1818 Gorgeous women’s fashion In the late Regency Era. Dresses, coats or Redingotes, Spencers, shawls, fichu or shoulder cape, shoes, hats and headdresses, gloves, and Reticules or bags as displayed in various fashion magazines.
Fashion Accessory: Completes and complements outfit. Two groups- 1. Those worn e.g. bonnets, caps and hats, boots and shoes, cravats and ties, gloves, mittens and muffs, jewelry, scarves and shawls, socks and stockings 2. Those carried e.g. bags, fans, and parasols.
If you are a reader or writer of early 1800s, or Regency Era fashions such as mourning and riding fashion, dresses, hats, shoes, reticules or bags, underclothing and fashion accessories, try History Notes Book 28 Women’s Fashions 1815-1819
1820-1850 ca. Chemise, Corset, Quilted Petticoat and Pocket. Gift of Mary S. Belden. Corset About 1820-1830 ca. CHS Collection. Pocket About 1820-1840 ca. Chemise About 1839-1850 ca. via Chicago History Museum, U.S.A.
Chemise Or Shift: Sleeveless, mid-calf length garment of white cotton or muslin was worn next to the skin under stays or corset. Called ‘Shift’ from early Georgian (1700-1750) until Late Georgian (1750-1790) to replace ‘Smock’. By 1800, name shift was replaced by ‘Chemise’.
Corset: French term for stays. Structured bust supporting or body shaping foundation garment. Tightened by laces and often with reinforcing e.g. boning, cording and flossing.
From the Curator Victoria and Albert Museum, London: Quilting was a popular form of decoration for a variety of garments including pockets. However, hand-quilting was a time-consuming method of decoration. The increased demand for quilted petticoats, waistcoats and pockets led to the invention of woven quilting.
1809 Women’s Fashions: Dresses, Shawls, Hats and Jewelry from various fashion magazines. Typical of the outfits worn by Jane Austen and her contemporaries for daytime and evening activities. An Empire style, or high-waisted white cotton dress worn under a Spencer or short jacket, a Redingote, or coat, for warmth and with pretty hats, shawls and shoes.
1805 Women’s Dresses and Fashion Accessories. Fashion plates from Fashions of London and Paris. Gorgeous Regency Era clothing came in a wide range of styles to suit every season and occasion. Ladies in Jane Austen’s times wore Empire style dresses which were usually of light fabric and floaty in style so accessories were essential to keep women warm. Accessory: item which contributes to the overall effect but is of secondary importance is the dictionary definition of an accessory, but the term has only been applied in relation to personal appearance since the 19th century. As defined by dress historians, accessories usually complete an outfit and are chosen to complement it. Accessories fall into two groups: Those worn, such as bonnets, caps and hats, boots and shoes, cravats and ties, gloves, mittens and muffs, jewellery, scarves and shawls, socks and stockings. Those that are carried, such as bags, canes, fans, parasols and umbrellas, and swords.
1820 ca. Brown Silk Pelisse, Or Coat, British. Worn over a light weight dress for warmth. Silk, lined with blue silk satin and cotton, hand-sewn. Front opening with concealed buttons and loops, wide stiffened collar, elaborate piping with thin rolls of fabric, skirt cut A-line shape and hem padded to accentuate shape, fairly high waistline with attached gored skirt and gathered panel at back. Long sleeves with short puffed over-sleeves. Green shawl, parasol, matching bonnet. via Victoria and Albert Museum, London, UK. collections.vam.ac.uk.
Definition Redingote Or Pelisse Or Walking Dress Or Coat: French word developed from English words, riding coat. Long fitted outdoor coat worn over other garments for warmth. Often left open at the front to show off the dress underneath. Sometimes cut away in front. Originally made with several capes and trimmed with large buttons. French fashion plates call these coats Redingotes and they are designed for women, men and children. English fashion plates call them a Pelisse, a walking dress, Promenade dress, or Carriage dress.
[ Image: 1820_ca_Brown Silk Pelisse, British. Silk, lined with silk satin and cotton, hand-sewn. via suzilove.com Victoria and Albert Museum, London, UK. collections.vam.ac.uk._Lge.png ]
1820 ca. Brown Silk Pelisse, Or Coat, With Elaborate Piping, British. #Regency #Fashion #Pelisse
1816 January Blue Carriage Dress, English. High neck but no collar, front is fitted but back has slight fullness and very short bodice. Puffed roll to decorate the hem, trimmed in bias cut blue satin, long sleeves finished at wrists with satin, gloves of white kid and ‘sandals’ or shoes of blue kid leather. Head-dress à la mode de Paris is an unusual cap of white lace and decorated with two rolls of ribbon. “We are indebted to the tasteful fancy of Mrs. Bean, of Albemarle Street, for both our dresses this month.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.
Jane Austen and her contemporaries would have worn this style of outdoor, or carriage ensemble with a coat over a dress. These outdoor dresses were labelled a variety of names. In England, this might also have been called a Walking Or Promenade dress, or Pelisse. In Europe, it would be called a Redingote.
