17th Century Late – 18th Century Early. Purse, French. Silk and Metal. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org


17th Century Late – 18th Century Early. Purse, French. Silk and Metal. via Metropolitan Museum, N.Y.C., U.S.A. metmuseum.org


19th Century Early Men’s Trousers as worn by the men in Jane Austen’s family and life. Textured cotton woven with small dash motif. Wide waistband double row five ivory bone buttons, fall front bone buttons plus button centre front, two large pockets, full width flap with buttonholes and with wide legs. via Meg Andrews, Costumes and Textiles. Meg-andrews.com




1800s Pascalie Hosten, Comtess d’Arjuzon, Playing Guitar. Possibly by Achille-Louis Martinet (1806 – 1877). Brush and watercolor on white wove paper. Via Wikimedia Commons commons.wikimedia.org (PD-ART)
Music was a constant in the life of Jane Austen and her contemporaries, with many households having multiple musical instruments and many members of the family being able to play them.


Typical Meals Served for the upper classes in the Georgian and Regency Eras. For the Upper classes in the 18th and through to the end of the 19th century, meals were elaborate affairs. and served by well-trained staff anticipated their every need. Women prided themselves on hosting dinners for 50-60 people which often consisted of numerous courses, and all served with the best wines and followed, for the men at least, by expensive port.
An older lady usually controlled the servants and the serving of meals. For more about this, take a look at Older Lady’s Day Regency Life Series Book 5 by Suzi Love. Overview of what an older lady did, wore, and how she lived in the early 19th Century. Information for history buffs and pictures for readers and writers of historical fiction. books2read.com/suziloveOLD









1784-1826 ca. Woman’s Under Dress. White high-waisted underdress with drawstrings at neck and waist, narrow shoulder straps, back tie closure, embroidered with large scale scrolling floral motifs with meandering vine and bands of dots along the bottom edge. The type of underdress worn by Jane Austen’s female friends and family. via Museum of Fine Arts, Boston, U.S.A. mfa.org


1803 White Redingote, Or Overcoat, French. Striped vest, casually knotted white cravat, blue trousers tucked into high boots. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Originally made with several capes and trimmed with large buttons. For women, the coat was often cut away in the front or left open to show off the dress underneath. French fashion plates call these coats Redingotes and they were worn by men, women, and children. English fashion plates call the coats a Pelisse, a walking dress, Promenade dress, or Carriage dress. books2read.com/suzilovePelisse


1826 House Of Lords In High Debate. From A Regency Gentleman’s Life. From The English Spy By Robert Cruikshank.
Light-hearted look at a young man’s day in the early 1800s. Depicts the ups and downs of a young gentleman’s day in the Regency Era, or Jane Austen’s years. Through historic images, historical information, and funny anecdotes, it shows how a young man about town fills his day, where he goes, and who he spends time with. This light-hearted look at the longer Regency years is an easy to read overview of what people did and wore, and where they worked and played. There is plenty of information to interest history buffs, and lots of pictures to help readers and writers of historical fiction visualize the people and places from the last years of the 18th Century until Queen Victoria took the throne. Regency Life Series Book 3 Young Gentleman’s Day.com/suziloveYGD


