Category Archives: Regency Era

Book Hooks: Captain Belling said in a cold voice, “The only thing I don’t know is why the hell you and that child are still near Waterloo.” #MilitaryRomance #RegencyRomance #BattleofWaterloo

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Love After. Waterloo: Blurb: When Lady Melton and her son, Daniel, are forced to join antagonistic Captain Belling and the last group of wounded British soldiers evacuating Waterloo and traveling back to London, she expects clashes with army deserters. What she doesn’t anticipate is how much she and her son will need the belligerent Captain after they reach London. https://books2read.com/suziloveLAW

Book Hook: “I remember who you are, Lady Melton,” Captain Belling said in a cold voice, barely glancing over his shoulder at them. “The only thing I don’t know is why the hell you and that child are still anywhere near Waterloo, when all women were ordered to evacuate a week ago.”

“That child has a name, Captain. His name is Daniel, or if you are a  stickler for formality, Viscount Melton.”The captain turned and frowned down at her son, who stared back at him with blatant curiosity and a small amount of animosity, as forthright as any young and intelligent child. Even at his young age, Daniel was a shrewd judge of character, and had been instructed by his uncles to be careful about trusting strangers. When the Captain turned back to the tattered maps spread over his makeshift desk, Anne ignored his unspoken dismissal and used the time to observe the infuriating man without having his condemning gaze fixed on her, as it had been a week earlier at the Duke and Duchess of Richmond’s extravagant Brussels ball. If she and Daniel were to travel with his group of wounded soldiers, Anne wanted to learn as much as possible about their leader. Her son’s survival depended on her being well informed and prepared for any eventuality.

Dust filtered down through a gaping hole in the high roof and settled in the Captain’s hair, turning it a darker brown than his normal golden yellow, though a bucketful of dust wouldn’t make any difference to the state of his stained uniform. His left pants’ leg had been sliced open to the knee, the two sides pinned clear of the large bandage winding down most of his leg, while a spindly wooden crutch was propped against the table.

His large physique had attracted her even before their dance at the ball, though his striking physical attributes didn’t compensate for his belligerent attitude, or for his obvious displeasure at encountering her both in Brussels and near the battlefield. Still, the Captain had undoubtedly scowled in a similar fashion at many women he’d met either in Brussels or at Waterloo, as she’d heard him spout his narrow-minded view at the ball to his fellow officers. The Captain believed that in the vicinity of battles only men should be allowed. Not women, and especially not ladies.

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LAW_When Lady Melton and son join antagonistic Captain Belling and last group of wounded British soldiers evacuating Waterloo, she expects clashes with army deserters.What she doesn’t anticipate is how much she and her son will need the belligerent Captain after they reach London. #RegencyRomance #MilitaryRomance https://books2read.com/suziloveLAW
Book Hooks: Captain Belling said in a cold voice, “The only thing I don’t know is why the hell you and that child are still near Waterloo.” #MilitaryRomance #RegencyRomance #BattleofWaterloo books2read.com/suziloveLAW
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1825 Custom House, London. From 1825 Views Of London. #London #BritishHistory #England

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Custom House, London. From 1825 Views Of London. The Custom-House of London appears to much advantage in the accompanying view. Flanked by the little  navy of Billingsgate, with a glimpse of the dome of St. Paul’s, the Monument, and London-Bridge in the distance, it stands forward in majestic composure on the edge of the Thames.

The first stone of this building was laid on the Twenty-fifth of October, 1813, the fifty-third Anniversary of his late Majesty’s Accession, and it was opened for business on the twelfth of May, 1817; the old Custom-House in the interim (February, 1814) having been consumed by fire. It is built after a plan by David Laing, Esq. and cost in the erection 167,000 pound besides 29,300 pound paid for the property on which it stands, after deducting 12,440 pounds received for old materials. The length of the front here presented, which is executed in Portland stone, is 484 feet, 101 inches.

The architectural beauties of the Custom House consist in an appropriate simplicity of style, combined with a classical adherence, throughout, to the rules of just proportion. As the Official Registry of the exports and imports of the State, where the complicated concerns of the mercantile interests of this vast Empire are reduced under a few general heads, it imparts a profound moral attraction to the scene.

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Custom House, London. From 1825 Views Of London. The Custom-House of London appears to much advantage in the accompanying view. Flanked by the little  navy of Billingsgate, with a glimpse of the dome of St. Paul’s, the Monument, and London-Bridge in the distance, it stands forward in majestic composure on the edge of the Thames.
1825 Custom House, London. From 1825 Views Of London. #London #BritishHistory #England https://books2read.com/ROver
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Jane Austen, the Bridgerton family, and contemporaries used jeweled boxes of metal, leather, or silks. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques

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Craftsmen created containers of precious metals, leather, and silks and decorated them with jewels and engraving. Jane Austen and her contemporaries would have used writing boxes, linen boxes when travelling, boxes to hold their food and drink supplies while traveling by carriage, and decorative boxes to keep letters, ribbons, gloves, hairpins etc. Boxes, Cases, and Necessaires By Suzi Love, History Notes Book 11. books2read.com/suziloveBoxesCases.

