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1750-155 ca. Writing Cabinet, Probably by Michael Kimmel, Germany. Veneered in kingwood, marquetry of mother-of-pearl, ivory and brass on pine, stained alder or birch. Mounted in gilt brass and with giltwood, carving of cypher of Augustus III. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1750-1755 Ca. Writing Cabinet Veneered In Kingwood With Marquetry Of Mother-Of-Pearl, Germany. #GeorgianEra #History #Antiques #Germany

Suzi Love Posted on July 20, 2023 by Suzi LoveJuly 15, 2023

1750-155 ca. Writing Cabinet, Probably by Michael Kimmel, Germany. Veneered in kingwood, marquetry of mother-of-pearl, ivory and brass on pine, stained alder or birch. Mounted in gilt brass and with giltwood, carving of cypher of Augustus III. via suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk.

1750-1755 Ca. Writing Cabinet Veneered In Kingwood With Marquetry Of Mother-Of-Pearl, Germany. #GeorgianEra #History #Antiques #Germany https://books2read.com/SuziLoveWritingTools Share on X
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
HN_13_D2D_WritingTools Book 13 What did the lady of the house use to pen notes? What sat on the desk of the man of the house when managing his accounts? #History #Nonfiction #travel books2read.com/SuziLoveWritingTools
Posted in 1700s, Decorative Item, Europe, furniture, Georgian Era, household, Writing Tools | Tagged 1700s Or Georgian Era, antiques, desk, europe, furniture, Germany, Victoria and Albert Museum, Writing Tools

1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes #Fashion

Suzi Love Posted on July 19, 2023 by Suzi LoveJuly 19, 2023

1780-1820 ca. Brown Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org

shoes_1780-1820 ca. Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1780-1820 ca. Leather Boots, British. Construction and appearance typical of early 1800s shoes. Size suggests made for a man but elongated point toe unusual for menswear. Side lacing was very uncommon until 1830 and the leather thong shoelace, cut in a curve, is also peculiar. Perhaps made for something outside of fashionable wear, such as local peculiarity or fancy dress costume. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1780-1820 ca. Brown Leather Boots, British, As Worn In Bridgerton and Jane Austen Times. #Bridgerton #JaneAusten #GeorgianEra #RegencyEra #Shoes #HistoricalFashion https://books2read.com/SuziLoveFashionMen1800-1819 Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
HN_23_D2D_Fashion Men 1800-1819
Posted in 1700s, 1700s Mens fashion, 1800s, 1800s Mens Fashions, England, Georgian Era, Georgian Fashion, Regency Era, Regency Fashion, shoes, Suzi Love Images, U.S.A | Tagged boots, Bridgerton, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Regency Fashion, Shoes

I love Old Stuff! How about you? Take a look at Suzi Love’s Pinterest Boards. #Pinterest #History #RegencyEra

Suzi Love Posted on June 21, 2023 by Suzi LoveJune 21, 2023

I love Old Stuff! How about you? Take a look at Suzi Love’s Pinterest Boards. pinterest.com/suziloveoz

Fashion women 1800- 1820 http://pinterest.com/suziloveoz/fashion-women-1800-1820/

Fashion Women 1820- 1850 http://pinterest.com/suziloveoz/fashion-women-1820-1850/

Fashion Men 1800- 1820 http://pinterest.com/suziloveoz/fashion-men-1800-1820/

Fashion Accessories 1800- 1850  http://pinterest.com/suziloveoz/fashion-accessories1800-1850/

Books – Jane Austen  http://pinterest.com/suziloveoz/books-jane-austen/

I love Old Stuff! How about you? Take a look at Suzi Love's Pinterest Boards. #Pinterest #History #RegencyEra. pinterest.com/suziloveoz Share on X

From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass. 

Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s. 

