Travel and Luggage By Suzi Love History Notes Book 10. How did people travel in Bridgerton and Jane Austen’s times. What did they take with them to make their long journeys easier? Travel by road, ship, canal, or railway all took a long time and had dangers so people learned to prepare. And then, in the nineteenth century, road improvements, inventions, and scientific developments made travel more pleasurable. books2read.com/SuziLoveTravel
Horse Power To Steam. Various alternatives to horse power were tested in London’s streets during the 19th century. Steam powered road engines and trams proved too heavy and damaged the roads. Stationary steam engines were used to haul trams attached to a cable but these were only really effective on hills that we too steep for horses. There were also experiments with trams driven gas engines and battery electric power. but was successfully developed. Petrol engines were still primitive and unreliable in the 1890s. In 1900 the reliable horse still dominated the streets of London but new technology was to revolutionize road transport.
1799-1805 ca. Gold dress with small train and very small bodice.. via musee des tissus et des arts decoratifs de lyon. https://books2read.com/SuziLoveFashionWomen1801-1804
1800s Typical Food Served and Table Settings Used. Historic food from Mrs. Beeton’s Household Management, 1882 Warne’ s Model Housekeeper, London, U.K., 1892 Cassel’s Dictionary of Cookery.
1800s Typical China For Serving Dinner and Dessert. 1800s Typical Regency Era Table Layout For A Dinner.1800s Typical Joints Of Meat. 1800s Typical Fruits Served. 1800s Typical Main Meal Dishes. 1800s Typical Salad and Vegetable Dishes. 1800s Typical Soups. 1800s Typical Sweet Dishes. 1800s Typical Vegetable Dishes. 1800s Typical Fish Dishes. 1800s Typical Seafood Dishes.
1817 June Morning Dress as worn in Bridgerton and Jane Austen’s times in England. A round dress composed of jaconet muslin; the bottom of the skirt is trimmed with an intermixture of tucks and embroidery. The body is perfectly novel, it is a three-quarter height, and displays the whole of the throat and a little of the neck: it is composed of the same material as the dress, and is formed to the shape, in a manner at once singular and becoming, by bands of letting-in lace; it is also profusely ornamented with lace, which is set on very full. Long full sleeve, the fullness confined by a tasteful cuff, which is finished by a lace ruffle. Head-dress the Marlborough cap, composed of white lace, ornamented with full-blown roses and blush colored satin ribbon. For the form of this elegant cap, which is perfectly in the English style, we refer our readers to our print. The hair is parted in front so as to display a little of the forehead, and curled lightly over the temples. Necklace and ear-rings white cornelian mixed with gold. White kid slippers and gloves. We are indebted to the elegant taste of Mrs. Marchant of 40, Gerrard-street, Soho, for both our dresses this month. Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Definition Morning or At-Home Dress: Loose and comfortable dress and soft lace cap to be worn at home for reading, painting, sewing or for walking in the garden. To be seen by family, servants and close friends. Not accessorized enough to be out in the wider public, although the pretty pink roses and trim on the cap suggest this outfit may have been worn for receiving visitors at home.
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
1800 ca. White Muslin Gown, British. Empire Style, or high-waisted, gathered under bust to form softly falling skirt, long straight sleeves. Fabric from Bengal, India, made for European market. White cotton embroidered with white cotton thread. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
About 1800 Women’s dress changed dramatically after 1785. The rich fabrics and complicated, formal shapes of the late 18th century gave way to simple, light fabrics that draped easily. These new gowns achieved something of the effect of the simple tunics shown on classical Greek and Roman statues and vases, Muslin embroidered with cotton thread Fabric made in India, gown made in England Given by Miss Frances Vickers Museum no. 444-1888 (2013) Victoria and Albert Museum, London.
Definition Empire Style Dress:Â Named after the First Empire in France. Empire dresses had a low neckline and skirts started directly under the bust and flowed into the classical relaxed wide styles of Greece and Rome. This style of dress is associated with Jane Austen and her contemporaries as a high-waisted dress was worn most days. Cotton, silk or taffeta were the popular fabrics. Only the very wealthy could afford white dress in this style as the cottons were imported from India and had to be carefully cleaned, usually by a lady’s maid.
