Love the Bridgerton Series? Fan of Jane Austen? What did men wear in the early 1800s? Suits, hats, shoes, underclothing, military and bedroom fashions. #Bridgerton #RegencyFashion #JaneAusten #BritishHistory.
The Regency Era saw a wide variety of acceptable pants for men. Breeches were worn as part of a man’s daily outfit during the early 1800s and were necessary for formal occasions, such as court appearances, during the entire Regency Era. However, younger gentlemen moved away from breeches for daytime wear around 1807 and adopted a variety of long pants called trousers, pantaloons, buckskins or inexpressables. Knee-length breeches, worn with stockings, continued to be worn by older gentlemen through the entire Regency Era.
Around 1807, upper class gentlemen wore trousers held up by suspenders or pantaloons, which were closely fitted and worn with tall boots. Buckskins, made from deerskin, were comfortable to wear for riding. Inexpressibles were very tight leggings that left little to the imagination of young ladies. Every Regency man’s outfit included a hat, gloves, shoes or boots, and a selection of added accessories from a walking stick, watch on a chain, fobs, coin purse and a handkerchief.
1808 Fashionable English Couple, Dressed As In Jane Austen’s times. Lady in a white dress with pointed hem decorations, fitted white hat tied under her chin with yellow ribbon, yellow shawl and pink slippers. Gentleman in formal dress of blue tailcoat, black knee breeches, white stockings, black shoes, black bicorn hat, curly hair style and sideburns and a sword. Interestingly, this is English style fashions from a French magazine. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Pleasure House Ball Book 3 Irresistible Aristocrats. Love revealed at a courtesan’s ball. Brenton, Lord Mallory, attends his first courtesan’s ball in ten years to appease his concerned friends, though he’d rather stay home and read to his motherless daughters. books2read.com/suzilovePHB
This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. History Notes Book 14.
https://books2read.com/SuziLoveCorsetBook14
1812 December Mother and Child, English. Mother in a pink Pelisse, or Walking Dress, of Merino wool with an embroidered front and frogs and tassels to fasten it. Waist is of a moderate length and there is an elegant figured belt and tassels. Tight long sleeves finish at the cuff with embroidery, like the stand-up collar. York tan gloves and half-boots, small straw turned up hat with two short ostrich feathers. Child wears a blue and white suit and both wearing adorable hats.
Fashion Plate via John Belle’s La Belle Assemblée or, Bell’s Court and Fashionable Magazine, London. The child is not mentioned in the description. ‘This truly elegant and fashionable order of promenade costume was furnished by Mr. S. Clark, Ladies Pelisse and Habit Maker, No. 37 Golden Square, whose taste in articles of this description has been so generally admired.’
1816 Blue Riding Habit, French. High-waisted blue riding dress with a train, the long full skirt being necessary to cover a lady’s legs and preserve her modesty when riding side saddle. These riding habits were usually designed by men and were in two pieces, a jacket and a skirt, worn over a shirt. A military style bodice decoration, high pointed collar and a knotted pink dotted cravat worn underneath that imitate male styles, or even Dandy fashion. Sleeves are very long as was the trend in French riding habits. Yellow gloves and a masculine style beaver hat. This print was designed by Horace Vernet and engraved by Pierre Baquoy. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Although, there are very similar riding habit fashion plates in other magazines.
The type of outfit Jane Austen and her friends would have worn when they went horse riding. https://books2read.com/SuziLoveFashionWomen1815-1819
1809 October Blue Ball Dress, English. A light blue, or grey chemise robe, of gossamer net, imperial crape, worn over white satin, ornamented up the front with French bows and knots of silver. A full melon sleeve, formed of the same material as the dress, and alternate stripes of white satin, finished with bows and knots of silver. A double roll of white satin around the neck by way of a tucker. Hair falling in natural and irregular curls on the forehead, confined in a bow and curled ends, or in plaited braids, at the back of the head with a diamond comb. Diamond bandeau, with necklace, armlets, and drop earrings of the same. Slippers of white satin, with silver clasps, French kid gloves, just escaping the elbow. Fan of carved ivory. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Bandana Or Bandeau: Narrow strip or band worn around head to confine hair. Made of either twisted fabric, length of pearls, flowers, jewels or feathers. From the French word for “strip.
1800s Typical Cold Collation Dishes served during the 1800s. These are the sort of dishes Jane Austen’s family would have eaten on a regular basis. Pigeon Pie, Raised Game Pie, Cutlets and Peas, Prawn Bouquet, Creamed Chicken, Plover’s Eggs, Lamb Cutlets, Stuffed Larks, Piped Ham, Boned Capon. From: 1860 Mrs. Isabella Beeton’s Book of Household Management.
1812-1814 Ca. White Muslin Peignoir Or Dressing Gown, British. The sort of robe Jane Austen would have worn. Fabric made in India, Garment made in Britain. Wrap-over gown with round, slightly raised collar, gathered trimmings, narrow shoulder frills, excessively long sleeves with wristbands. Muslin dyed in the ikat technique, Malay term for complex tie-resist dyeing where warp threads dyed to form pattern before weaving. White with blue and red blurred warp.
via Victoria & Albert Museum, London, UK. collections.vam.ac.uk Credit: Given by Messrs Harrods Ltd.
