Christmas: Wassail Bowl History #Christmas #holidays #Traditions #Customs
The term wasseling refers to the jovial revelry and carousing that went on in historic England when all classes of society would gather around a common banquet-table and the wassail bowl and indulge in the most unrestrained joviality and merriment around.
Wassail Bowl: Most great houses had a wassel-bowl, or cup, frequently of massy silver. Toasts were “Drine heil,” or “Was hail,” from which the howl derives its name but were replaced around the nineteenth century by “Come, here’s to you,” or “I’ll pledge you.” Now, we toast with the simplified version of ‘Here’s to you’. As the hour of twelve approached, carol-singers would prepare and bell-ringers would place themselves at their post to usher in the morning of the Nativity with lots of rejoicing and with bands of music parading the towns.
In some parishes in the West of England, carol-singers adjourn to the church to sing in Christmas-day, a remnant probably of popery, as in Catholic countries there were frequently church-services held at this time. In the 16th century, Tusser prescribed for Christmas: good drink, a good fire in the hall, brawn, pudding, and mustard withall, capon, or turkey, cheese, apples, nuts, and jolly carols. In rich houses, a wassail cup would be filled with rich wine, sweet and spicy, and with roasted apples bobbing on the surface. In poorer houses, the cup would hold ale with nutmeg, sugar, ginger, and roasted crab apples.
At Christmas time, households had guests to stay and games were played to either fill in the time inside when the weather was too bad to venture out with sleds or skates, or to keep tradition. Blind man’s bluff, forfeits, and snap dragon were all played.
A list of some entertainments for Christmas…From The book Of Christmas by Thomas kibble Hervey. “jugglers, and jack-puddings, scrambling for nuts and apples, dancing the hobby-horse, hunting owls and squirrels, the fool-plough, hot-cockles, a stick moving on a pivot, with an apple at one end and a candle at the other, so that he who missed his bite burned his nose, blindman’s buffs, forfeits, interludes and mock plays :” — also of ” thread my needle, Nan,” ” he can do little that can’t do this,” feed the dove, hunt the slipper, shoeing the wild mare, post and pair, snap dragon, the gathering of omens….
Snap Dragon A favorite game was Snap Dragon, often played on Christmas Eve. Raisins were put into a large, shallow bowl and brandy was poured over them and then ignited. Lights were extinguished to increase the eerie effect of the blue flames playing across the liquor. The object of the game was to reach through the blue flames and grab as many raisins as possible from the flaming brandy and pop them into your mouth. The risk of burning yourself increased the excitement.
Samuel Johnson’s Dictionary of the English Language in 1755 describes the. game as “a play in which they catch raisins out of burning brandy and, extinguishing them by closing the mouth, eat them”. According to an eighteenth-century article in Richard Steele’s Tatler magazine, “the wantonness of the thing was to see each other look like a demon, as we burnt ourselves, and snatched out the fruit.”
Snap-dragon was played in England, Canada, U/S.A, and probably other countries with British backgrounds. The words snap-dragon and flap-dragon can refer to the game, the raisins used in the game, or the bowl with brandy and raisins.
The first reference to Snap-dragon as a game is in Francis Grose’s Dictionary of the Vulgar Tongue in 1811. “Christmas gambol: raisins and almonds being put into a bowl of brandy, and the candles extinguished, the spirit is set on fire, and the company scramble for the raisins.” Snap-dragon as a Christmas parlour game was mentioned in 1836 in Charles Dickens’ The Pickwick Papers and in 1861, in Anthony Trollope’s novel Orley Farm. Lewis Carroll, in Through the Looking-Glass, and What Alice Found There in 1871 describes “A snap-dragon-fly. Its body is made of plum pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.”
Agatha Christie’s book Hallowe’en Party describes a children’s party during which a child’s murder causes Hercule Poirot to be brought in to solve the case and at which Snap-dragon is played at the end of the evening.
1808 Lady In A High-Waisted White Dress Reading A Book Outdoors, French. Dress has short puffed sleeves and is worn under a frilled Pelerine, or shoulder cape, long tan gloves, walking shoes and a white country style hat with a blue bow. The lady is leaning on a post and reading a book. Fashion Plate via Journal des Dames et des Modes, Costume Parisien.
Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.
Definition Pelerine: Tippet or shoulder cape, usually waist-length, with long, pointed ends in front. Popular in England and colonial America.
Fashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
1801 November 9th Playing Cards. Men and women play cards at round table. Supreme Bon Ton Plate 2. Published by S W Fores. Men and women play cards at round table. Man and woman talk to players. Woman sleeps in upright chair, two others, one with parasol and other fan, walk off arm-in-arm.Men: High-waisted coats, high collars, huge neck-cloths, with pumps or Hessian boots. Women: High-waisted dresses, short sleeves, long trains, very low necklines, short ringlets, two in caps. Via British Museum, London, UK. britishmuseum.org (PD-Art)
In Jane Austen’s times, cartoons posted in the windows of shops were one of the main ways people found news. Common people couldn’t afford newspapers so cartoonists ridiculed the people and the places with cartoons of the daily events happening in London and other cities. The ridiculous fashion trends of the late 1700s and early 1800s were easy targets for satirical cartoons as was the addiction to gambling by women and men alike.
1890 ca. Ivory, Enamel, and Gold Carnet de Bal, or Dance Card. Formerly in the collection of lady Mairi Bury. Ribs are of ivory, numbered front to back from 1 to 24, either end decorated with polychrome enamel with a lotus flower motif, attached by chain to a ring. Maker’s marks, fitted case, Payne and Sons. via Sotheby’s Auctions. sothebys.com
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
1813 The Theatre. From Poetical Sketches of Scarborough By Thomas Rowlandson. Aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication. Via Suzi Love suzilove.com & Wikimedia Commons commons.wikimedia.org (PD-ART)
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. This is the style of sewing box Jane Austen and her family would have used in the early 1800s, or Regency years. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
Definition: Palais Royal: Name of an area around the Royal Palace in Paris, France, that specialized in making small and exquisite works of art during the 18th and 19th centuries. Palais Royal sewing tools were elaborate and usually feature mother-of-pearl, often intricately carved or engraved. During the 19th century, workboxes were often works of art with engravings, carvings, mother-of-pearl, and elaborate gilt metal mounts. Most popular were scissors with steel blades and gilt mounts, thimbles and needle cases which were often shaped like animals or other natural forms. Workmanship was exceptional and the tools almost too fragile to use.
1800s French Palais Royal Sewing Box and Twelve Mother of Pearl Enamel Tools. via via suzilove.com and 1st Dibs Auctions 1stdibs.com
1660-1700 ca. Gaming Purse, Probably French. Green velvet trimmed with copper-gilt thread. Gaming or gambling with cards popular 17th-century pastime and any gentleman or lady not playing games like Quadrille and Basset would have been considered ‘low-bred and hardly fit for conversation’ according to ‘The Compleat Gamester’, published in 1674. Typically, gaming purses had flat, circular bases with sides gathered on a drawstring. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
1805 Lady With Her Sketching Portfolio In Half Dress, French. White, At-Home, High-waisted, relaxed & flowing dress with white cap and pink flowers to match, long gloves, slippers. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Definition Caps: Worn as morning caps, night caps, or under other hats. Jane Austen and her family and female friends would have worn caps like these, sometimes during the morning at home, to bed to keep their long hair from becoming knotted, or under a bonnet to hold a hairstyle in place. Caps sometimes had hanging ties, or tails, and were also called ‘follow me lads’, or ‘flirtation ribbons’. Or flaps covering theirs called Lappets. Magazine Journal des Dames et des Modes, or Costume Parisien, French. French fashion magazine published between 1797 and 1839 and second oldest fashion magazine published in France. Pierre de la Mesangere was editor and published every five days, which is why there is an abundance of French fashion plates from these years in France and internationally.
1805 Lady With Her Sketching Portfolio In Half Dress, French. White, At-Home, High-waisted, relaxed & flowing dress with white cap and pink flowers to match, long gloves, slippers. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white satin Pelisse, or Walking Or Carriage dress in the relaxed Empire style as would have been worn at home in the early 1800s, or during Jane Austen’s time. Richly ornamented with clusters of leaves made in white twilled sarsnet, headed with tull. Open fronts, trimmed to the bottom of the waist with a superb shell trimming of white satin ribbon and tull, loose sleeves trimmed at the wrists. High hat of white satin and tull with a plume of feathers of the pomona green. Half-boots of similar color. Gloves en suite and a necklace. Lady is viewing paintings and the program in her hand says ‘British Institution’. In this issue of The Repository there is an article called ‘Exhibition of Paintings by the Flemish and Dutch Masters at the British Institution, Pall Mall.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white dress in the relaxed Empire style, frill on V-neckline, high flowered bonnet.long white gloves and a necklace. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
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