1809 September Mother and Daughter Mild Mourning Dresses, English. “Our plate will be found to represent a lady and her infant in slight mourning habits: the former composed of black gossamer net, or imperial gauze, worn over a white satin slip. A half train. A round frock front, and short French sleeves, each edged with a rich Vandyke lace. A cestus, or belt, of white satin edged with gold bullion and finished in front with a rich cord and cone tassels, suspended from topaz studs. Pearl necklace and bracelets, with topaz snaps. Hair in the eastern style, with a Spartan diadem, and comb of topaz or gold. Circassian scarf of grey Spanish silk with a Tuscan border in black embroidery, tassels to correspond, confined on one shoulder with a topaz broach. Shoes of grey satin, with clasps of jet, or rosettes of black bugles. White gloves of French kid; and fan of black crape, with gold spangled devices.
‘In deep mourning, this robe should be formed of black crape, and worn over black sarsnet. The ornaments and trimmings of every description must be of bugles or jet. The shoes of queen’s silk. The scarf, black crape or imperial silk, spotted and bordered with bugles. Jet tassels and broach.
The child’s dress is a simple frock of black crape muslin, tucked small, and worn over a cambric skirt. A plain net-lace tucker, and cap to match. Grey kid slippers, with black clasps.’ Fashion Plate via Rudolph Ackermann’s ‘The Repository’ of Arts.
Because many men across Europe were fighting in wars during these years, women often had a reason to dress in black. The loss of numerous family members and friends meant that black was a mainstay in any lady’s wardrobe. Black dresses, hats, capes, shoes, gloves, fans and jewelry would have been essentials, with touches of white, grey or purple being added for times of half mourning. Early publications of Rudolph Ackermann’s ‘The Repository of Arts’ had many fashion plates that included children, but the plate below with a child in ’slight’ mourning dress is very unusual. With this fashion plate is a description of how this ’slight’ mourning could be adapted for deep mourning.
Fabrics for deep mourning would be flat, rather than shiny, hats would be black with little embellishment, and jewelry would be subdued. Slight mourning allowed the white dress trimming, white gloves and these grey satin shoes.
Definition Van Dyke: V-shaped lace and trims named after a 17th Century Flemish painter, Sir Anthony Van Dyck, known for painting V-shaped lace collars and scalloped edges on sitters.


1809 Purple Redingote, Or Coat, French. V-shaped bodice with gold braid trim on sleeves, neck and hem, short puffed sleeves over long straight sleeves, matching hat and walking shoes. Fashion Plate via Journal des Dames et des Modes, or Costume Parisien.
Definition Redingote Or Pelisse: Long fitted outdoor coat worn over other garments for warmth. French word developed from English words, riding coat. Redingotes or Pelisses were needed to cover the flimsy dresses made of lightweight fabrics of the Regency years to provide warmth and some protection from windy conditions when gowns might lift and cause modesty issues. Jane Austen and her contemporaries often walked to places and so would have needed the warmth of a Pelisse or coat in the cold British winters.


“Mama, why doesn’t that man like me?” Daniel asked, his singsong voice echoing loudly around the walled chamber.
Slowly, the Captain turned to face them. He took two steps closer to Daniel and squatted as low as he could manage on one leg, while keeping his bandaged leg straight and using it for balance. “I apologize, your lordship.” He spoke directly to Daniel. “My name is Gabe, and I don’t dislike you. In fact, you remind me of my three nephews and I like them. A lot.” He sighed. “I have several decisions to make, difficult decisions, but that isn’t an excuse for bad manners.” He glanced up at Anne. “As I’m certain your mother has told you.”
Daniel nodded. “Uncle Bren told me to be good for Mama, and you, ‘cause you’re the Captain and you’re taking me and Mama to En…En…” He tugged on her hand. “Where are we going, Mama?”
Anne smiled at her son. “England, darling. We’re going to England.”
Daniel pulled his hand from hers and stepped up to the Captain, careful to avoid his bandaged leg. His tiny hand rested on Gabe’s shoulder and he patted him. “My mama will help. Mama knows ‘bout Englin, and she makes sores better.” He pointed at Gabe’s outstretched leg. “Kisses make it better.”
Anne gasped, while Gabe chuckled. His amber eyes held a twinkle as he spoke to Daniel. “I’m sure your mama’s kisses would make any man feel better.” He looked up at her and smirked. “Will you kiss me, Lady Melton?”
Anne groaned and put her hands to her burning cheeks, thankful that Daniel’s focus was on his new friend and not her red face. When Gabe stood and slowly drew his bandaged leg under him, Anne realized that he didn’t have his crutch.
“Captain, please, lean on me.” She moved closer and was relieved when, with a muffled groan, he slid his arm around her shoulder and settled a little of his weight on her.

