Do you need more factual and visual information for your historical fiction? History of fashion, music, peerage and customs in 18th and 19th centuries. Non-fiction series full of gorgeous pictures and engraved fashion plates. A visual history of fashion, music, peerage, social manners and customs from late 1700s to late 1800s, or 18th and 19th centuries.
What did an older lady do in the Bridgerton family’s and Jane Austen’s times, or the early 1800s. An easy to read overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. Older Lady’s Day, Regency Life Series, Book 5, by Suzi Love. books2read.com/suziloveOLD
Through historic images, historical information, and funny anecdotes, it shows how an older lady in Jane Austen’s times fills her day, where she goes, and with whom she spends her time. This light-hearted look at the longer Regency years is an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne.
Christmas Carols
The word ‘carol’ comes from the old French ‘carole’ for a song written and played as a courtly dancing song. Carols then took on a more popular form, telling stories and celebrating religious themes for all seasons until the late 19th century when they became associated with Christmas.
Carols took the place of Psalms in all churches on Christmas Day and, as the whole congregation could join in, were greeted with huge approval. Carols were passed on orally from place to place, often with different words or tunes. The published carols included songs still popular today, including The First Noël, I Saw Three Ships, and God Rest Ye Merry Gentlemen. This collection was followed by compilations of carols from other scholars such as William Sandy’s works in 1833 and 1852.
“Bells are musics laughter.” By Thomas Hood (1799-1845), British poet and humorist.
Bells hold a long time association with Christmas. In Victorian times, carol singers used small handbells to play the tune of the carol. Sometimes there were bells without singing – Church bells are rung after sunset to signal the start of the Christmas Eve service, the first of Christmas. In England, the bellman goes round at midnight ringing his bell, and rattling off a stanza or two, for the gratuity which he confidently anticipates; while watchmen, firemen, rate-collectors, postmen, chimney-sweeps, street scavengers, the errand-boys of your baker, butcher, poultry merchant, and green-grocer, even to the hired singers in the churches all expect their Christmas-box. In Victorian times, carol singers used small hand bells to play the tune of the carol and sometimes there were bells without singing. Church bells are rung after sunset to signal the start of the Christmas Eve service, the first of Christmas.
The Bellman
The Bellman stands full face, shouting with wide-open mouth and ringing his hand-bell.
In his left hand he holds out his verses headed by a little figure of Napoleon wearing a huge tricorne and holding a gigantic sword:
‘This little Boney-says he’ll come At merry Christmas time,
But that I say is all a hum Or I no more will rhyme
Some say in Wooden house he’ll glide, Some say in air Balloon,
E’en those who airy schemes deride. Agree his coming soon.
Now honest people list to me, Though Income is but small, I’ll bet my Wig, to one Penney, He does not come at all.’ Hand-colored etching and aquatint.
Via British Museum
How did they celebrate Christmas in Bridgerton and Jane Austen times? Historical information about the traditions of Christmas through the centuries, including the religious aspects, decorations, games, food and plays. History Of Christmases Past has lots of information and images about Christmas through the centuries, including religious aspects, decorations, games, food and plays. Historic images show how some traditions have changed while many have remained the same through the centuries. books2read.com/suziloveHOCP
What did ladies do and wear in Jane Austen’s time, or early 1800s? #Regency #History #nonfiction Books 4 and 5 Regency Life Series. Young Lady’s Day and Older Lady’s Day in Books 4 and 5 in the Regency Life Series.
These books depict the often-frivolous life and fashions of ladies in the early 1800’s, or during the lifetime of Jane Austen, but also gives a glimpse into the more serious occupations ladies may undertake. Through historic images, historical information, and funny anecdotes, they show how a lady fills her day, where she is permitted to go, and who she spends time with. These light-hearted looks at the longer Regency years are an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Young Lady’s Day ~ Older Lady’s Day
1800 Guitar, Probably Naples, Italy. The sort of guitar people in Jane austen’s era would have played in their homes. Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and brass. This highly decorated guitar is an early example of a six-string, single-course guitar. The elaborate decoration features classical figures, musical instruments, and floral motifs made from ebony and fit into an ivory ground covering the back, sides, neck, and headstock of the guitar.