HN_11_Craftsmen created containers of precious metals, leather, silks, and decorated them with jewels to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases



Jane Austen, the Bridgerton family, and contemporaries used jeweled boxes of metal, leather, or silks. #Bridgerton #Travel #JaneAusten #RegencyEra #Antiques books2read.com/suziloveBoxesCases
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1817 December Lady Reading Book In Fancy Mourning Dishabille Of Blue Dress As worn in Bridgerton Times. #Bridgerton #RegencyFashion #HistoricalFashion #Mourning

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1818 January  Fancy Mourning Dishabille. A lady reading a pink book while wearing Dishabille, or morning dress, though as this labeled ‘Fancy’, it was most likely more formal than any normal At-Home morning dress. Dress of crepe with a lavishly decorated hem, worn over a white cambric Spencer, ornamented with fine muslin, embroidered at the edge with black, finished at neck with a triple ruff of muslin, tied in front with black love. Black sarsnet French apron, edged round with a newly invented trimming of black love. Cornette, or hat, of fine muslin, crowned with a garland of black flowers. Black chamois slippers. Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. 

The magazine’s General Observations on Fashion and Dress tries to explain why the outfit is labeled ‘Fancy’, ‘However little versatility can possibly be attached to the sable garment of sorrow, yet the Print we have presented to our readers representing the home costume of a lady of high fashion, will prove to them how busy Fancy is in her endeavors to throw a changeful hue over the tinct of solid black.’

I can picture the Bridgertons and their female friends and family wearing this sort of dress if they were in half-mourning yet wanted to look fashionable. .

1818 January  Fancy Mourning Dishabille. A lady reading a pink book while wearing Dishabille, or morning dress, though as this labeled ‘Fancy’, it was most likely more formal than any normal At-Home morning dress. Dress of crepe with a lavishly decorated hem, worn over a white cambric Spencer, ornamented with fine muslin, embroidered at the edge with black, finished at neck with a triple ruff of muslin, tied in front with black love. Black sarsnet French apron, edged round with a newly invented trimming of black love. Cornette, or hat, of fine muslin, crowned with a garland of black flowers. Black chamois slippers. Fashion Plate via John Belle's La Belle Assemblée or, Bell's Court and Fashionable Magazine, London. 
1818 January Lady Reading Book In Fancy Mourning Dishabille Of Blue Dress As worn in Bridgerton Times. #Bridgerton #RegencyFashion #HistoricalFashion #Mourning https://books2read.com/SuziLoveFashionWomen1815-1819
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1800s Almack’s Assembly Rooms, London, and Regency Vouchers in JaneAusten and Bridgerton years. #JaneAusten #Bridgerton #regencyera #almacks #london

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Almack’s Assembly Rooms often appear in Regency Era romances as they were a well known gathering place for those in the Ton looking for wives or husbands.  1770-1840 . Almack’s or Willis’s Rooms, King Street, St James, London, UK. Almack’s Assembly Rooms, founded by William Almack at No. 26-28, were on the site of the present Almack House. The club was originally a gaming establishment but moved from Pall Mall. The Assembly rooms were on the South side of King Street in St James’s and were opened on February 12, 1765. At the time the subscription was ten guineas for which there was a ball and supper each week for the twelve weeks of the season.

Assemblies were held on Tuesdays and Thursdays, but only four or five times a season. Dates were listed in the paper along with the names of the Patronesses. When Lady Jersey took over Almack’s around 1815, assemblies were changed to Wednesdays. Many aristocrats were reportedly offended by something that happened at Almack’s but Lord Jersey is reported to have refused to duel over any inferred slights because it would have meant he was forever involved in a duel. The other well-known Patronesses were Lady Bathurst and Lady Downshire.

