I love Pinterest for keeping thousands of historical images in some sort of order. And I love using Pinterest Boards as inspiration for my romance books. What about you? Do you use Pinterest for planning something, or just for fun? Need more hints for what to do with your boards and pins? Take a look at these fascinating articles on Pinterest. if you want even more Pinterest information and tips for becoming a power user, check out my Suzi Love Pinterest Boards
1771 September New Assembly Rooms opened on the north east of the Circus, Bath, U.K.
Bath had two assembly rooms in the lower part of the town but they weren’t large enough for the rapidly increasing population so on the 30th September, 1771, New Rooms were opened on the north east of the Circus, between Bennett and Alfred Streets. These Upper Rooms were designed by the architect, John Wood, and were in a better part of town so they became much more fashionable. They were called the New, or Upper Rooms, to distinguish them from the older Assembly Rooms in the lower part of the town.
They were a set of public rooms purpose-built for the 18th century form of entertainment called an ‘assembly’, where a large number of people came together to dance, drink tea, play cards, listen to music, or parade around the rooms and talk and flirt. The four rooms are the Ball Room, the Tea Room or Concert Room, the Octagon Room, and a Card Room. The Upper Rooms held two balls a week, a dress ball on Monday evenings and a fancy ball on Thursdays during the Bath season which was from October to early June. These balls were so popular they attracted between 800 and 1,200 guests at a time.
John Wood raised the money for the New Rooms by a “tontine” subscription, which was like a lottery. By April 1769, £14,000 was raised amongst 53 people. When a subscriber died, their shares were added to the holdings of the other subscribers, which meant that the last surviving subscriber inherited everything.
The exterior of the Upper Assembly Room looks typically Georgian, but the interior is very grand and the high ceilings gave good ventilation on crowded ball nights and windows set at a high level prevented outsiders from looking in. Two long rectangular rooms flank the entrance hall and are linked by an octagonal room at the far end to form a U-shape.
1809 The King Of Great Britain. From: 1809 A Book Explaining The Ranks and Dignities Of British Society. via Google Books. (PD-180) BRITISH RANKS, The King Of Great Britain and His Or Her Powers during Jane Austen’s lifetime.
BRITISH RANKS, THE KING .
The supreme executive power of these kingdoms is vested by our laws in a single person, the King or Queen, for it matters not to which sex the crown descends, but the person entitled to it, whether male or female, is immediately invested with all the ensigns, rights, and prerogatives of sovereign power .
In the earliest periods of our his tory the crown appears to have been elective. But hereditary succession has now been long established , and has proved a good preservative against that periodical bloodshed and misery, which both history and experience have long shewn are the consequences of elective kingdoms. The crown descends lineally to the issue of the reigning monarch , and not till the failure of the male issue is it allowed to be taken by the female.
Lawyers say the King of England is a mixed person, a priest as well as a prince and at his coronation he is anointed with oil, as the priests and kings of Israel were, to intimate that his person is sacred. The principal duty of the king is to govern his people according to law and these are the terms of the oath administered usually by the Archbishop of Canterbury at his coronation, in the presence of the people, who on their parts do reciprocally take the oath of allegiance to the crown : “ The archbishop, or bishop, shall say, Will you solemnly promise and swear to govern the people of this kingdom of England , and the dominions thereto belonging, according to the statutes in parliament agreed on and the laws and customs of the same?
The king or queen shall say , I solemnly promise so to do . Archbishop , or bishop .Will you to your power cause law and jus tice , in mercy , to be executed in all your judgments?
King or queen, I will, Archbishop , or bishop – Will you to the utmost of your power maintain the laws of God , the true profession of the gospel and the protestant reformed religion established by the law? And will you preserve unto the bishops and clergy of this realm, and to the churches com mitted to their charge, all such rights and privileges as by law do or shall appertain unto them or any of them ?
King or queen, All this I promise to do .
After this , the king or queen , laying his or her hand upon the holy gospels , shall say , The things which I have here before promised , I will perform and keep : so help me God . And then shall kiss the book .