A second guitar at the Yale Collection of Musical Instruments features the same decoration, only in reverse, indicating that the decoration was made at the same time by cutting through thin layers of stacked ebony and ivory. A portrait in the center of the upper back is believed to be of Giovanni Paisiello based on his 1791 portrait. Paisiello was a composer of opera and many of his works were transcribed for use on other instruments and his pieces were a favorite of guitarists.
The fingerboard is covered with tortoiseshell over read paint with an ivory satyr inlaid where the neck meets the body. A carved wooden rosette may be a replacement and is surrounded by an ivory hexagon with ebony inlaid instruments and flowers matching the back. The decorative style is evocative of so-called Baroque guitars of the seventeenth century. The six-string, single-course guitar became popular in Naples at the end of the eighteenth century and then spread throughout the rest of Europe replacing the earlier five and six double-course guitars. via Metropolitan Museum New York City, U.S.A. books2read.com/suziloveMusicGeneral
Auld Lang Syne is traditionally sung to farewell the old year at the stroke of midnight on New Year’s Eve. It’s a poem written by Robert Burns in 1788 in Scotland, but based on an older Scottish folk song. In 1799, it was set to the traditional tune.
The song begins by posing a rhetorical question: Is it right that old times be forgotten? The answer is generally interpreted as a call to remember long-standing friendships.[9] Alternatively, “Should” may be understood to mean “if” (expressing the conditional mood) referring to a possible event or situation.
George Thomson‘s Select Songs of Scotland was published in 1799 in which the second verse about greeting and toasting was moved to its present position at the end.[9]
Most common usage of the song involves only the first verse and the chorus. The last lines of both of these are often sung with the extra words “For the sake of” or “And days of”, rather than Burns’s simpler lines. This makes these lines strictly syllabic, with just one note per syllable.
Should auld acquaintance be forgot,
And never brought to mind?
Should auld acquaintance be forgot,
And auld lang syne?
(Chorus)
For auld lang syne, my jo,
For auld lang syne,
We’ll tak a cup o’ kindness yet,
For auld lang syne.
And surely ye’ll be your pint-stowp!
And surely I’ll be mine!
And we’ll tak a cup o’ kindness yet,
For auld lang syne.
We twa hae run about the braes
And pu’d the gowans fine;
But we’ve wander’d mony a weary foot
Sin auld lang syne.
We twa hae paidl’d i’ the burn,
Frae mornin’ sun till dine;
But seas between us braid hae roar’d
Sin auld lang syne.
And there’s a hand, my trusty fiere!
And gie’s a hand o’ thine!
And we’ll tak a right guid willy waught,
For auld lang syne.
Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And old lang syne?
(Chorus)
For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup of kindness yet,
For auld lang syne.
And surely you’ll buy your pint cup!
And surely I’ll buy mine!
And we’ll take a cup o’ kindness yet,
For auld lang syne.
We two have run about the slopes,
And picked the daisies fine;
But we’ve wandered many a weary foot,
Since auld lang syne.
We two have paddled in the stream,
From morning sun till dine;
But seas between us broad have roared
Since auld lang syne.
And there’s a hand my trusty friend!
And give me a hand o’ thine!
And we’ll take a right good-will draught,
For auld lang syne.
1780 ca. English Guitar, Lisbon Made by Jaco Vieira da Silva. Pine back, sides and soundboards, with pine and wood purfling or bordering, brass openwork rose, framed with mother-of-pearl. The English guitar was a fashionable instrument from about 1750, considered easy to play and tuned in C major, although the player would use a capo, much like a modern folk-guitarist, in order to change the key. The tuning pegs were often small metallic pins that could be turned with a watch-key, to keep the strings in tune longer. This instrument was made in Portugal, a country with strong trading links with England, and its peg box is decorated with a paper ‘cameo’ in imitation of a jasper ware medallion, a motif made popular by Josiah Wedgwood (1730-1795) from about 1770. Victoria and Albert Museum, London, U.K. History Notes Book 6 Music General https://www.suzilove.com/wp-admin/books2read.com/suziloveMusicGeneral \