Definition: Pelisse, Walking Dress, Carriage dress, Promenade Dress, Redingote. Long, fitted coat sometimes cut away in front to show off the dress underneath. Originally made for men with several capes and trimmed with large buttons, they were adapted to add an additional, and warmer, layer to the typical white muslin dresses worn in the early 1800s. Those light weight dresses were good in summer but not suited to harsh winters. Over the carriage dress, a shawl could be added as well as a muff to give a warm and comfortable outfit for traveling by carriage.
1816 January Blue Carriage Dress, English. High neck but no collar, front is fitted but back has slight fullness and very short bodice. Puffed roll to decorate the hem, trimmed in bias cut blue satin, long sleeves finished at wrists with satin, gloves of white kid and ‘sandals’ or shoes of blue kid leather. Head-dress à la mode de Paris is an unusual cap of white lace and decorated with two rolls of ribbon. “We are indebted to the tasteful fancy of Mrs. Bean, of Albemarle Street, for both our dresses this month.” Fashion Plate via Rudolph Ackermann’s ‘The Repository of Arts’.1816 January Blue Carriage Dress And Unusual Lace Cap. #Regency #JaneAusten #Fashion https://books2read.com/SuziLoveFashionWomen1805-1809 Share on X
Custom House, London. From 1825 Views Of London. The Custom-House of London appears to much advantage in the accompanying view. Flanked by the little navy of Billingsgate, with a glimpse of the dome of St. Paul’s, the Monument, and London-Bridge in the distance, it stands forward in majestic composure on the edge of the Thames. The first stone of this building was laid on the Twenty-fifth of October, 1813, the fifty-third Anniversary of his late Majesty’s Accession, and it was opened for business on the twelfth of May, 1817; the old Custom-House in the interim (February, 1814) having been consumed by fire. It is built after a plan by David Laing, Esq. and cost in the erection 167,000 pound besides 29,300 pound paid for the property on which it stands, after deducting 12,440 pounds received for old materials. The length of the front here presented, which is executed in Portland stone, is 484 feet, 101 inches. The architectural beauties of the Custom House consist in an appropriate simplicity of style, combined with a classical adherence, throughout, to the rules of just proportion. As the Official Registry of the exports and imports of the State, where the complicated concerns of the mercantile interests of this vast Empire are reduced under a few general heads, it imparts a profound moral attraction to the scene.
1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered cloth with Pina, or pineapple motifs. In Jane Austen’s times, pineapples were very much a luxury item. It became popular to sew items in pineapple shapes or to embroider pineapples onto articles. via Metropolitan Museum New York City, U.S.A. metmuseum.org
1810-1812 ca. Front Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Back Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Sleeve Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidery on Dress, Probably Spanish. Made of Embroidered Pina cloth.via Metropolitan Museum New York City, U.S.A. metmuseum.org1810-1812 ca. Embroidered Dress With Pineapples, Probably Spanish. #RegencyEra #JaneAusten #Fashion #Spain https://books2read.com/SuziLoveFashion1810-1814 Share on X
1810-1820 ca. Red Hunting Coat, English. Hunting was both a popular sport and an essential part of social success. Double-breasted tailcoat of woolen superfine, lined with sateen and cotton, M-notch lapels, nine gold buttons with heraldic crest, cuffs with three smaller matching buttons. via Collection from Castle Howard, Yorkshire, U.K. Victoria and Albert Museum, London, UK. Hunting coats, or colors, often red coats called pinks, were worn by hunt masters and hunters. In Bridgerton and Jane Austen times, or the early 1800s, gentlemen wore red coats like this while riding to the hounds.
Historically, hunt members wore ‘colors’ to distinguish between types of hunters and their level of experience. Traditional red coats were worn by huntsmen, masters, former masters, whippers-in, regardless of sex, while other hunt staff members and male members invited by masters wore colors and hunt buttons as a mark of appreciation for their involvement in the organization and running of the hunt. After the Hunting Act in England and Wales, only Masters and Hunt Servants wore red coats or hunt livery. Gentleman subscribers usually wore black coats, with or without hunt buttons and in some countries, women wore colored collars on their black or navy coats to help them stand out from the rest of the field. Some hunts, including most harrier and beagle packs, wear green rather than red jackets, and some hunts wear other colors such as mustard.
From the finish of the 18th century until 1820, men’s fashions in European and European-influenced countries moved away from the formal wear of brocades, lace, wigs and powder to more informal and relaxed styles. Focus was on undress rather than formal dress. Typical menswear in the early 1800s included a tailcoat, a vest or waistcoat, either breeches, pants, or the newer trousers, stockings, shoes or boots, all worn with an overcoat and hat. This basic ensemble was accessorized with some form of neckcloth or cravat, gloves, walking stick, cane or riding crop, handkerchief, fobs, watch and perhaps a quizzing glass or eye glass.
Skirted coats were replaced with short-fronted, or cutaway, tailcoats worn over fitted waistcoats and plain, white linen shirts. Knee breeches were gradually replaced by tight-fitting pantaloons and later trousers, decorative shoes with buckles were replaced with a variety of boot styles, and fussy and ruffled neckwear gave way to intricately tied, white linen neck cloths. A Regency Era, or early 1800s, gentleman was outfitted in more practical fabrics, such as wool, cotton and buckskin rather than the fussy brocades and silks of the late 1700s.