One of the principal bulwarks of our liberty is the certain and definite limitation of the king’s prerogative, the extent and restrictions of which are marked out with the greatest clearness. But in the exertion of those powers which the LAW has given him , the king is irresistible and absolute. He is considered by the laws of England as the head and supreme governor of the national church and, in virtue of this authority, he convenes , prorogues , rogues , restrains , regulates , and dis solves all ecclesiastical synods or convocations. He has the supreme right of patronage over all ecclesiastical benefices and if they are not presented to within the time prescribed , their lapse becomes the advantage of the crown. In regard to foreign concerns, the king is the delegate or representative of his people. He has power, by his prerogative, with out any act of parliament, to make war or peace, conclude treaties, grant safe conducts, give commissions for raising and regulating fleets and armies, as well as for erecting, manning, and governing forts, and other places of strength. He can prohibit the exportation of arms and ammunition out of the kingdom, can dispose of magazines, castles, ships, public moneys, etc. and all that is done in regard to foreign powers by the royal authority, is the act of the whole nation. He has the sole power of sending ambassadors to foreign states, and receiving ambassadors at home. He convokes, adjourns, prorogues, and dissolves parliaments and may refuse his assent to any bill passed by both houses, without giving his reason for it .
He may increase the number of members of either house at plea sure, by creating new peers and bestowing privileges on other towns for sending burgesses to Parliament, but the last has by late kings been given up.
The sole power of conferring dignities and honors is entrusted to him so that all degrees of nobility and knighthood, and other titles, are received by immediate grant from the crown. And the king has also the prerogative of conferring privileges upon private persons such as granting place or precedence to any of his subjects such is also the power to enfranchise an alien and make him a denizen, and the prerogative of erecting corporations. The coining of money too, as well as the settling thedenomination or value for which it shall pass current, is the act of the sovereign power.
But to take all the characters into view in which the king is considered in domestic affairs would be almost endless for from thence an abundant number of prerogatives arise. All lands re covered from the sea , gold and silver mines, royal fishes etc. be long to him. He can unite, separate, enlarge, or contract the limits of ecclastical benefices and, by his letters, erect new bishoprics, colleges etc. He can dispense with the rigor of ecclesiastical laws except those which have been con firmed by act of parliament, or declared by the bill of rights. He has also power to moderate the rigor of the law to pardon a man condemned by law except in appeals of murder, and in case of impeachment by the house of commons, and to interpret by his judges in statutes and cases which are not defined by law.
But though he be entrusted with the whole executive power of the law, yet he cannot sit in judgment in any court for justice must be administered according to the powers committed and distributed to the several courts.
As the king is declared to be the supreme head in matters both civil and ecclesiastical so no suit can be brought against him even in civil matters because no court can have jurisdiction over him. The law also ascribes to the king in his political capacity absolute perfection. The king can do no wrong, by which ancient and fundamental maxim we are not to understand that every transaction of government is of course just and lawful but that whatever is exceptionable in the conduct of public affairs is not to be imputed to the king nor is he answerable for it personally to his people and farther that the prerogative of the crown extends not to do any injury. It is created for the benefit of the people and therefore cannot be exerted to their prejudice. In the king there can be no negligence and therefore no delay will bar his right. In the king also there can be no infamy, stain, or corruption of blood. And the law ascribes a kind of perpetuity, or immortality to him. His death is termed his demise , because the crown is thereby demised to another. He is not in law liable to Death, being a corporation of him self that lives for ever. There is no interregnum but the moment one king dies, his heir is king, fully and absolutely, without any coronation , ceremony etc. To these it may be added that by the law the king is said in a manner to be every where in all courts of judicature , which he alone has the right of erecting and therefore cannot be nonsuited.
The power of issuing proclamations is vested in the king alone, considered as the fountain of justice. The laws make it high treason barely to imagine or intend the death of the king, and because the destruction of the king may ensue that of his great counsellors or officers, it is felony in any of the king’s subjects to conspire even that. Some things the king cannot do. He cannot divest himself or successor of any part of the regal prerogative or authority and there are two things which he cannot do without the consent of Parliament:the making of new laws and the raising of new taxes. The king cannot dispense with the laws nor do any thing contrary to law. In England the law is as much superior to the king , as to any of his subjects and the obedienceof the king of England to the laws is his greatest glory while it is the security of the rights and liberties of his people who are the greatest as well as the freest people on the face of the earth , merely because their sovereigns are obliged to live insubjection to the written laws of the land.