1804 Men's Fashions In The Time Of Jane Austen. #Regency #Fashion #JaneAusten Share on X
HN_23_D2D_Fashion Men 1800-1819
Posted in 1700s, 1700s Mens fashion, 1700s Womens Fashion, 1800s, 1800s Mens Fashions, 1800s women's fashion, 1900s, art, Australia, bedroom fashion, Box Or Container, Canada, Carriage, cartoon, children, Coat or Pelisse Or Redingote, Corset, Customs & Manners, dancing, Decorative Item, Dress Or Robe, Edwardian Era, England, Europe, fashion accessories, Food and Drink, France, furniture, Georgian Era, Georgian Fashion, Google Books, Grand Tour, hats, History, household, Jane Austen, London, medical, military, money, mourning, Music, pants, Pastimes, peerage, Places, postal, Quotations, Regency Era, Regency Fashion, Reticule or Bag, riding, Romantic Era, Royalty, Russia, sewing, shoes, Spencer, sports, Suit, Suzi Love, Suzi Love Books, Suzi Love Images, Suzi Love Writing, travel, U.S.A, underclothing, Vest or Waistcoat, Victorian Era, weapons, weddings, Writing Tools | Tagged 1800s men fashion, 1800s women's fashion, fashion accessories, Fashion Plate, google books, Hats And Hair, historical romance, household, Jane Austen, medical, Regency Fashion, Regency Life Series, Regency London, Regency Men, Regency romance, Regency Royalty, Regency Women, Shoes, Suzi Love Books, underclothing

1790-1805 ca. Women’s Pink Patterned Kid Leather Shoes. #RegencyEra #GeorgianEra #JaneAusten #Shoes

Suzi Love Posted on June 16, 2023 by Suzi LoveJune 16, 2023

1790-1805 ca. Women’s pink patterned kid leather shoes as worn by Jane Austen and other ladies in her times. Made by Hoppe, London, of stencilled kid leather.

1790-1805 ca. Women's Pink Patterned Shoes. By Hoppe, London. Stenciled kid leather. via suzilove.com & Patricia Harris Gallery of Textiles and Costume, Royal Ontario Museum, Canada.
1790-1805 ca. Women’s pink patterned kid leather shoes as worn by Jane Austen and other ladies in her times. Made by Hoppe, London, of stencilled kid leather.
1790-1805 ca. Women’s Pink Patterned Kid Leather Shoes. #RegencyEra #GeorgianEra #JaneAusten #Shoes https://books2read.com/SuziLoveFashionWomen1801-1804 Share on X
HN_25_D2D_fashwomen1801-1804
https://books2read.com/SuziLoveFashionWomen1801-1804
HN_25_D2D_fashwomen1801-1804 https://books2read.com/SuziLoveFashionWomen1801-1804

Posted in 1700s, 1800s, 1800s women's fashion, England, Georgian Era, Georgian Fashion, Jane Austen, London, Regency Era, Regency Fashion, shoes, Suzi Love Images | Tagged 1700s Women's Fashion, 1800s women's fashion, Georgian Fashion, Jane Austen, Regency Fashion, Royal Ontario Museum Canada, Shoes, Suzi Love Images

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion

Suzi Love Posted on June 15, 2023 by Suzi LoveJune 13, 2023

Busks shaped and reinforced the centre front of stays, or corsets. They were made from whalebone, wood, and bone, and were often inscribed with names, dates, and symbols of love because they were positioned close to the heart. The corsets worn in Jane Austen’s later years and by women in Bridgerton times often had busks to stiffen the corset and support the breasts.

