1807 February 15th ‘Miseries of Travelling’ in Jane Austen’s times. The Overloaded Coach Series By Thomas Rowlandson. Publisher Rudolph Ackermann, London (active 1794–1829). Hand colored etching.
1790-1810 ca. Jane Austen Style White Linen Shift Or Chemise, American. #RegencyEra #JaneAusten #underclothing https://books2read.com/SuziLoveFashionWomen1801-1804
Continue reading →1800s Early Tattersall’s Horse Auctions, London, U.K.. Top sporting venue for Regency Life in London. ‘A mixture of persons of nearly all ranks’. By Pierce Egan. Via Wikimedia Commons (PD-ART)
In Jane Austen’s and Bridgerton times, or the Regency Era, horse riding was a vital mode of transport and Tattersall’s was the best place to buy and sell horses. Tattersall’s was established in 1773 near Hyde Park Corner for the sale by auction of horses, carriages, hounds and harnesses. Sales during the winter months were every Monday and Thursday, and on Mondays only during the spring and summer. On the mornings when there was no sale, Tattersall’s was a meeting place for fashionable sporting gentlemen.
Pierce Egan’s Description of Tattersall’s
A masquerade could scarcely exhibit more motley groups than the attendants of this place of fashionable resort. There were Peers, Baronets, Members of Parliament, Turf gentlemen and Turf-servants, Jockies, Grooms, Horse-dealers, Gamblers, &c. There you might see the oldest and some of the best blood in England, disguised like coachmen.
From: 1820 Sporting Anecdotes by Pierce Egan via Google Books (PD-150)
Lover of Jane Austen and the Regency Era fashions? History Notes Book 25. #JaneAusten #RegencyFashion #HistoricalFashion books2read.com/SuziLoveFashionWomen1801-1804
Continue reading →1816 August. Morning Dress in Bridgerton or Jane Austen style, English. White high-waisted dress worn with a blue striped spencer, blue boots, and a white hat white blue trim. Fashion Plate via Lady’s Magazine.
Description Spencer: Short jackets worn for warmth over the high-waisted Empire style gowns that were popular after the French Revolution, where there was a shift away from opulence and decadence to simpler fashion. This jacket with very short bodice and long sleeves was known as a Spencer and was named after the male coat made famous by the Earl Spencer and said to have originated in accident to Lord Spencer in hunting when coat tails torn off and a cropped jacket was invented. The dresses in the early 1800s therefore became looser, lighter, and flowing and women became cold due to their very low cut and short bodices. Short fitted jackets that went easily over the dresses and provided extra modesty and some warmth. As Europe and many other parts of the world were deep in wars in the late 1700s and early 1800s, men in uniform were found everywhere. In support of these military men, fashions leaned towards military style shoulder paddings, shoulder embellishments, loops, buttons, and braids.
I love these snippets from Captain Gronow’s Recollections 1864. Even though they were written after the Regency, they give us fun bits of information about Almack’s Assembly Rooms, the Prince Regent or later King George IV.
“Good society at the period to which I refer was, to use a familiar expression, wonderfully “select.” At the present time one can hardly conceive the importance which was attached to getting admission to Almack’s, the seventh heaven of the fashionable world. Of the three hundred officers of the Foot Guards, not more than half a dozen were honoured with vouchers of admission to this exclusive temple of the beau monde; the gates of which were guarded by lady patronesses, whose smiles or frowns consigned men and women to happiness or despair. These lady patronesses were the Ladies Castlereagh, Jersey, Cowper, and Sefton, Mrs Drummond Burrell, now Lady Willoughby, the Princess Esterhazy, and the Countess Lieven.
Almack’s: Exclusive temple of the beau monde. The gates of which were guarded by the lady patronesses, The Ladies Castlereagh, Jersey, Cowper, Sefton, Willoughby, Princess Esterhazy, and Countess Lieven.
From Captain Gronow’s Recollections 1864.
The most popular amongst these grandes dames was unquestionably Lady Cowper, now Lady Palmerston. Lady Jersey’s bearing, on the contrary, was that of a theatrical tragedy queen; and whilst attempting the sublime, she frequently made herself simply ridiculous, being inconceivably rude, and in her manner often ill-bred. Lady Sefton was kind and amiable, Madame de Lieven haughty and exclusive, Princess Esterhazy was a hon enfant, Lady Castlereagh and Mrs Burrell de tres grandes dames.
Many diplomatic arts, much finesse, and a host of intrigues, were set in motion to get an invitation to Almack’s. Very often persons whose rank and fortunes entitled them to the entree anywhere, were excluded by the cliqueism of the lady patronesses; for the female government of Almack’s was a pure despotism, and subject to all the caprices of despotic rule: it is needless to add that, like every other despotism, it was not innocent of abuses.
Almack’s
The fair ladies who ruled supreme over this little dancing and gossiping world, issued a solemn proclamation that no gentleman should appear at the assemblies without being dressed in knee-breeches, white cravat, and chapeau bras.
From Captain Gronow’s Recollections 1864.
1816 Crossing The Pont des Arts, Paris. Illustrations by Francis Courboin. via Les Modes de Paris. (PD-Art) suzilove.comThis plate depicts two women crossing the Pont des Arts, which is also known as the Passerelle des Arts. The women wear very high-waisted dresses. Both women wear a large white feather in their hats, symbolic of the white plume of Henri IV’s famous battle cry, “Ralliez-vous à mon panache blanc!” and made popular by the 1814 restoration of Louis XVIII on the throne. Restoration also brought back various styles, especially those denoting luxury, from the Ancien Regime. The woman on the left wears an ‘old-fashioned’ lace collar and the resurgence of luxury materials, such as fur are indicative of feminine styles of the Restoration period. (PD-Art) Illustrations by François Courboin from Octave Uzanne’s Les Modes de Paris. Variations du goût et de l’esthétique de la femme, 1797-1897, L. Henry May, Paris, 1898, or from the English translation of the same work: Fashion in Paris : the various phases of feminine taste and aesthetics from 1797 to 1897, William Heinemann, London, 1898. Modes De Paris
This navy double breasted wool tailcoat has M-notched lapels, kite-shaped rear seaming, and black silk covered buttons. The sleeves are gathered at the shoulders and there is a high collar.
Quilting has been added to the inside chest and lower neck areas and brown velvet has been added to line the cuffs. The pockets are concealed in the tails and have been lined with brown chintz. via Kerry Taylor Auctions. kerrytaylorauctions.com
1806 Nankin Riding Habit, French. Red scarf, green gloves, riding boots, straw hat decorated with taffeta. The type of outfit Jane Austen and her friends would have worn if they went horse riding. Nankeen Or Nankin Fabric: Durable, buff colored cloth, made of Chinese cotton which is naturally brownish yellow. Originally brought from Nanking.
Fashion Women 1800 By Suzi Love History Notes Book 12 #Regency #Fashion Love gorgeous historical women’s fashions? Take a look at what women wore and carried in 1800 in Europe and around the world. books2read.com/SuziLoveFashionWomen1800
