1800s Typical Breakfast and Tea China, England. Tea cups, Bread and Butter plates, Teapot, Butter Dish, Coffee Cups, Tea Set, Milk Jug, Water Jug, Bread Dish, Sardine Dish, Bacon Dish, Marmalade Jar and Breakfast Cups. From: 1860 Mrs. Isabella Beeton’s Book of Household Management. These are the sort of salads that Jane Austen’s family would have eaten to accompany main dishes during the early 1800s, or Regency Era.
1800 Guitar, Probably Naples, Italy. The sort of guitar people in Jane austen’s era would have played in their homes. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. This highly decorated guitar is an early example of a six-string, single-course guitar. The elaborate decoration features classical figures, musical instruments, and floral motifs made from ebony and fit into an ivory ground covering the back, sides, neck, and headstock of the guitar.
A second guitar at the Yale Collection of Musical Instruments features the same decoration, only in reverse, indicating that the decoration was made at the same time by cutting through thin layers of stacked ebony and ivory. A portrait in the center of the upper back is believed to be of Giovanni Paisiello based on his 1791 portrait. Paisiello was a composer of opera and many of his works were transcribed for use on other instruments and his pieces were a favorite of guitarists.
The fingerboard is covered with tortoiseshell over read paint with an ivory satyr inlaid where the neck meets the body. A carved wooden rosette may be a replacement and is surrounded by an ivory hexagon with ebony inlaid instruments and flowers matching the back. The decorative style is evocative of so-called Baroque guitars of the seventeenth century. The six-string, single-course guitar became popular in Naples at the end of the eighteenth century and then spread throughout the rest of Europe replacing the earlier five and six double-course guitars. via Metropolitan Museum New York City, U.S.A. books2read.com/suziloveMusicGeneral
19th Century Mother Of Pearl Carnet De Bal Or Dance Card, French. via Ruby Lane Antiques.
1826 Bath Beau and His Lady. Photo Editing By Suzi Love. ~ suzilove.com
From: 1826 The English Spy By Robert Cruikshank via Google Books (PD-150)
1817 April Ladies’ Voucher for all the Wednesday balls at Almack’s Assembly Rooms, London, U.K. in April 1817. The voucher is for the Marchioness of Buckingham to attend the balls at Almack’s “on the Wednesdays in April 1817.” There are initials in the lower right hand corner marked, “MD”. These initials might be for Mary Marchioness of Downshire who may briefly have been a patroness ca. 1816-1817. The red wax seal is also intact on the front. “Pall Mall” is written on the back of the card.Via Huntington Museum, California, U.S.A. https://hdl.huntington.org/digital/collection/p15150coll7/id/10672/
Subscribers to Almack’s were allowed to bring a guest to a Ball, if they were approved first. They called at the Rooms in person and were either granted a Strangers Ticket of admission or were banned. Rooms were open for supper, gaming dancing lasting the night. At eleven o’clock, doors were closed and no one, not even celebrities were admitted. Once a young lady making her debut during the London Season had been granted a ticket to Almack’s, her social standing was assured. The Patronesses introduced the debutante to people of importance and selected her dance partners.
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Continue reading →1802 ‘The Cow Pock or The Wonderful Effects Of The New Inoculation’. By James Gillray. Caricature depicting the early controversy surrounding Dr. Edward Jenner’s cowpox vaccination program begun in 1796 in England. Recipients of the vaccine developing cow-like appendages. Via British Museum, London, UK. britishmuseum.org (PD-Art)
1816 May Wedding Dress Of Princess Charlotte of Wales (1796-1817). Worn at her wedding to Prince Leopold Saxe-Coburg. Silk satin high-waisted bodice with short puffed sleeves, dipping neckline, underskirt, overskirt, train and apron. Created by Mrs Triaud, London dressmaker although this may not be the original skirt. Metallic embroidery was very fashionable for court dress in early 19th Century despite the cost and delicacy but was an unusual choice for Princess Charlotte who preferred to dress simply. via Museum of London, UK. museumoflondon.org.uk
The wedding dress of Princess Charlotte Augusta as described in La Belle Assemblee magazine for May, 1816.
“As we have been gratified with a sight of the wedding dresses of this amiable and illustrious female, a particular yet concise account of them cannot but be acceptable to our fair readers. The Royal Bride, happy in obtaining him whom her heart had selected, and whom consenting friends approved, wore on her countenance that tranquil and chastened joy which a female so situated could not fail to experience.
Her fine fair hair, elegantly yet simply arranged, owed more to its natural beautiful wave than to the art of the friseur; it was crowned with a most superb wreath of brilliants, forming rosebuds with their leaves. Her dress was silver lama [lamé] on net, over a silver tissue slip, embroidered at the bottom with silver lama in shells and flowers. Body and sleeves to correspond, elegantly trimmed with point Brussels lace.
The manteau was of silver tissue lined with white satin, with a border of embroidery to answer that on the dress, and fastened in front with a splendid diamond ornament. Such was the bridal dress … The jewellery of the royal bride is most superb; beside the wreath, are a diamond cestus, ear- rings, and an armlet of great value, with a superb set of pearls.
1800-1815 ca. Vest, Or Waistcoat, French. Embroidery with spangles and a standing collar. Vests gave a layer of protection from the elements and a fashion arena, as early 1800s coats were either cutaway or designed to be left open in the front. Typical Style of Early 1800s Vest: Standing collar, straight cut, front pockets, heavily embroidered and with tiny spangles to accentuate. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org
Typical of a gentleman’s waistcoat, or vest, worn during the early 1800s, or Regency Era, or Jane Austen’s times with a standing collar, straight cut, front pockets, and heavily embroidered with tiny spangles to accentuate.
1820 July 6th View of London Bridge and Custom House with Margate steam yachts, London, U.K. Hand colored By artists and Engravers, P. and D. Colnaghi and Co Ltd and Co (publishers) and R. Havell and Son. via Royal Museums Greenwich. collections.rmg.co.uk