Older Lady’s Day Regency Life Series Book 5. An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. Â
The older lady’s day usually started with her toilette in her bedroom, where her maid helped her dress for the day and styled her hair. After that, she would join her family downstairs for breakfast unless she preferred a tray with either tea or hot chocolate in her bedroom as she prepared for her busy day. Her day would be made up of speaking with the housekeeper and the cook about the week’s menus, assuring that the servants were all available that day and no one was ill, and checking the list of foods needed.
She would also enquire if the laundry was up to date and that they had enough good linen to make up all the beds before extended family members and guests arrived. If she was in the country and hosting a weekend house party, she would assign rooms to the guests on her lists and query that all was in readiness for their arrival.
Typical of the riding costumes worn by Jane Austen’s female contemporaries. The style is still in the Empire fashion of a high-waist with the full skirt falling from just under the bust and with a frill and small decorations on the wrists and shoulders to make it look unique.
Definition: Riding Habit: Early 1800s riding habits copied men’s riding fashion and so were often in two pieces. A close-fitting jacket, skirt with a train, and worn over a shirt, or with a fichu covering the neck. The skirt had either a waistband, or straps over the shoulders, to keep it in place. Some habits were made as one piece with the skirt and bodice joined or as a high-waisted dress. Most women’s riding habits were designed by men, rather than female modistes.
Fashion Women 1815-1819 History Notes Book 28 What did women in Jane Austen’s and the Bridgerton’s years wear? This book looks at what was fashionable for women in the Georgian Era and at the end of the Regency Era in Britain and the reconstruction in Europe after the wars. Lifestyles were freer and fashions expressed this by becoming the focus of most women’s lives. A wardrobe full of opulent accessories was requisite. Includes mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing, and fashion accessories. https://books2read.com/SuziLoveFashionWomen1815-1819
Fashion Women 1815-1819 History Notes Book 28 What did Jane Austen wear? . D2D_HN_28_https://books2read.com/SuziLoveFashionWomen1815-1819
1820 Ball Gown of Embroidered Net, British. Silk satin and silk net embroidered with metal and trimmed with silk blonde bobbin lace, hand sewn. Short-sleeved ball gown comprising of an underdress of silk satin and an overdress of machine-made silk net embroidered with metal and trimmed with blonde bobbin lace. The dress has a low oval neckline, puffed short sleeves, a wedge shaped front bodice panel, and a medium high waist. The skirt has a central front panel, wedge shaped panels and the centre back panels are tightly gathered at the waist.
From the Museum Curator: ‘Women saved their most elaborate dresses for special occasions such as balls. Lavish gowns embellished with gold thread or sparkling beads glittered in the artificial light of the dancing room. Thin, gauzy materials created a soft dreamy look. These light materials also prevented the wearer from getting too hot while dancing in stuffy, overcrowded spaces’. Victoria and Albert Museum, London, UK
Fashion Women 1815-1819 History Notes Book 28 https://books2read.com/SuziLoveFashionWomen1815-1819
1811 Lady’s Redingote, or Coat, or Pelisse, or Walking Dress, French. Blue Levantine walking dress, with pale blue hat of Drap. Fashion Plate via Journal des Modes et des Dames, or Costume Parisienne.
The term, Redingote, was used more in France and other parts of Europe and Pelisse or Walking Dress was used more in England.While the terms Redingote and Pelisse are often used interchangeably, the Redingote usually features a close fitted top and flares out at the hemline with a more tailored or military look than a Pelisse. Redingotes or Pelisses were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years to provide warmth and some protection from windy conditions when gowns might lift and cause modesty issues.In Europe, a Redingote was a coat or robe like garment worn both indoors and out, indoors left open to reveal a dress while the outdoor version was made of heavier materials and of darker colors than the type worn indoors. The name comes from the term ‘riding coat.’
Definition Drap: Made of wool, shiny and velvety after treatment, hair uniformly laid in the direction of the cut, thick and resistant. Used for coats.
Definition Levantine: Stout silk cloth in twill weave. First made in the Levant, a large area in the Eastern Mediterranean region of Western Asia.