The title of grace was first given to our kings about the time of Henry IV and that of majesty first to Henry VIII. The title of his present Majesty is , GEORGE the Third , King of the United Kingdom of Great Britain and Ireland, Defender of the Faith, Sovereign of the Orders of the Garter, Thistle, Bath and St. Patrick, Duke and Elector of Brunswick Lunenburg, Bishop of Osnaburg and Arch Treasurer of the Holy Roman Empire.
What Sort Of Pianoforte or Piano Was Played By Jane Austen and Contemporaries? Pianos, pianofortes and more. History Notes Book 7 Music Pianos books2read.com/suziloveMusicPiano
Definition Pianoforte or Piano: ‘Stringed keyboard instrument with a hammer action, as opposed to the jack and quill action of the harpsichord. Capable of gradations of soft and loud, the piano became the central instrument of music pedagogy and amateur study. By the end of the nineteenth century, no middle-class household of any stature in Europe or North America was without one.’ Definition via the Metropolitan Museum, NYC.
Around 1700, the Pianoforte, or Piano, was invented in Italy by Bartolomeo Cristofori, who created a hammer action keyboard instrument on which a musician could make changes in loudness by changing the force with which the keys were struck. He called his instrument “gravicembalo col piano e forte”, or, (harpsichord with soft and loud). Cristofori’s long name was later shortened to fortepiano or pianoforte, and finally just piano.
Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Pianos, pianofortes, harpsichords, and organs were found everywhere and were often the focus of a family gathering. By the end of the 18th Century, the pianoforte, or piano, was the leading instrument of Western music.
Wedding ring customs that originated in long ago history.
Betrothal ring – An old Roman custom confirming that the marriage contract would be carried out. It was the first part of a dowry given, and it meant the woman was no longer for sale as the first part of the monetary settlement had been paid.
Wedding ring – many primitive peoples who believed in magic used a rope around the waist or the hand and feet, and later a ring, to symbolise that the bride was captured and spoken for, and also to ward off any evil spirits hovering around the bride and ensure marital bliss.
The ring hand– a symbol of the humiliating tradition of the man as the master – the right hand of the family – and the woman being the slave . The right hand stood for power and authority while the left hand expressed submission and serfdom.
The ring finger – Ancient Greek and Roman anatomists believed a vein or nerve led from the heart to the third finger – the healing finger – so they romantically linked this finger to the heart. There are also some more practical reasons the third finger continues to be used. It’s the most prominent for displaying a ring, and it cannot be extended to its full length on its own and usually remains slightly bent, preventing the ring slipping off.
So next time you look at a wedding ring, you can think back to how it came to be on someone’s left third finger,
Rituals of courting and marriage from ‘How Did it Begin’ by R. Brasch first published in 1965. In the word ‘Wedlock’, the lock isn’t a lock and chain but the Anglo-Saxon for gift, as wed means a promise. Wedlock pledged the gift of the happiness of a man and a woman. Nearly all courtship rituals can be traced back to early practises designed to ensure the fertility of a union. Kissing is thought to have started because primitive man believed exhaled air had magic power.
Signing an X for a kiss began in the Middle Ages when people were illiterate and used an X to sign and would then kiss the parchment to affirm their sincerity, like kissing the Bible to take an oath. The word ‘Spooning’ to describe courting came for the custom of young men in Wales to carve an elaborate spoon to give as a love token to the girl of their choice in the place of an engagement ring. Leap year proposals by women to men were a rare chance for women to correct an unjust state of affairs, just as the extra day in a leap year was a topsy-turvy day, a leapt over day in other years. In a time when there was a surplus of women, it was a chance of ensuring they were not left on the shelf.