busk_1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date 'EB 1755'. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
1755 Wooden Busk For Stays, English. Flat piece of wood with design scratched or picked out, and accented with red stain. Design comprises of circles, stylized geometric stars, heart motifs, and the initials and date ‘EB 1755’. Indistinct inscription on the back, scratched into the surface of the wood with three lines of script.
busk_1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
1800-1840 ca. Scrimshaw Corset Busk, American. Designs are of a ship and the places the sailor visited. Sailors made these as gifts to be worn close to the heart by their loved ones. Dimensions (inches) 12.5 (L) , 1.3 (W). Dimensions (centimeters). 31.7 (L) , 3.3 (W) via Winterthur Museum Collection.
busk_19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I'll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
19th Century. Scrimshaw Baleen Corset Busks, American. The first with figure inscribed Annabelle, ship, whale, and verse On the off shore grounds I think of thee, so I’ll catch my whales and leave the sea; the second inscribed Mary and 1836 12 3/8in. high the longest. via Christie’s Auction Rooms.
busk_1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8" 33.4 cm; Width: 1 9/16" 3.9 cm; Thickness: 1/8" 3 mm.
1833 August. Corset Busk of carved whalebone. Face carvings, house, geometric circle, potted plant, sailing ship, American flag. Joseph Bradford. Carvings, plant, house, anchor, sea birds over ship, tree. Whale skeletal bone, inscribed with knife and using black pigment. Length: 13 1/8″ 33.4 cm; Width: 1 9/16″ 3.9 cm; Thickness: 1/8″ 3 mm.
busk_Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
Busks shaped and reinforced front of corsets. Made from whalebone, wood and bone. Often inscribed with names, dates and symbols of love because they were positioned close to the heart. Via Hereford Museum.
busk_1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
1771 Wooden Corset Busk, American. Carved Maple wood. Via Winterthur Museum.
busk_19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75" x 1.5". via Antique Dress.
19th Century Early. Corset Busk of Double-Sided Carved Wood. Honey colored wood, probably maple, carved on both sides. Two trees of life, hex symbol design, two entwined hearts, pinwheels, and growing plant. Back has delicate scrimshaw-look design of seashore town, chapel, homes, lighthouse and ships, horizontal rather than front vertical. Measures: 13.75″ x 1.5″. via Antique Dress.
busk_18th Century Wooden Busk for Stays, European. Via metmuseum.org
18th Century Wooden Busk for Stays, European. Via metmuseum.org
busk_18th Century Late - 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, "PC" carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.
18th Century Late – 19th Early Carved Maple Wood Busk, American. Spirals top & bottom, two hearts meet at center, “PC” carved on reverse. Worn by member of Robbins family, inherited by Ellen A. Stone. Via Fine Arts Museum Of Boston, USA.

18th – 19th Century Busks For Stays, Or Corsets, In Jane Austen and Bridgerton Times. #RegencyFashion #Corsets #JaneAusten #Bridgerton #HistoricalFashion https://books2read.com/SuziLoveCorsetBook14 Share on X

https://books2read.com/SuziLoveCorsetBook14
Posted in 1700s, 1800s, 1800s women's fashion, Australia, Bridgerton, Canada, Corset, England, Europe, Georgian Era, Georgian Fashion, Jane Austen, Regency Era, Regency Fashion, Romantic Era, South Pacific, Suzi Love, U.S.A, underclothing | Tagged 1800s women's fashion, Bridgerton, Christie's Auction Rooms, Corset, Georgian Fashion, Jane Austen, Metropolitan Museum NYC, Museum Of Fine Arts, Regency Fashion, Romantic Era Fashion, Victoria and Albert Museum, Victorian fashion, Winterthur Museum

1780 Rolltop Desk With Removable Legs, Germany. #GeorgianEra #Writing #Antiques

Suzi Love Posted on April 16, 2023 by Suzi LoveJanuary 14, 2025

1780 Rolltop Desk, With Removable Legs Germany. By Master Furniture Maker, David Roentgen,German. Numerous woods including oak, pine, walnut, cherry, tulipwood, mahogany, plus gilt bronze, brass, steel and iron, marble and partially tooled and gilded leather. Marquetry motifs of flowers and gardening. Interior pigeonholes and drawers, exterior handles shaped like lion masks holding gilded rings. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org


1780 Rolltop Desk, With Removable Legs Germany. By Master Furniture Maker, David Roentgen,German. Numerous woods including oak, pine, walnut, cherry, tulipwood, mahogany, plus gilt bronze, brass, steel and iron, marble and partially tooled and gilded leather. Marquetry motifs of flowers and gardening. Interior pigeonholes and drawers, exterior handles shaped like lion masks holding gilded rings. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org

1780 Rolltop Desk, With Removable Legs, Germany. #GeorgianEra #Writing #Antiques https://www.books2read.com/SuziLoveWritingTools Share on X
HN_13_D2D_Writing Tools books2read.com/SuziLoveWritingTools
HN_13_D2D_Writing Tools books2read.com/SuziLoveWritingTools

Posted in 1700s, Decorative Item, Europe, Georgian Era, History, household, Suzi Love Images, Writing Tools | Tagged europe, furniture, Georgian era, Germany, household, Metropolitan Museum NYC, Writing Tools

1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden

Suzi Love Posted on April 8, 2023 by Suzi LoveMay 19, 2023

Covent  Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.

