“Ah! there is nothing like staying at home for real comfort. Nobody can be more devoted to home than I am.” Jane Austen — Emma (1815)
1745 ca. Silver Tea Kettle Set By Paul Crespin and Frederick Kandler. Engraved with the arms of the 1st Earl of Bristol.
“Indulge your imagination in every possible flight.” Jane Austen Pride and Prejudice (1813) #JaneAusten #RegencyEra #Quote
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
An Overview of Regency London From 1820 The English Metropolis by John Corry via Google Books (PD-180)
“There are few people whom I really love and still fewer of whom I think well.” Jane Austen, Pride and Prejudice (1813)
Medical History. Images from historical surgery and hospital treatments after surgery. 1818 Elements of Surgery. Via Google Books (PD-200) All these images can be found on my Pinterest board for History – Medical. In Jane Austen’s times, medical problems were mainly dealt with in the home. A surgeon or apothecary might be called but the care of the patient and administering medications and treatments was the family’s responsibility, possibly with the help of servants.
Ordinary people began to celebrate Easter by sending postcards as gifts. At first, mainly religious pictures appeared on postcards. Then postcards images became more about real life and people. In the early 1900s, postcards became more fanciful and pretty for young children. Religious images were gradually replaced by images that children could understand and relate to about Easter
. Postcards then concentrated on images of chickens and eggs, symbolic of birth and rebirth such as chickens emerging from cracked shells as Christ emerged from the tomb. Children were then added to the images so cards became for something for the whole family. Children with chickens and eggs became very popular on postcards. Bunny rabbits became associated with Easter and children could relate to these as it fitted with their idea of the Easter bunny.
Ellen Clapsaddle (1865 – 1934). An American illustrator from the late 19th and early 20th centuries and recognized as the most prolific postcard and greeting card artist of her time. Her greatest success was single-faced cards that could be kept as souvenirs or mailed as postcards. These cards were highly prized particularly during the peak of the golden age of souvenir postcards from 1898 to 1915. She is credited with over 1000 designs in post cards and souvenir cards. Cards in the mid 1900s were created to send personal Easter messages to loved ones such as mothers and fathers, grandparents, aunts and uncles and siblings. Artists from around the world began creating beautiful cards to share at Easter. Jenny Eugenia Nyström (1854 – 1946) was a Swedish painter and illustrator who illustrated Easter postcards for, and about, children and happy images.
Vintage Easter Egg Cards. Suzi Love – suzilove.com
Vintage Bunny Easter Cards. Suzi Love – suzilove.com
19th Century Mahogany Domestic Medicine Chest as would have been used in Regency England in the lifetime of Jane austen. via Christie’s Auction Rooms. christies.com