In Jane Austen’s times craftsmen created boxes and containers of precious metals, leather, silks, and decorated them with jewels. Boxes, Cases, Etui, Necessaire and everything else that was used to carry essential items for travel, sewing, medicine, writing, and toiletries. Containers were engraved to make exquisite and expensive items as well as practical carrying cases. books2read.com/suziloveBoxesCases
Music history from the 17th, 18th, and 19th Centuries. Pianos, pianofortes, harps, viols, violins played during Jane Austen’s times. Musical Instruments were so important in most of the more affluent households in history that large industries grew all around the world to manufacture instruments, musical accessories, and to print sheet music. Musical instruction and encouragement could be found everywhere and both young ladies and gentlemen were encouraged to have musical appreciation. And of course, playing music was on the list of social requirements for all young ladies desirous of becoming a wife and homemaker.
London became Europe’s leading centre for the manufacture of scientific instruments and this led to the manufacture of more musical instruments as well as factories developed and rail transport helped the faster distribution of goods to regional areas. One of the first places that music was used to tell stories and to share enjoyment was in Christmas music. Because music was such an integral part of households, music was always a feature in Magazines. There were advertisements everywhere for musical instruments for sale, for sheet music, and for music lessons. And of course, of most interest to the ladies were the hundreds of fashion plates included in magazines where people were depicted with their musical instruments.
books2read.com/suziloveMusicGeneral
books2read.com/suziloveMusicPiano
books2read.com/suziloveMusicViolins
A sedan chair is a portable enclosed chair for a single passenger. It was generally carried by two “chairmen” holding poles attached to either side of the chair. Sedan chairs were fashionable in England and Europe during the 17th, 18th and early 19th centuries and were an important part of the social life of the times. They were very useful for negotiating crowded, unsafe, narrow, winding and often filthy streets and were particularly used by “invalids, ladies and party goers”. Sedan chairs had the advantage of being able to be carried up and down stairs and could deliver the passenger from inside their own home to inside their destination without having to step outside.
1784 Sedan Chair. ‘The return from a masquerade. A morning scene.’ A young lady dressed as shepherdess with staff slumps in a sedan chair. Asleep or drunk her head and shoulders hang outside window. Two porters smile and dwarf chimney sweep carries a mask.’ By Robert Dighton and Cari.
The 19th century English author, Elizabeth Gaskell, described the use and function of the sedan perfectly in her novel “Wives and Daughters” when she reminisced how the Browning sisters chose to be transported to a ball by sedan chair, which ‘came into the parlor, and got full of the warm air, and nipped you up, and carried you tight and cosy into another warm room, where you could walk out without having to show your legs by going up steps, or down steps.’
The Bath Chair was invented in Bath, England, in the mid 18th Century to transport the wealthy and the sick around the city. It could be steered by the passenger and rivaled and then outdid the Sedan Chair as only one chairman was needed to operate it. The last Bath Chairman retired in 1949.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
Typical 1700s, or Eighteenth Century Sedan Chair. Portable enclosed chair for single passenger usually carried by two chairmen holding poles attached to either side of chair. Fashionable during 17th, 18th and early 19th centuries when needed to negotiate crowded, unsafe, narrow, and dirty streets. Used by invalids, ladies and party goers. The sedan chair comprises a small kiosk with a curved timber roof which is covered with leather and studded with brass nails. The front and side panels are painted in green with floral decorations of cherubs and flowers. The back panel is of plain timber. Access to the chair was via a hinged door at the front. Inside, the chair is upholstered in silk and features padded upholstered arm rests. The windows have raw silk curtains which are gathered with tassels. The present brackets and poles are reproductions made in 1986 prior to display in the Transport exhibition. The total length of the new poles are 80 inches. The sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”. Via Powerhouse Museum, Sydney, Australia.
The longest journey recorded in a sedan chair was made by Princess Amelia, youngest daughter of King George III, who in 1728 was carried by 8 chairmen working in reliefs from London to Bath, a distance of 172 kms (107 miles). This sedan chair door lock features the initials “V.F.” and a set of crossed keys with the wording “PARIS” and the number “34”.
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K. History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \
