Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Bridgerton’s and Jane Austen’s times? What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
There has been some discussion on the names for Corset Makers. I’ve seen lots of names, including Stay Maker, Stay Manufacturer, Corset Maker, Body Tailor and Milliner. It was mainly men who were Stay Makers, but there were also some women who included stay making with their millinery.
Corsets Overview History Notes Nonfiction Book 14. This book shows how body wraps, stays, and corsets were worn to create a variety of fashionable silhouettes through past centuries. Corsets flattened breasts and accentuated rounded hips or pushed up breasts and showed off the bust line depending on the fashions of the time and the desired silhouette. Includes corsets through the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime. Overview of corsets through history, including the Georgian, Regency, Victorian and Edwardian Eras and Jane Austen’s lifetime.
1776 April 28th John McQueen, Stay Maker., New York. At the sign of the White Stays in Smith Street,near the Mayor’s baths, New York. Making all sorts of stays in the newest fashion that is worn by the ladies of Great Britain or France. Packthread stays for babies from one month to seven years, stays for children of Tabby, Ruffled Canvas, Or Buckram, and for older girls an assortment of thin boned stays of different sorts and sizes.1835 Milliner, Dress and Corset Maker to the Royal Family. Mrs. Langdon. 37 Milson Street, Bath, U.K. Local Trade Advertisements. From 1835 The Historical and Local New Bath Guide By C. Duffield. via Google Books (PD- 150)18th Century Interior of the shop of a body tailor, or corset maker. From 1893 The Art of the Tailor of the Bodies of Women and Children.1835 Fashionable Long and Short Stay Manufacturer. Robert Drew & Co. Local Trade Advertisements. From- 1835 The Historical and Local New Bath Guide. Published by C. Duffield via Google Books (PD-150)18th Century Corset Maker From 1893 Le Corset, A Travers Les Ages.18th Century Corsetieres cutting out and fitting. From Saint-Elme Gautier, Le Corset a Travers les Ages. en.wikipedia.orgNames For Corset Makers in Jane Austen and Bridgerton times? Lots of them including Stay Maker, Corset Maker, Body Tailor and Milliner. #janeausten #bridgerton #Corset https://books2read.com/SuziLoveCorsetBook14 Share on X
1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner’s cowpox vaccination program begun in 1796 in England. Recipients of the vaccine developing cow-like appendages. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Writing Regency Era Fiction Or Nonfiction? Need more information on Older Gentleman’s Day in early 1800s, or the Bridgerton family or Jane Austen’s Regency Era. A lighthearted overview of an older gentleman’s clothing, social life, and responsibilities in the early 1800s. Take a look at where an older man went, what he wore, and how he managed the family’s finances and his estates. Older Gentleman’s Day Regency Life Series Book 3 books2read.com/suziloveOGD
Are you a reader or writer of Regency Romance? Love Jane Austen’s books? Want to know more about the mourning, riding, underclothing and other Regency Era women’s fashions in Regency romances? What was fashionable for women in Jane Austen’s times? Mourning, riding, daytime, evening clothing, plus underclothing, corsets and accessories. This book looks at what was fashionable for women in Jane Austen’s times, or the early 1800s, or the Regency Era in Britain. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. Fashions, like the lifestyle, became progressively more extravagant and accessories went from colorful to over-the-top. https://books2read.com/SuziLoveFashion1810-1814
1811 The Five Positions Of Dancing. An analysis of Country Dancing and all the figures ever used in country dances, etc. By Thomas Wilson, London. The figures show the positions of the Larner and the feet of a finished Dancer during the early 1800s, or the years of the Bridgerton family, or during Jane Austen’s writing years in England. Via British Library, London, UK. www.bl.uk
1815 June 15th ‘Behold at Brook’s Club, London. By George Cruikshank. Sir Thomas Stepney standing under the porch of Brooks’s Club in St. James’s Street, London. Double door with glass panels is behind him. Right hand in his breeches pocket, round hat with low crown, double-breasted tail-coat, double-breasted waistcoat, small stock, knee-breeches, and striped stockings with pumps. Via British Museum, London, UK. britishmuseum.org (PD-Art)
Caricatures were pasted to the windows of newspapers and shops in the Era of Jane Austen and the Bridgertons.
1813 Spa Terrace. From: Poetical Sketches of Scarborough. Meant as souvenirs and not intended for publication. By Thomas Rowlandson & Aquatint by John Bluck and Joseph Stadler. Via Wikimedia Commons commons.wikimedia.org (PD-ART) Spa towns were very fashionable retreats from London’s pollution for people in Jane Austen’s times.
1820 ca. Groups of Dandies fashionably dressed. Hand Colored etching. Published By J. Le Petit, Dublin, U.K. Via British Museum, London, UK. britishmuseum.org (PD-Art)
A dandy is a man who places a lot of importance on his appearance, on having refined language living his life in a leisurely manner. A dandy didn’t have to be an aristocrat. He could also be a middle class man or a self-made man of wealth who could afford to place all his emphasis on his clothing and his leisure time.
An overview of women’s fashions in the first twenty years of the 19th century. What was fashionable for women in Jane Austen’s times, or the early 1800s. Wars were being fought around the globe so women’s fashion adopted a military look in support of soldiers. In Britain, the Prince Regent ruled instead of his father, King George III, so fashions, like the lifestyle, became more extravagant and accessories went from pretty to opulent.
Reader Or Writer of Regency Era? Love Jane Austen and Bridgerton fashions? What was fashionable for women in Jane Austen’s times, or 1800s, or Regency Era. High-waisted dresses were extravagantly accessorized and hats, shoes, parasols and bags were added. Set includes History Notes Books 12, 25, 26, 27 and 28. https://books2read.com/SuziLoveFashionWomenBoxSet
Ladies clothing in the early 1800’s featured a high waist line called an Empire Line, or Empire style dress, with a waist line just under the natural bust line and much higher than the natural waist. The high-waisted, or short-bodied, Regency styles shifted focus away from the natural waist and so left the natural waist unconstricted, in direct contrast to previous and future styles. Britain took these simple European styles and progressively made them more elaborate by adding more and more complicated embroidery onto white fabrics to create the white on white look popular for many years.
The empire look of fine muslin dresses left women more exposed than in the Georgian Era when fabrics had been thicker and styles bulkier. Women, especially in England, preserved their modesty by adding lace, frills, flounces, ruches, and fabric plaits to dresses to adequately cover any parts that might inadvertently be exposed. Outer layers, such as Spencers, Redingotes or Pelisses or coats, and shawls, were also added for warmth and to brighten outfits. This Empire fashion was totally dependent on a supply of fine, translucent cotton muslin – at first imported from India, then later, less exclusive imitations often woven and printed or embroidered in Britain. Fabrics were soft and lightweight and muslins and other cotton fabrics from India and other Asian countries were in high demand.