Covent Garden is within the London boroughs of Westminster and Camden, and the parliamentary constituencies of Cities of London and Westminster and Holborn and St Pancras. The district is divided by the main thoroughfare of Long Acre, north of which is given over to independent shops centred on Neal’s Yard and Seven Dials, while the south contains the central square with its street performers and most of the elegant buildings, theatres and entertainment facilities, including the Theatre Royal, Drury Lane, and the London Transport Museum.
In 1552, the land was seized by Henry VIII and granted to the Earls of Bedford. The 4th Earl commissioned Inigo Jones to build fine houses to attract wealthy tenants. It was the first modern square in London, with Italian arcades and a flat, open space or piazza with low railings. This layout was copied in other new estates in London.
1555 John Russell, 1st Earl Of Bedford. By a follower of John Bettes. Given land of Covent Garden by Herny VIII after the dissolution of the Monasteries.1650 The piazza of Covent Garden about 1650, as engraved by Wenceslaus Hollar. Courtesy University of Toronto.1721-1789 ca. St. Paul’s Church, Covent Garden, London, U.K. From between two arches of the plaza. Watercolor with grey wash. By Thomas Sandy. Via British Museum, London, UK. britishmuseum.org1800s Early Covent Garden Market, London, U.K.
In 1654, an open-air fruit and vegetable market grew on the south side of the fashionable square but over time the market and the surrounding area fell into disrepute. Taverns, theatres, coffee-houses and brothels opened up, the gentry moved away, and rakes, wits and playwrights moved in.
By the 18th century Covent Garden had become a well-known red-light district, attracting notable prostitutes such as Betty Careless and Jane Douglas. Descriptions of the prostitutes and where to find them were provided by Harris’s List of Covent Garden Ladies, the “essential guide and accessory for any serious gentleman of pleasure”.
Covent Garden’s market was always disorderly, the buildings in bad shape, and overcrowded with stalls, donkeys, carts, and peddlers. The small number of passageways into the piazza were small and with bottle necks of carts moving goods and market sellers fighting for right of way. The markets supplied fruits and vegetables, mostly homegrown but with imported goods increasing. Many sellers missed paying tolls for selling in the piazza or refused to pay them so the owner, the Earl of Bedford, took many people to court for not paying tolls. He realized the markets were in such poor condition that he couldn’t charge sellers until he improved them. In 1830, a new market hall was built with sections dividing the kind of goods sold which did improve things, but the markets remained chaotic. By 1890, people were again complaining about the narrow streets and congestion.
Covent Garden’s flower girls attracted attention by shouting:
“Two bundles a penny, primroses!”
“Sweet violets, penny a bunch!”
In 1851, Henry Mayhew wrote London Labour and the London Poor describing two types of flower girl. The young girls, or waifs, sold flowers to feed the family. The other type of flower girl stayed out late, doubled as prostitutes, and had bad reputations.
In 1913, Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000.
1809 View Of the New Covent Garden Theatre, London. From Hart Street, showing the King’s entrance. Watercolor drawn by James Winston. via British Museum. 1811 Bird’s Eye View of Covent Garden Market, London, UK. Main fruit, flower and vegetable market in London in early 19th century. Began here in 1656 with few temporary stalls in back garden of home of Earl of Bedford. Charles II granted market lease and in 1678 bought by Adam Piggot and others who built permanent stalls. By 1811, smelly, dirty, and overcrowded. Engraver J. Bluck. After Augustus Charles Pugin and Thomas Rowlandson published by Ackermann. Via British Museum, London, UK. britishmuseum.org
1827 Covent Garden Market, Westminster, London, U.K. By Frederick James Havell.
In 1830, Charles Fowler’s neo-classical building was erected to cover the market and as the market grew, the prostitutes moved on. The Floral Hall and Charter Market were added and the Jubilee Market in 1904.
1835 Covent Garden Watch House, London, UK. Next to the church of St. Paul’s Church, Covent Garden. Two story white building with ‘Watch House’ painted on its upper floor is shown with a lively street scene in the foreground. via Museum of London.
1852 J.M.W. Turner’s birthplace in Maiden Lane, Covent Garden. Brick terraced house at night with a figure in top hat walking past and two figures with a candlelight in the doorway_Watercolour with body color over graphite. Drawn by John Wykeham Archer.
In 1913,Herbrand Russell, 11th Duke of Bedford agreed to sell the Covent Garden Estate for £2 million to the MP and land speculator Harry Mallaby-Deeley, who sold his option in 1918 to the Beecham family for £250,000. By the end of the 1960s, traffic had become congested until in 1974 the market relocated to the New Covent Garden Market about three miles (5 km) south-west at Nine Elms. In 1980, the central building re-opened as a shopping centre and then became a tourist location with cafes, pubs, small shops, a craft market called the Apple Market, and another market in the Jubilee Hall.
