1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white satin Pelisse, or Walking Or Carriage dress in the relaxed Empire style as would have been worn at home in the early 1800s, or during Jane Austen’s time. Richly ornamented with clusters of leaves made in white twilled sarsnet, headed with tull. Open fronts, trimmed to the bottom of the waist with a superb shell trimming of white satin ribbon and tull, loose sleeves trimmed at the wrists. High hat of white satin and tull with a plume of feathers of the pomona green. Half-boots of similar color. Gloves en suite and a necklace. Lady is viewing paintings and the program in her hand says ‘British Institution’. In this issue of The Repository there is an article called ‘Exhibition of Paintings by the Flemish and Dutch Masters at the British Institution, Pall Mall.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
1815 June White Carriage Dress, English. Lady reading a book in a high-waisted white dress in the relaxed Empire style, frill on V-neckline, high flowered bonnet.long white gloves and a necklace. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’. Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
1809 March. White walking dress as Jane Austen. would have worn in England. Pale blue tunic worn over a white dress and with an unusual blue hat trimmed in yellow to match the tunic. Carrying a matching blue reticule and wearing blue slippers and yellow gloves. Description on Fashion Plate, “A Polish cap, and pelisse of silver grey cloth, trimmed with gold or silver, buttoned down the front with small round buttons, a high collar, with a lace ruff ; boots of same colour as the pelisse, and both embroidered with gold or silver. York tan gloves. This dress was transmitted to a lady of high rank from Warsaw, and would alone evince the taste and elegance of the ladies of that country, were they not already sufficiently known. Engraved Plate via Rudolph Ackermann’s ‘The Repository’ of Arts.
Definition Reticule Or Ridicule Or Bag or Purse: Often with a drawstring to pull closed and usually made of cloth or covered cardboard and often decorated with beading or embroidery. A reticule, or purse, or handbag, was usually carried by a woman during the Regency period to carry all their daily necessities. Earlier, women used pockets that tied at the waistline and were hidden in the folds of their skirts. Empire style, or early 1800s, high-waisted dresses made it impossible to either sewn in a pocket or to tie on a pocket. So women began carrying small, decorated bags called Reticules, or ridicules, which generally pulled close at the top with a drawstring.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
Fashion Women 1805-1809 History Notes Book 26
What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer.
https://books2read.com/SuziLoveFashionWomen1805-1809
1825-1835 ca. Cotton Corset, Possibly American. Waist shaping at the almost natural waistline, flared hips, cording, widely spaced shoulder straps with front ties. Via Winterthur Museum Collection museumcollection.winterthur.org. https://books2read.com/SuziLoveCorsetBook17
1825-1835 ca. Cotton Corset, Possibly American. Waist shaping at the almost natural waistline, flared hips, cording, widely spaced shoulder straps with front ties. 1825-1835 ca. Cotton Corset, Possibly American. Waist shaping at the almost natural waistline, flared hips, cording, widely spaced shoulder straps with front ties. 1825-1835 ca. Cotton Corset, Possibly American. Waist shaping at the almost natural waistline, flared hips, cording, widely spaced shoulder straps with front ties.
1806 Jane Austen Style Short Sleeved White Muslin Dress With Train, French. Bodice and sleeves have ribbon decoration, evening flowered headdress, half parure of necklace and ear bobs, and gorgeous Indian hand loomed green shawl. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Jewelry – Parure: Matched set of jewelry, including a necklace, bracelet, earrings, pin etc. Half Parure had no headpiece.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
1806 Two Ladies In Empire style White Dresses, French. Costumes Anglais et Française, or English and French Costumes. Both with brown gloves and straw hats, one with blue shawl and other with blue Spencer and interesting blue trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Empire Style Dress: Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics.
Definition Spencer: Short jacket, cropped at the waist, worn over a dress, or gown. These close-fitting, tight sleeved, waist length jackets were modeled on a gentleman’s riding coat, but without tails. Delicate and regency dresses provided so little protection from the cold, so over garments were essential for warmth, modesty and good health.
1806 Two Ladies In White Dresses, French. Costumes Anglais et Francaise, or English and French Costumes. Both with brown gloves and straw hats, one with blue shawl and other with blue Spencer and interesting blue trim. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
HN_26_D2D_FsshionWomen1805-1809
1805 White Fur Coat, or Redingote, French. Black fur and lavender lattice to decorate, white shawl with paisley patterned ends, lavender hat to match and long white gloves. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien. Jane Austen and her contemporaries would have wore long coats like this one to keep warm when out and about, visiting, shopping etc. The thin muslin dresses worn in the early 1800s were little protection against European winters so coats of some sort were added, plus colorful accessories like this shawl and the hat to add color and another layer of warmth.
Definition Shawls: The shawl started off in India as a fine wool garment for men that could be worn as a scarf, turban or as a mantle: the word comes from the Persian shäl. Originally imported from the East, European Kashmir shawls were made first in Norwich and Edinburgh in Britain in the late 18th century. Shawls were an essential item in the early 1800s to cover the thin gowns women wore. They were made of muslin, gauze, silk, wool, and velvet, though cashmere shawls were the softest and most prized.