In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl  commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.

1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.
1721-1789 ca. St. Paul's Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org
1800s Early Covent Garden Market, London, U.K.
1800s Early Covent Garden Market, London, U.K.

In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.

By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”. 

Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion.

Covent Garden’s flower girls attracted attention by shouting:

“Two bundles a penny, primroses!”

“Sweet violets, penny a bunch!”

In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.

In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.

1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King's entrance. Watercolor drawn by James Winston. via British Museum.
1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum.
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via Suzi Love suzilove.com & British Museum, London, UK. britishmuseum.org
1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org
1827 Covent Garden Market, Westminster, London, U.K.  By Frederick James Havell.
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.

In 1830, Charles Fowler’s neo-classical building was erected to cover the market and as the market grew, the prostitutes moved on. The Floral Hall and Charter Market were added and the Jubilee Market in 1904.

1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul's Church, Covent Garden. Two story white building with 'Watch House' painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.

In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.

1552 Onwards Covent Garden, London, England. #BritishHistory #London #CoventGarden Share on X
Posted in 1700s, 1800s, England, Food and Drink, Georgian Era, History, London, Regency Era, Romantic Era, Suzi Love Images, Victorian Era | Tagged 1700s Or Georgian Era, 1800s Or 19th Century, British history, British Museum, Covent Garden, Food, Georgian era, google books, London, Museum Of London, Regency London, Suzi Love Images, theatre, WikiMedia Commons | Leave a reply

1795 ca. Ormolu Mounted and Brass Inlaid Mahogany Traveling Desk, Russian. #Georgian #History #Antiques

Suzi Love avatarPosted on March 18, 2023 by Suzi LoveJanuary 13, 2023

1795 ca. Traveling Desk, Russian.Ormolu-mounted and brass-inlaid mahogany, ebony and ebonized traveling desk, in the manner of Heinrich Gambs. sothebys.com suzilove.com

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Posted in 1700s, Europe, furniture, Georgian Era, History, household, Russia, Suzi Love Images, travel, Writing Tools | Tagged antiques, europe, furniture, Georgian era, Russia, Sothebys Auctions, Suzi Love Images, travel, Writing Tools

1756-1762 ca. Gold and Enamel Étui, French. #GeorgianEra #France #Antiques #WritingToools

Suzi Love avatarPosted on February 22, 2023 by Suzi LoveJanuary 13, 2023

1756-1762 ca. Gold and Enamel Étui, French. Probably by Jean Ducrollay, 1756-62, Paris. via Metropolitan Museum New York City, U.S.A. metmuseum.org
books2read.com/SuziLoveWritingTools

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Posted in 1700s, Box Or Container, Decorative Item, Europe, France, Georgian Era, History, household, Suzi Love Images, travel, Writing Tools | Tagged antiques, Box Or Container, Etui Or Necessaire, France, Georgian era, Suzi Love Images, Writing Tools

1774-1775 ca. Gold Etui, Or Decorative Container, For Holding Sealing Wax, French. #GeorgianEra #Europe #Antiques #writingtools

Suzi Love avatarPosted on February 12, 2023 by Suzi LoveJanuary 13, 2023

1774-1775 ca. Gold Etui For Sealing Wax French #Georgian #History #Antiques

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Posted in 1700s, Box Or Container, Decorative Item, England, Europe, Georgian Era, History, household, travel, Writing Tools | Tagged antiques, Box Or Container, Etui Or Necessaire, europe, Georgian era, Metropolitan Museum NYC, Suzi Love Images, Writing Tools

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