leg openings so they can be fitted to wear with boots for riding. via Metropolitan Museum, NYC, U.S.A. These are the sort of pants that the men Jane Austen knew would have worn for riding or in the country.
1812 March 1st Boxing Match between Ward and Quirk for 100 Guineas a side. By Thomas Rowlandson, British. via The Metropolitan Museum, New York City, U.S.A. metmuseum.org
19th cent. Early. Reticule, or Bag, of silk, metal and glass, French, as carried in Jane Austen’s times. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Definition Reticule: Bag or purse, often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
19th Century. Early. Reticule. Silk, metal and glass. French. Silk ribbon work, with rosy glass beads, and silver purl flowers and backgrounding to the wreath motif. via Metropolitan Museum New York City, U.S.A. metmuseum.orgHN _3_D2D_RetailerBuyLink_HN_3
1830-1839 ca. Black Evening Slippers, British. Black silk, rosette on front, straps. Made By East, Boot & Shoe Maker, Britain. via Metropolitan Museum, NYC, U.S.A.
1830s Shoes: Producing different shoes for right and left feet started around 1830 in France. In these first attempts, little paper labels on the insoles of the shoes indicated left and right. However, the shoes were still made on straight lasts with no differentiation between the left and right foot. By the end of the 19th century, producing left and right shoes had become common as shoemakers then worked with combinations of sole and vamp cuts tailored to fit either the right or the left foot. The first steps towards the mechanisation of shoemaking were taken during the Napoleonic Wars. In 1810, engineer Marc Brunel developed a machinery that could mass-produce nailed boots for the soldiers of the British Army. But after the end of the war in 1815, manual labour became cheap, and the demand for military shoes declined. The industrialization of shoemaking began around 1830.
1730-1760 ca. Yellow Silk Embroidered Bag, Russian. From: Collection of Natalia de Shabelsky (1841-1905), Russian noblewoman preserving vanishing folk art traditions of her country. Traveling extensively throughout Great Russia, she collected textile art of wealthy peasant class. via Metropolitan Museum, NYC.
18th Century bags, or purses, were usually designed to hang from the waist or wrist to carry essential daily items on the person rather than making the long walk back through a castle or grand house to fetch things like coins, personal seals, toiletries or medicines.
18th Century Mid. Nécessaire, London, England. Wood, shagreen, silk, tortoiseshell with gold mounts, steel. Includes: pen knife, beard trimmer, scissors, bottles, paper cutter, 6 razors, hone, strop. via Metropolitan Museum New York City, U.S.A. metmuseum.org
Definition Shagreen: A type of rawhide, or rough untanned skin, originally made from the back of a horse or a wild donkey. In the 18th century, the skin of a shark or stingray also began to be called shagreen.
1805 ca. Leather Breeches, French. Buttoned and adjustable waist and narrow drop down front flap, back waist gusset for ease of movement, fitted cuffs on legs with many buttons to fasten and hold in place. via Metropolitan Museum New York City, U.S.A. metmuseum.org The style of men’s breeches worn by men at the end of the 1700s and early 1800s, or in Jane Austen’ lifetime.
1805 ca. Front Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org 1805 ca. Back Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org 1805 ca. Waist Fastening Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org 1805 ca. Front and Back Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org 1805 ca. Cuff Leather Breeches, French. Buttoned and adjustable waist, back waist gusset for ease of movement, front fall flap, two tone fitted cuffs on legs with many buttons to fasten and hold in place on the legs. via Metropolitan Museum New York City, U.S.A. metmuseum.org https://books2read.com/SuziLoveFashionMen1800-1819