Fashion Women 1805-1809 History Notes Book 26 What did Jane Austen and friends wear? This book looks at early 1800s fashions, which were elegant and pretty with high waists and fabrics that were almost transparent. These Empire style gowns, named after Napoleon’s first Empress, became popular throughout Europe, and were then copied around the world. Colorful outwear was added to make an ensemble more attractive and warmer. https://books2read.com/SuziLoveFashionWomen1805-1809
During the Victorian Era, the tight lacing of corsets became known for damaging women’s bodies. However, the whalebone used to stiffen corsets was also a protector of the chest and rib area.
1833 Morning Post: HATTON-GARDEN. ATTEMPTED MURDER. George Bailey, a youth about seventeen, was charged with having attempted to murder Mary Prendergast, a young woman, by stabbing her with a large knife. It appeared in evidence that on Thursday morning, last, about five o’clock, the Prisoner, who sells fish in a basket near Portpool-lane, Leather-lane, Holborn, was standing before his basket when the Prosecutrix asked him the price of his fish. He told her, and she refused to purchase, but laughed at him and jeered him.. . . . In the course of the evening the Prosecutrix was passing by, when the Prisoner rushed upon her with a knife which he uses to cut up the fish and, while in a great passion, he pluinged the knife several times at her heart, and the last thrust the point of the knife dug into her clothes, and would have entered her body had it not been that the bone of her stays prevented it …
1837 The Standard: MARLBOROUGH-STREET. – AN UNNATURAL SON – Alfred Grant, a lad about nineteen years of age, of sullen aspect, was brought before Mr. Dyer, charged with having attempted to stab his own mother . . . James Grant, the brother of the prisoner, about sixteen years of age, said the prisoner came home to Grafton-street, Soho, on Monday afternoon, and some words having ensued between him and his mother, he seized a knife and made a stab at her. Fortunately the bone of his mother’s stays turned the point of the knife …
1841 The Morning Post: Catherine Connor, the person alluded to by the last witness, and who is in a state of pregnancy, deposed that she kept a fruit stall opposite to the Phoenix public-house and that on seeing the young man so savagely treated, she made use of the expersions just named, when Hill called her a ——–, and kicked at her violently. Fortunately for her, she received two of the worse kicks aimed at her on the bone of her stays, otherwise they would, she had no doubt, have proved most serious to her from the situation she was then in.
Box Set combining Corset books 14-21 to give a complete picture of the progression of corset styles from 1700 through to the 1900s, including Jane Austen’s lifetime.
https://books2read.com/SuziLoveCorsetBook22
1806 Young French Gentleman. Brown Castorine Coat Over Blue Tailcoat, French. White cashmere breeches, white stockings, yellow gloves, black hat and a cane. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
French fashions and Georgian and Regency Era fashions from Great Britain were copied around the world. This is the normal daily outfit for a gentleman in the early 1800s, or in the times of Jane Austen, for daily city and country life.
Le Beau Monde magazine made suggestions for men’s fashion in November 1806.
“The neckcloth should, by no means, be too greatly puffed out; but should be neatly united in front with a large unspread bow. Dark bottle green coats will be as generally worn this season, as those of brown colours were last winter.
“For morning dress frock coats will be prevalent: those of an olive hue, with a black velvet collar, will be the most universal. Fancied waistcoats of all manufactures may be worn with this kind of coat; but fashion ordains the invariable use of dark blue or light-coloured kerseymere pantaloons, and half-boots. The boots must rise somewhat higher in the leg than has recently been the custom, and the toes of them should be formed into a perfect semi-cirlce.
“Full dress coats will likewise be made of dark green cloth, double-breasted, and will possess the similar ornament of a black velvet collar. Single-breasted white waistcoats, and light-coloured kerseymere breeches will be in much estimation. Either flesh-coloured or now-white silk stockings fashion now considered as elegant.
“The hair, for morning dress, should be cut à la Titus; for full dress, it should be powdered. Buckles for the shoes are employed in full dress; but ribbands are allowed in afternoon or dinner dress.”
1818 Redingote Or Overcoat French. Blue tailcoat, red waistcoat, straight blue trousers, black boots, knotted kerchief and black top hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
1818 Redingote Or Overcoat French. Blue tailcoat, red waistcoat, straight blue trousers, black boots, knotted kerchief and black top hat. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.HN_23_D2D_Fashion Men 1800-1819
Here is an example of when English magazines copied French fashion plates. 1815 December Left: French fashion plate Ensembles French and English via Journal des Dames et des Modes. White short length ball dress with tiny bodice. Right: English fashion plate by Rudolph Ackermann in the Repository Of arts. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet.
Typical of the outfits worn by Jane Austen and her contemporaries for daytime and evening activities. An Empire style, or high-waisted white dress with jewelry for evening and for daytime a Pelisses or Walking Dress or Redingote or coat for warmth and with pretty hats, shawls and shoes.
Here is an example of when English magazines copied French fashion plates.
1815 December Left: French fashion plate Ensembles French and English via Journal des Dames et des Modes. White short length ball dress with tiny bodice.
Right: English fashion plate by Rudolph Ackermann in the Repository Of arts. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet.1815 December Ensembles French and English. White short length ball dress with tiny bodice. Blue sarsnet Pelisse, or Walking dress, or Redingote. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet. via Journal des Dames et des Modes. 1815 December Blue Walking Dress, English. Decorated with white lace trim on neck, vertical front, and hem. Carrying red shawl and with high plumed bonnet. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