1826 Almack's Revisited by Charles White.: 'It was what most correct persons called 'horrid bad Almack's'. #RegencyEra #London #BritishHistory
1826 Almack’s Revisited by Charles White.: ‘It was what most correct persons called ‘horrid bad Almack’s’. #RegencyEra #London #BritishHistory
almacks_1817 April Ladies' Voucher for all the Wednesday balls at Almack's in April 1817. via Suzi Love suzilove.com & The Huntington Library, San Marino, California, U.S.A.
1817 April Ladies’ Voucher for all the Wednesday balls at Almack’s in April 1817. via The Huntington Library, San Marino, California, U.S.A.
1815 The First Quadrille at Almack’s Assembly Rooms, London. Left to Right: Marquis of Worcester, Lady Jersey, Clanronald MacDonald and Lady Worcester. “It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular. I recollect the persons who formed the very first quadrille that was ever danced at Almack’s: they were Lady Jersey, Lady Harriett Butler, Lady Susan Ryde, and Miss Montgomery; the men being the Count St Aldegonde, Mr Montgomery, Mr Montague, and Charles Standish.” From The Reminiscences of Captain Gronow 1810-1860.
1815 The First Quadrille at Almack’s Assembly Rooms, London. Left to Right: Marquis of Worcester, Lady Jersey, Clanronald MacDonald and Lady Worcester. “It was not until 1815 that Lady Jersey introduced from Paris the favourite quadrille, which has so long remained popular. I recollect the persons who formed the very first quadrille that was ever danced at Almack’s: they were Lady Jersey, Lady Harriett Butler, Lady Susan Ryde, and Miss Montgomery; the men being the Count St Aldegonde, Mr Montgomery, Mr Montague, and Charles Standish.” From The Reminiscences of Captain Gronow 1810-1860.
1765-1840 ca. Almack's, or Willis's, Assembly Rooms, South Side Of King Street, St James, London. commons.wikimedia.org

1765-1840 ca. Almack’s, or Willis’s, Assembly Rooms, South Side Of King Street, St James, London. commons.wikimedia.org

1800s Early Exterior of Almack's Assembly Rooms, London, UK.

1800s Early Exterior of Almack’s Assembly Rooms, London, UK.

Captain Gronow, an army officer in London around 1814, wrote about the rules of Almack’s in Captain Gronow’s Recollections and Anecdotes, 1864 , but only gives his views on a few years of Almack’s history.

Almacks 1864 The Exclusive temple of the beau monde, the gates of which were guarded by the lady paronesses, the Ladies Castlereagh, Jersey, Cowper, Sefton, Willoughby, Princess Esterhazy, and Countess Lieven.
Almacks 1864 The fair ladies who ruled supreme over this little dancing and gossiping world, issued a solemn proclamation that no gentleman should appear at the assemblies without being dressed in knee-breeches, white cravat, and chapeau bras. From Captain Gronow's Recollections 1864.
Almacks 1864 On one occasion, the Duke of Wellington was about to ascend the staircase of the ball-room, dressed in black trousers, When the vigilant Mr Willis, the guardian of the establishment, stepped forward and said, "Your Grace cannot be admitted in trousers," Whereupon the Duke, Who had a great respect for Orders and regulations, quietly walked away _ From Captain Recollections
Almacks 1864 In 1814, the dances were Scotch reels and the old English country-dance; and the orchestra, being from Edinburgh, was conducted by the then celebrated Neil Gow. From Captain Gronow's Recollections 1864.
In 1814, the dances were Scotch reels and the old English country-dance; and the orchestra, being from Edinburgh, was conducted by the then celebrated Neil Gow. From Captain Gronow’s Recollections 1864.
Almacks 1864 Almack's In 1815, Lady Jerseyintroduced the Quadrille from Paris and the first dancers were Ladt Jersey, Lady Harriett Butler, Lady Susan Ryde, Miss Montgomomery, Count St. Aldegonde, Mr. Montgomery, Mr. Montague and Charles Standish. From 1864 Captain Gronow's Recollections.
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Almacks 1864 Few ventured to waltz at first, but in course of time, the waltzing mania, having turned the heads of society generally, descended to their feet, and the waltz was practiced in the morning in certain noble mansions in London with unparalleled assiduity. From Captain Gronow's Recollections 1864
1800s Almack’s Assembly Rooms, London, and Regency Vouchers in Jane Austen and Bridgerton years. #JaneAusten #Bridgerton #regencyera #almacks #london books2read.com:suziloveYLD
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D2D_RL_4_YLD_Young Lady's Day Regency Life Series Book 4 by Suzi Love. A light-hearted look at the longer Regency years and an easy to read view of what a young lady did, wore, and lived. https://books2read.com/suziloveYLD

1807 Two Ladies In Jane Austen style morning dress with fashion accessories. #janeausten #RegencyFashion #France

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1807 Two Ladies In Morning Dress, French. Left: Morning dress with short puffed sleeves over long straight sleeves ruffles around collar sleeves and hem white cap carrying blue parasol. Right: Blue Fichu or neck Shawl, blue Bonnet. Fashion Plate via Journal des Dames et des Modes,
or Costume Parisien.

These are the types of outfits worn by Jane Austen and contemporaries in English magazines, where French fashions were obsessively copied despite the two countries being at war for many years.

Definition Fichu: Piece of lace, muslin, or other cloth worn about the neck and cleavage to preserve a lady’s modesty. From French word meaning neckerchief.

1807 Two Ladies In Morning Dress, French. Left: Morning dress with short puffed sleeves over long straight sleeves ruffles around collar sleeves and hem white cap carrying blue parasol. Right: Blue Fichu or neck Shawl, blue Bonnet. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1807 Two Ladies In Jane Austen style morning dress with fashion accessories. #janeausten #RegencyFashion #France https://books2read.com/SuziLoveFashionWomen1805-1809
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Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809

What did travelers take with them to make long journeys easier in Bridgerton and Jane Austen times? #Bridgerton #JaneAusten #RegencyEra #HistoricTravel

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How did people travel in Jane Austen and Bridgerton years? What did they take with them to make their long journeys easier?  Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. Travel and Luggage By Suzi Love History Notes Book 10 books2read.com/SuziLoveTravel

Horse Power To Steam. Various alternatives to horse power were tested in London’s streets during the 19th century. Steam powered road engines and trams proved too heavy and damaged the roads. Stationary steam engines were used to haul trams attached to a cable but these were only really effective on hills that we too steep for horses. There were also experiments with trams driven gas engines and battery electric power. but was successfully developed. Petrol engines were still primitive and unreliable in the 1890s. In 1900 the reliable horse still dominated the streets of London but new technology was to revolutionize road transport.

HN_10_Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Jane Austen's times. In past centuries? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Jane Austen’s times. In past centuries? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
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Four Times A Virgin: Duke makes amends to Countess but will exposing past evils put her in more danger? #HistoricalMystery #RegencyRomance #EroticRomance

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Max  shuddered at Carina’s passion-hazed command to make love to her, self-doubts rose like a thunder cloud. “Love making between us is impossible.” As soon as he’d spat out the harsh words, he regretted them. She pulled back. “Forgive me, but we cannot forget who we are and where we are. Let’s not delude ourselves, or lie to each other.”

She stared with unblinking, moisture-filled eyes, and that blasted pain shot straight through to his gut and caused a raw burn. She stopped his absent-minded rubs at his midriff. “Are you suffering some sort of aliment in your abdomen?”

He bristled. “Of course not. I enjoy perfect health.”

She lifted a brow. “Your veins may run with the bluest blood, but your human form suffers from the same frailties as the rest of us lower mortals. I’ve noticed that you rub your stomach quite often. Perhaps you should consult a physician.”

“Ridiculous charlatans. I’ll not listen to another swindler promising to cure a simple digestive disorder by bleeding me dry with leeches.”  

She gasped and put her hand to her mouth. “Oh, Max. You’ve already visited physicians.”

“It’s nothing.”

Four Times A Virgin: Duke makes amends to Countess but will exposing past evils put her in more danger? #HistoricalMystery #RegencyRomance #EroticRomance books2read.com/suziloveFTAV
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19th Century Early Typical Man’s Ensemble: tailcoat, trousers, shirt, cravat etc. in Bridgerton and Jane Austen years. #Bridgerton #RegencyFashion #JaneAusten

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19th Century Early Man’s Ensemble, Norway. Brown double-breasted tailcoat with straight sleeves and notched collar, colorful striped waistcoat, brown trousers, black boots with large burgundy tops, white shirt and a cravat. via Nordiska Museet, Nordic Museum,  Stockholm, Sweden.

19th_Century_Early Man_s Ensemble, Norway (1). Brown double-breasted tailcoat with straight sleeves and notched collar, colorful striped waistcoat, brown trousers, black boots with large burgundy tops, white shirt and a cravat. via Nordiska Mus
19th Century Early Typical Man’s Ensemble: tailcoat, trousers, shirt, cravat etc. in Bridgerton and Jane Austen years. #Bridgerton #RegencyFashion #JaneAustenhttps://books2read.com/SuziLoveFashionMen1800-1819
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Jane Austen fan? Women’s dress styles around 1800. History Notes Book 12. #RegencyFashion #JaneAusten #nonfiction

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Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800

  • Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases. Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
  • Empire Dress: Owes its name, physical emancipation, popularity, and even its sexiness to France. In this English example, French style is slavishly followed in the gown’s high waist and modish stripes.
  • Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
  • Inspired in part by the statuary of ancient Greece and Rome, the new fashion was epitomised by light cotton gowns falling around the body in an unstructured way, held around the high waist with a simple sash and accompanied by a soft shawl draped around exposed shoulders. This style was ideal for the Indian imports like Kashmiri shawls and Bengali muslin, as used in this embroidered gown. Championed by such influential figures as Emma Hamilton in England and Madame Récamier in France, the so-called ‘Empire’ style catapulted Indian muslin into the forefront of fashion.
Jane Austen fan? Women’s dress styles around 1800. History Notes Book 12. #RegencyFashion #JaneAusten #nonfiction books2read.com/SuziLoveFashionWomen1800
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